Husserl on Perception

“External perception is a constant pretension to accomplish something that, by its very nature, it is not in a position to accomplish. Thus, it harbors an essential contradiction, as it were. My meaning will soon become clear to you once you intuitively grasp how the objective sense exhibits itself as a unity in the unending manifolds of possible appearances; and seen upon closer inspection, how the continual synthesis, as a unity of coinciding, allows the same sense to appear, and how a consciousness of ever new possibilities of appearance constantly persists over against the factual, limited courses of appearance, transcending them.”

“Let us begin by noting that the aspect, the perspectival adumbration through which every spatial object invariably appears, only manifests the spatial object from one side. No matter how completely we may perceive a thing, it is never given in perception with the characteristics that qualify it and make it up as a sensible thing from all sides at once. We cannot avoid speaking of such and such sides of the object that are actually perceived. Every aspect, every continuity of single adumbrations, regardless how far this continuity may extend, offers us only sides. And to our mind this is not just a statement of fact: it is inconceivable that external perception would exhaust the sensible-material content of its perceived object; it is inconceivable that a perceptual object could be given in the entirety of its sensibly intuitive features, literally, from all sides at once in a self-contained perception” (Husserl, Analyses Concerning Passive and Active Synthesis, pp. 39-40).

Adumbration is something like foreshadowing.

While many of his contemporaries were caught up in the logical empiricist enthusiasm for literal “sense data” as the supposedly rock-solid foundation for knowledge, Husserl was taking an extremely original approach to a more classical view of the inherent limiting and “transcending” features of sense perception, explicitly bringing out implicit characteristics of any possible seeing of physical objects that seem clear as soon as we bring them into focus and reflect on them.

We need not take something like Plato’s refusal to treat sensation as a source of knowledge as a case of repugnance toward physicality. With Husserl’s help we can “see” a more specific grounding of Plato’s view in reasons inherent to the subject matter. Husserl’s exceptionally clear examples in the realm of visual perception also provide a kind of model for understanding something like Hegel’s frequent complaints against “one-sided” points of view.

“When we view the table, we view it from some particular side…. Yet the table has still other sides” (p. 40). “It is clear that a non-intuitive pointing beyond or indicating is what characterizes the side actually seen as a mere side” (p. 41). “In every moment of perceiving, the perceived is what it is in its mode of appearance [as] a system of referential implications…. And it calls out to us, as it were, in these referential implications: ‘There is still more to see here, turn me so you can see all my sides, let your gaze run through me, draw closer to me, divide me up; keep on looking at me over again and again…'” (ibid).

“These indications are at the same time tendencies that push us toward the appearances not given…. They are pointers into an emptiness since the non-actualized appearances are neither consciously intended nor presentified. In other words, everything that genuinely appears is an appearing thing only by virtue of being intertwined and permeated with an intentional empty horizon, that is, by virtue of being surrounded by a halo of emptiness with respect to appearance. It is an emptiness that is not a nothingness, but an emptiness to be filled-out; it is a determinable indeterminacy” (p. 42).

“In spite of its emptiness, the sense of this halo of consciousness is a prefiguring that prescribes a rule for the transition to new actualizing appearances…. This holds time and again for every perceptual phase of the streaming process of perceiving…. There is a constant process of anticipation, of preunderstanding” (pp. 42-43).

“[A]s soon as a new side becomes visible, a side that has just been visible disappears from sight….But what has become non-visible is not cognitively lost for us…. Having already once seen the back side of an unfamiliar object and, turning back to perceive the front side, the empty premonition of the back side now has a determinate prefiguring that it did not have previously” (pp. 45-46).

“The fact that a re-perception, a renewed perception of the same thing, is possible for transcendence characterizes the fundamental trait of transcendent perception, alone through which an abiding world is there for us, a reality that can be pregiven for us and can be freely at our disposal” (p. 47).

Here “transcendence” just refers to the various characteristics of the incomplete perception of spatial objects he is pointing out.

“[W]e see that every perception [implicitly] invokes an entire perceptual system; every appearance that arises in it implies an entire system of appearances” (p. 48). “What is already given to consciousness in a primordial-impressional manner points to new modes of appearance through its halo which, when occurring, emerge as partly confirming, partly determining more closely…. Advancing along this line, the empty intentions are transformed respectively into expectations” (p. 49).

Perception gives us the very opposite of isolated sense data. Every perception is connected to other perceptions.

“If we ask, finally, what gives unity within every temporal point of the momentary appearance… we will also come across reciprocal intentions that are fulfilled simultaneously and reciprocally” (p. 50).

Substance in the elementary sense of something persisting through change emerges from networks of mutually reinforcing cross-references.

“We can never think the given object without empty horizons in any phase of perception and, what amounts to the same thing, without apperceptive adumbration. With adumbration there is simultaneously a pointing beyond what is exhibiting itself in a genuine sense. Genuine exhibition is itself, again, not a pure and simple possession on the model of immanence with its esse = percipi [to be = to be perceived]; instead, it is a partially fulfilled intention that contains unfulfilled indications that point beyond” (p. 56).

“[I]n the process of perceiving, the sense itself is continually cultivated so in steady transformation, constantly leaving open the possibility of new transformations” (p. 57).

Everything we perceive reaches beyond itself, raising new questions.

“We always have the external object in the flesh (we see it, grasp, seize it), and yet it is always at an infinite distance mentally. What we do grasp of it pretends to be its essence; and it is it too, but it remains so only in an incomplete approximation, an approximation that grasps something of it, but in doing so also constantly grasps into emptiness that cries out for fulfillment” (pp. 58-59).

I suggested above that what Husserl illustrates so clearly about visual perception can serve as a model for other things. In particular, I think both facts and beliefs share the perspectival character of visual perception of spatial objects, because they revolve around analogous issues of correspondence with something external.

The very best and most complete facts about anything at best resemble a collection of still views of a tree from different angles, like the sides of the table in Husserl’s example. The virtue of facts is that they are supposed to be individually self-contained, and individually verifiable by correspondence to states of affairs. Even leaving aside all questions of interpretation that tend to unravel this putative self-containedness, by virtue of their isolation all individual facts still remain “one-sided” or perspectival, like individual still views of the tree.

Even the most complete collection or sequence of still views fails to capture the simultaneous many-sided unity-in-diversity of the concrete tree. The real concrete unity of the tree is not factual but teleological and “transcendental”, forever out of reach of a merely factual approach.

If this is true of the best possible facts, I would say it must also be true of the best possible beliefs, because both revolve around a kind of correspondence to states of affairs. The difference is that beliefs are just assertions of correspondence between what we say and what “is”. But to qualify as a fact, an assertion must also be verifiable by correspondence.

But verification by correspondence can only apply to what appears, not to what “is”, so facts only apply to what appears about states of affairs. Facts in effect just are verifiable appearances. They are an instance of what Plato called “true opinion”. They are objects of justified true belief, and potentially of a kind of subjective “certainty”.

Beliefs on the other hand usually reach beyond appearances toward what is, so although they assert a kind of correspondence, they cannot in general be verified by correspondence. Their well-foundedness in the general case has to do with a goodness of reasons. Well-foundedness by reasons falls short of certainty in one way, but it reaches deeper. It is potentially less subject to perturbation, because it does not directly depend on appearances or correspondence.

I think knowledge is something stronger than well-founded belief. Unlike facts and beliefs, I want to say that knowledge in the proper sense has nothing to do with correspondence to something outside itself. Also, well-founded beliefs may depend on assumptions that could eventually be refuted, but “knowledge” in the sense I want to give it does not depend on any assumptions either.

Contrary to common usage, then, I want to say that facts are not knowledge, and even certainty about appearances is not knowledge.

Judgments of correspondence — including beliefs and facts and certainties about appearance — seem to me to be inherently perspectival in the way that Husserl talks about. On the other hand, that rare thing called knowledge, in the way I am using the term, would be immune to perspectival limitations, because it does not depend on correspondence at all.

Next in this series: Crossing Out

Husserl on Passive Synthesis

Volume IX of Edmund Husserl’s collected works is entitled in English Analyses Concerning Passive and Active Synthesis. It consists of lectures given between 1920 and 1926, supplemented with various contemporary unpublished notes and manuscripts. Husserl explicitly offers his notion of passive synthesis as a successor to Kant’s idea of a productive synthesis of imagination (see Capacity to Judge; Figurative Synthesis). As usual when I read Husserl, in spite of reservations that some more global concepts he uses seem “too strong”, I am reveling in the richness and originality of his detailed developments.

The term “passive synthesis” has an air of paradox about it, but I have been very interested in the way both Aristotle and Kant deal with aspects of human sentience and sapience that are neither entirely active nor entirely passive, and this is the real significance of this whole topic. In a more general context, Hegel and Paul Ricoeur (who was an acute reader of Husserl) both also have much of value to say about such mixed forms. I tend to think that nothing in the human sphere is ever entirely active or entirely passive.

In spite of Husserl’s pains to distinguish what he called “transcendental” subjectivity (in a sense somewhat different from, but related to, that of Kant) from “psychological” subjectivity — and his early sharp criticism of “psychologism” — translator Anthony Steinbock’s introduction points out that during the less known stage documented in this volume, when Husserl began speaking of a “genetic” phenomenology, he also wrote extensively in the area of philosophical psychology. The material on passive synthesis could be considered a prime instance of this.

For Husserl, all philosophy — and indeed all science, if it is really doing what he thinks it should — ought to make us wiser and better.

He begins with some leading points from what he calls transcendental logic. With extremely broad brush, this is concerned with neither formalization nor real-world inference, but rather focuses on the constitution of meanings.

The main section on passive synthesis begins by noting some aspects of perception that are commonly passed over, including “perspectival adumbration of spatial objects”; “fullness and emptiness in the perceptual process”; how our acquired knowledge can be freely at our disposal; and the relation between being and being perceived.

Next he develops an unusually broad notion of modality, as a kind of modification of the sense of contents. This includes negation, but Husserl is not concerned here with ordinary logical negation. Under negation he discusses things like “disappointment as an occurrence that runs counter to the synthesis of fulfillment”; “partial fulfillment”; and “retroactive crossing out in the retentional sphere and transformation of the previous perceptual sense”. Then he treats doubt, including its origin in conflicting apprehensions and its resolution. Next comes the more standard modality of possibility, which he transforms by dividing it into “open” possibilities and “enticing” possibilities that motivate us. He concludes this subdivision by discussing relations between passive and active modalization, including “position-taking of the ego as the active response to the modal modification of passive doxa [belief]” and “questioning as a multilayered striving toward overcoming modalization through a judicative decision”.

The following subdivision is concerned with the notion of evidence. Here he discusses the “structure of fulfillment” as a “synthesis of empty presentation”; then “passive and active intentions and the forms of their confirmation and verification”, including “picturing, clarifying, and confirmation in the syntheses of bringing to intuition”, “possible types of intuition”, and “possible types of empty presentation”; “intention toward fulfillment [as] the intention toward self-giving”; “epistemic striving and striving toward the effective realization of the presented object”; and “the different relationships of intention and the intended self”. This subdivision concludes with “the problem of definitiveness in experience”, including “the problematic character of a verification that is possible for all intentions and its consequence for belief in experience”; “development of the problem of the in-itself for the immanent sphere”; and “rememberings as the source for an in-itself of objects”.

A long subdivision is devoted to association. Here he will be concerned with motivational relations rather than the psycho-physical causal relations with which “association” is associated in the empiricist tradition. A partial list of the contents includes “presuppositions of associative synthesis”; “syntheses of original time-consciousness”; “syntheses of homogeneity in the unity of a streaming present”‘; “the phenomenon of contrast”; “individuation in succession and coexistence”; “affection as effecting an allure on the ego”; “the gradation of affection in the living present and in the retentional process”; “the function of awakening in the living present”; “retroactive awakening of the empty presentations in the distant sphere”; “the transition of awakened empty presentations in rememberings”; “the difference between continuous and discontinuous awakening”; and “the phenomenon of expectation”.

The final subdivision of the section on passive synthesis is devoted to the stream of consciousness. This includes “illusion in the realm of remembering”; “overlapping, fusion, and conflict of rememberings of different pasts”; “the true being of the system of the immanent past”; “confirmation of self-givenness by expanding into the outer horizon”; “the primordial transcendence of the past of consciousness and the idea of its complete self-giving”; “the problem of a true being for the future of consciousness”; “disappointment as an essential moment of expectation”; and “the constitution of the objective world in its significance for the determinate prefiguring of futural consciousness”.

This is followed by a section on active synthesis, which also treats of “a transcendental, genetic logic”. Voluminous appendices further expand on the topics treated.

Next in this series: Husserl on Perception

Figurative Synthesis

I wanted to extract a few more key points from Beatrice Longuenesse’s landmark study Kant and the Capacity to Judge. She strongly emphasizes that judgment for Kant refers to a complex activity, not a simple reaching of conclusions. She especially stresses the role of a capacity to judge that precedes any particular judgment and is grounded in a synthesis of imagination. (See Capacity to Judge; Imagination: Aristotle, Kant; Kantian Synthesis.)

At issue here is the very capacity for discursive thought, as well as “the manner in which things are given to us” (p. 225, emphasis in original), which for Kant involves what he called intuition. (See also Beauty and Discursivity).

Through careful textual analysis, Longuenesse argues that Kant’s claim to derive logical categories from forms of judgment makes far more sense than most previous commentators had recognized. For Kant, she argues, the “forms of judgment” are not just logical abstractions but essential cognitive acts that reflect “universal rules of discursive thought” (p. 5).

She recalls Kant’s insistence that the early modern tradition was wrong to take categorical judgments (simple predications like “A is B“) as the model for judgments in general. For Kant, hypothetical and disjunctive judgments (“if A then B” and “not both A and B“, respectively) are more primitive. These correspond to the judgments of material consequence and material incompatibility that Brandom argues form the basis of real-world reasoning.

Another distinctive Kantian thesis is that space and time are neither objective realities nor discursive concepts that we apply. Rather, they are intuitions and necessary forms of all sensibility. Kantian intuitions are produced by the synthesis of imagination according to definite rules.

“[I]ntuition is a species of cognition (Erkenntnis), that is, a conscious representation related to an object. As such it is distinguished from mere sensation, which is a mere state of the subject, by itself unrelated to any object…. One might say that, in intuition, the object is represented even if it is not recognized (under a concept).” (pp. 219-220, emphasis in original).

Before we apply any concepts or judgments, “Representational receptivity, the capacity to process affections into sensations (conscious representations), must also be able to present these sensations in an intuition of space and an intuition of time. This occurs when the affection from outside is the occasion for the affection from inside — the figurative synthesis. The form of the receptive capacity is thus a merely potential form, a form that is actualized only by the figurative synthesis” (p. 221, emphasis in original).

“[A]ccording to Locke, in this receptivity to its own acts the mind mirrors itself, just as in sensation it mirrors outer objects…. Kant shares with Locke the conception of inner sense as receptivity, but he no longer considers the mind as a mirror, either in relation to itself or in relation to objects…. Just as the thing in itself that affects me from outside is forever unknowable to me, I who affect myself from within by my own representative act am forever unknowable to me” (p. 239, emphasis added).

The point that the mind is not a mirror — either of itself or of the world — is extremely important. The mirror analogy Kant is rejecting is a product of early modern representationalism. We can still have well-founded beliefs about things of which we have no knowledge in a strict sense.

“Kant’s explanation is roughly this: our receptivity is constituted in such a way that objects are intuited as outer objects only in the form of space. But the form of space is itself intuited only insofar as an act, by which the ‘manifold of a given cognition is brought to the objective unity of apperception’, affects inner sense. Thanks to this act the manifold becomes consciously perceived, and this occurs only in the form of time” (p. 240, emphasis in original).

She develops Kant’s idea that mathematics is grounded in this kind of intuition, ultimately derived from the conditions governing imaginative synthesis. In particular, for Kant our apprehensions of unities and any kind of identification of units are consequences of imaginative synthesis.

“Extension and figure belong to the ‘pure intuition’ of space, which is ‘that in which the manifold of appearances can be ordered’, that is, that by limitation of which the extension and figure of a given object are delineated. Therefore, space and time provide the form of appearances only insofar as they are themselves an intuition: a pure intuition, that is, an intuition preceding and conditioning all empirical intuition; and an undivided intuition, that is, an intuition that is presupposed by other intuitions rather than resulting from their combinations” (p. 219, emphasis in original).

“According to Locke, the idea of unity naturally accompanies every object of our senses, and the idea of number arises from repeating the idea of unity and associating a sign with each collection thus generated by addition of units…. But for Kant, the idea (the concept) of a unit is not given with each sensory object. It presupposes an act of constituting a homogeneous multiplicity…. Thus the idea of number is not the idea of a collection of given units to which we associate a sign, but the reflected representation of a rule for synthesis, that is, for the act of constituting a homogeneous multiplicity. When such an act is presented a priori in intuition, a concept of number is constructed.” (p. 260, emphasis in original).

“Mathematics has no principles in the absolute sense required by reason. Axioms are not universal propositions cognized by means of pure concepts. They may be universally and apodeictically true, but their truth is based on the pure intuition of space, not derived from pure concepts according to the principle of contradiction” (p. 287).

Incidentally, Longuenesse thinks it does not follow from Kant’s account that space is necessarily Euclidean, as many commentators have believed and Kant himself suggested.

Beauty and Discursivity

Plotinus was a huge inspiration for me in my youth. Revisiting a piece of his Enneads just now, I am again struck by the majesty of his thought and writing. These days I have a much more positive view of discursive reasoning, but I first wanted to let him speak for himself.

I still agree that there is far more to knowledge and understanding than an accumulation of propositions. But as a teenager, I definitely considered step-by-step reasoning to be something inferior to the kind of holistic intellectual intuition Plotinus emphasizes when he talks about Intellect. The latter I considered to be the true source of insight — “silent mind before talking mind”.

Nowadays, I think that kind of unitary vision is achievable only as the crowning result of much patient work. I no longer take it to be the original source that discursive reasoning imitates in an inferior way. Intellect or Reason does form a relational whole, and the whole is more important than the parts. But today I would emphasize that the relational whole is an articulated whole, and it is the articulation — the making of connections — that is the real essence.

From many connections, we get larger unities. Larger unities are still the goal, but the work of making connections is what makes such fused views possible. The contemplation of well-formed wholes by the silent mind of an embodied human depends on prior work that must include open discursive questioning and reasoning, if the result is to be genuine.

Aristotle made a vitally important distinction between what is first in itself and what is first for us. To directly aim for the highest truth in itself while being dismissive of what is “first for us” is to disregard our nature as rational animals. Put another way, to directly aim for the highest truth is simply to miss it. This is the kind of illegitimate shortcut that Plotinus himself criticized the gnostics for.

We rational animals need the “long detour” of dialectic to properly grasp any kind of real truth. Otherwise, our visionary experiences will just be fever dreams of the sort that incite fanatics. The goal is not just immediacy but mediated immediacy, as Hegel would say. I think Plotinus at least partially recognized this.

To no longer regard things in the manner of “a spectator outside gazing on an outside spectacle” is to overcome naive dichotomies of subject and object. To really do this, we have to clear our minds of prejudice, not just do meditative exercises to silence internal dialogue. Clearing our minds of prejudice is what requires the long detour.

Plotinus on Intellectual Beauty

“Art… must itself be beautiful in a far higher and purer degree [than the beautiful object]” (Plotinus, Enneads V.8, MacKenna trans., p. 422)

“The Nature, then, which creates things so lovely must be itself of a far earlier beauty; we, undisciplined in discernment of the inward, knowing nothing of it, run after the outer, never understanding that it is the inner that stirs us; we are in the case of one who sees his own reflection but not realizing whence it comes goes in pursuit of it” (p. 423).

“By what image, thus, can we represent it? We have nowhere to go but to what is less” (p. 424).

“For all There is heaven; earth is heaven, and sea heaven; and animal and plant and man; all is the heavenly content of that heaven…. And each of them contains all within itself, and at the same time sees all in every other, so that everywhere there is all, and all is all and each all, and infinite the glory. Each of them is great; the small is great; the sun, There, is all the stars; and every star, again, is all the stars and sun. While some one manner of being is dominant in each, all are mirrored in every other” (p. 425).

“Each There walks upon no alien soil; its place is its essential self; and, as each moves, so to speak, towards what is Above, it is attended by the very ground from which it starts: there is no distinguishing between the Being and the Place; all is Intellect, the Principle and the ground on which it stands, alike” (ibid).

“The myth of Lynceus seeing into the very deeps of the earth tells us of those eyes in the divine. No weariness overtakes the vision which yet brings no satiety as would call for its ending; for there never was a void to be filled…. [T]o see is to look the more, since for them to continue in the contemplation of an infinite self and of infinite objects is but to acquiesce in the bidding of their nature” (ibid).

“Life, pure, is never a burden…. The greatness and power of the wisdom There we may know from this, that it embraces all the real Beings, and has made all and all follow it, and yet that it is itself those beings” (p. 426).

“If we have failed to understand, it is that we have thought of knowledge as a mass of theorems and an accumulation of propositions, though that is false even for our sciences of the sense-realm…. [T]his is not a wisdom built up of theorems but one totality, not a wisdom consisting of manifold detail co-ordinated into a unity but rather a unity working out in detail” (ibid).

“Later from this wisdom in unity there appears, in another form of being, an image, already less compact, which announces the original in terms of discourse and seeks the causes by which things are such that the wonder arises how a generated world can be so excellent…. This excellence, whose necessity is scarcely or not at all manifest to search, exists, if we could but find it out, before all searching and reasoning” (p. 427).

“One way, only, remains: all things must exist in something else… thus the entire aggregate of existence springs from the divine world…. [T]he creation is not hindered, even now; it stands firm in virtue of being All. To me, moreover, it seems that if we ourselves were archetypes, Ideas, veritable Being, and the Idea with which we construct here were our veritable Essence, then our creative power, too, would toillessly effect its purpose” (p. 428).

“Certainly no reproach can rightly be brought against this world save only that it is not That” (p. 429).

“Being is desirable because it is identical with Beauty; and Beauty is loved because it is Being. How then can we debate which is the cause of the other, where the nature is one?” (p. 430).

“To those that do not see entire, the immediate impression is alone taken into account; but those drunken with this wine, filled with the nectar, all their soul penetrated by this beauty, cannot remain mere gazers: no longer is there a spectator outside gazing on an outside spectacle; the clear-eyed hold the vision within themselves, though, for the most part, they have no idea that it is within but look towards it as to something beyond them and see it as an object of wisdom caught by a direction of the will” (p. 431).

“The very contrary: to see the divine as something external is to be outside of it” (p. 432).

“We ourselves possess beauty when we are true to our own being” (p. 433).

Plotinus Against the Gnostics

Since publication of James Robertson’s The Nag Hammadi Library (1977), there has been a big upsurge of interest in the loose bundle of religious tendencies under the Roman Empire known retrospectively as “gnosticism”. These tended to emphasize extreme forms of transcendence, and to reject the classical notion of the inherent goodness of life in the finite world.

Hans Jonas’ 1958 classic The Gnostic Religion was an early sympathetic account that impressed me in my youth. Jonas gave a somewhat philosophical reading of general gnostic principles, emphasizing the claim that a direct personal experience of metaphysical realities could transform one’s being. I now think that true wisdom does not come from any immediate experience, although immediate experience may encapsulate wisdom already acquired. In light of Kant, I think the idea of direct experience of transcendent metaphysical realities is a category mistake.

Surviving gnostic texts nonetheless contain many bits of inherent interest to the historian of religions, illustrating results of a rather wild cross-cultural fusion between nonstandard Jewish, Christian, Greek, Egyptian, Babylonian, Persian, and even Buddhist elements. Related themes found their way into Ismaili Shi’ism, Suhrawardian Illuminationist Sufism, Catharism, and Jewish Kabbalah. Particularly in the Shi’ite versions, there was at times an element of concern for social justice. This kind of formation, however, seems to be prone to developing an authoritarian or cult-like character, e.g., “I am better than you because I have the secret wisdom.”

Prior to the 19th century, gnosticism was known in the West almost exclusively from extremely hostile heresiological sources, which were often not far from the mentality that groups we don’t like eat babies for breakfast. There was an underground interest in gnosticism among occultists and Jungians, but only in the later 20th century did studies of it acquire broader intellectual respectability.

The pendulum has now perhaps swung too far in the opposite direction of rather uncritical enthusiasm. In this context, the independent critique of gnosticism by Plotinus is worth recalling.

The largest single treatise of Plotinus, the great founder of neoplatonism, the so-called Großschrift, was divided into four pieces by his student and editor Porphyry, who gave its conclusion the title “Against the Gnostics”. The three preceding parts, which expressed related views of Plotinus in more positive terms, were “Nature, Contemplation, and the One”, “On the Intellectual Beauty”, and “That the Intelligibles Are Not Outside the Intellect, and on the Good”.

Plotinus criticized the gnostics for making arrogant claims to possess otherwise hidden metaphysical knowledge; for their negative attitudes toward life in this world; and for their feverish multiplication of metaphysical principles. In my youth I had some sympathy for the “esoteric” view, and for general feelings of alienation from the existing world order. However, I have come to believe that the truest spirituality has a universal rather than esoteric character. Also, I have really always believed that nature and worldly being are good in themselves, and that social ills are due to us and not to unjust cosmic forces. I have come to think that Plotinus’ notions of the One, Intellect, and Soul are too strong, but still consider him a major figure. (See also The One?; Power of the One?; Neoplatonic Critique of Identity?; Subjectivity in Plotinus).

Hegel offers many enriching views of the broader matters addressed by Plotinus here.

Neoplatonic Critique of Identity?

A common theme of much 20th century continental philosophy was criticism of presumed identities of people and things. Writers like Theodor Adorno and Michel Foucault, to name but two, systematically questioned the role of identity in our understanding of the world. Edmund Husserl had recommended suspending judgments of existence in favor of the concrete description of essences; starting especially from a historiographical point of view, Foucault recommended suspension of judgments of pre-existing unity in favor of a concrete description of differences.

Later neoplatonism like that of Proclus (412-485 CE) is commonly associated with an extreme “realist” multiplication of metaphysical entities that implicitly had their own presupposed identities. The positive side of this is a rich view of differentiation metaphysically underpinning the diversity of concrete being. But the neoplatonic technical term hypostasis is the etymological source of our verb “to hypostasize”, which basically means to attempt to artificially impose more unity on something than it really has.

But especially if we go back to Plotinus (204/5 – 270 CE), and also in later authors, there is a strong strand of what might be called “negative henology” in neoplatonism. Plotinus was the main originator of so-called negative theology in the West. Negative theology indirectly gives meaning to the notion of transcendence by pointing out how every definite description falls short of adequately characterizing God. Hen is Greek for “one”, so by analogy with negative theology, a negative henology would be an account of how everything falls short of the pure unity of the One — in other words, how things that we think of as pre-existing unities are less unified than we suppose.

Hand in hand with this perspective comes the recognition that unity has many degrees. There are a few strong unities and many weak ones, and many degrees in between. As Plotinus recognized, nothing real has the pure unity of the One. (See also Power of the One?; Plotinus Against the Gnostics; Subjectivity in Plotinus.)

Droplets of Sentience?

One somewhat speculative theme I’ve been developing here is the suggestion that our basic sentience or awareness has only a very loose unity, like that of a liquid. The idea is that sentience attaches primarily to our concrete thoughts, feelings, and perceptions, which can then flow together like droplets of water. Consciousness is not a matter of being a spectator of some internal theater. It attaches directly to the action of the play, so to speak. (See Ideas Are Not Inert; Imagination: Aristotle, Kant).

William James famously spoke of the “stream” of consciousness. I take this to be quite different from the unity of apperception that Kant talked about. The unity of a stream of consciousness is very loose and constantly changing, but that loose unity is a matter of fact. The unity of a unity of apperception on the other hand is quite strong, but it is a teleological tendency or a moral imperative, and not a matter of fact.

When we say “I”, that refers primarily to a unity of apperception — our constellation of commitments. This has much greater relative stability than our stream of consciousness. It is also what I think Aquinas was reaching for in claiming a strong moral unity of personal “intellect”. By contrast, one of the great modern errors is the equation “I am my consciousness”.

Thickness of Experience

Experience is not just a razor-thin interaction between us and the world, balanced on the moving point of “now”. It is made richer by two complicating dimensions — one of cumulative effects across time that are superimposed at each moment (as when we say someone is “experienced”), and one of a vast network of simultaneous relations at work in shaping each single moment.

Imagination: Aristotle, Kant

In the glossary to his translation of Aristotle’s On the Soul, Joe Sachs nicely summarizes the various roles of phantasia or “imagination” in Aristotle:

“A power of the soul that perceives appearances when perceptible things are absent and thinks without distinguishing universals (429a 4-8, 434a 5-11). The imagination is identified in On Memory and Recollection as the primary perceptive power of the soul (449b 31 – 450a 15). Thus, many activities discovered in On the Soul may be collected and attributed to the imagination, such as perceiving common and incidental objects of the senses, being aware that we are perceiving, discriminating among the objects of the different senses (425a 14 – b 25), distinguishing flesh or water (429b 10-18), and perceiving time (433b 7). Also, implicit within the power of imagination to behold images (phantasmata), there must be imagination in a second sense, eikasia, by which we can see an image as an image (eikon) or likeness (On Memory and Recollection 450b 12-27)” (pp. 194-195; citations in original).

In the above, I would particularly highlight “thinking without distinguishing universals” and “being aware that we are perceiving”. Imagination — and not intellect, for instance — seems to me to be the primary source suggested in Aristotle for what we, following Locke, call “consciousness”. Also noteworthy is language suggestive of what Kant would later call synthesis.

The vital implication here is that the closest analogue of “consciousness” in Aristotle comes into being not as a transparent medium of representation, but rather as a shifting collection of concrete forms in imagination. Further, the forms we experience are not just passively received, but actively organized and discriminated at a pre-conscious level. Thus when Aristotle says — as he also does — that, e.g., the eye is essentially passive in receiving forms as differentiations in received light — this latter is intended at a purely physical level, and is far from providing a full account of, e.g., visual perception by a human.

Prior to Descartes’ confabulation of scholastic “cogitation” and “intellection”, concrete human psychic activity or “cogitation” was generally recognized as having its roots in imagination. Intellection was understood to have a more specialized role, focused on the constitution of universals. However, attempts to reconcile Aristotle with Plotinus and Proclus in the Arabic tradition, and then with Augustine and pseudo-Dionysius in the Latin tradition, provided a background that was ultimately very supportive toward Aquinas’ strong claim that intellect must after all be understood as the leading part of the individual human soul, morally responsible for all its concrete thoughts and actions. This made it far more plausible for Descartes to take the further step — which Locke followed — of simply identifying cogitation and intellection. The self-transparency of the cogito in Descartes and of consciousness in Locke, respectively — along with their identification with intellection — served to marginalize the role of forms in imagination in their conceptions of “mind”.

A very important feature of Kant’s work that is relatively little appreciated is that he restored a central role for “imagination” in philosophical psychology and anthropology. For Kant, humans can have neither direct knowledge of empirical facts or objects, nor any knowledge of transcendent realities. All intellection and knowledge are discursive, as I think Aristotle would have agreed. We have immediate though “blind” intuition of a sensible manifold, but intellectual intuition is an oxymoron, because intellection is inherently discursive. And in between the synthesis of initial sensory apprehension in intuition and the synthesis of recognition in the concept (Kant’s equivalent for intellection) comes a crucial synthesis of reproduction in imagination. Though his terminology is quite different, Kant not only recovers but even expands upon the role that imagination played in Aristotle.

In Kant and the Capacity to Judge, Beatrice Longuenesse carefully develops what Kant says about imagination in the Critique of Pure Reason. This is a major dimension of her book, so I can only give a flavor of it here.

“The imagination ‘in which’ there is reproduction is not the imagination as a faculty or power (Einbildungskraft), but the representation produced by this faculty (Einbildung)” (p. 35). Though Kant uses the terminology of representation, this effectively refers to the same forms in imagination that Aristotle emphasized.

“[Kant] shows that these acts of combination can contribute to the cognition of a phaenomenon, an object distinct from the ‘indeterminate object of empirical intuition’ (Erscheinung [or mere appearance]), only if they all belong to one and the same act of synthesis of the spatiotemporal manifold. The form of this act is determined a priori by the nature of our mind, and its outcome is threefold: the manifold of intuition represented ‘as’ manifold, the representation of imagination (Einbildung) emerging from empirical associations, and finally the universal representation or concept, under which particular representations are subsumed. This act is that very act of synthesis which Kant, in section 10, attributes to the imagination, in the A Deduction [of the categories] more precisely to transcendental imagination, and which in the B Deduction he calls synthesis speciosa, figurative synthesis” (pp. 35-36).

As usual in Kant, “transcendental” means not metaphysical, but simply constitutive in a way that is not reducible to empirical events. Longuenesse points out that imagination in Kant is not merely reproductive, but also productive. In any case, for Kant not only the logical “matter” but also the elaborated form of our fully constituted experience owes a great deal to imagination, and a recognition of this — as opposed to the assumption of a putative transparency of consciousness — is fundamental to the “Critical” attitude Kant aimed to promote. Here I am using “form” in a sense more Aristotelian than Kantian. (See also Capacity to Judge; Figurative Synthesis; Imagination, Emotion, Opinion; Animal Imagination; Imagination; Four Layers of Being Human.)