Between Good and Evil

Title for this post recalls the English subtitle of Rüdiger Safranski’s biography Martin Heidegger (German ed. 1994, English tr. 1998). I’ll try and keep this relatively short, but I wanted to make few remarks on this and Theodore Kisiel’s The Genesis of Heidegger’s Being and Time (1993). In the last few days I have been pouring over these, with a few specific questions in mind: What led to Heidegger’s profoundly negative view of Plato, Aristotle, and Western philosophy in general? What details are known about the development in his religious views? And what else is known about his political views, and involvement with the Nazis?

In 1907, one of his teachers gave him a copy of Franz Brentano’s dissertation on the meaning of being in Aristotle. Brentano was the one who introduced the medieval term “intentionality” into modern philosophy. Latter, Heidegger enthusiastically read the Logical Investigations of Brentano’s student Husserl. But in 1915, he anticipated a career interpreting medieval philosophy. He was originally going to be a Catholic priest. Some time around 1916, though, he left the Catholic church, citing “epistemological issues”, and for a time identified himself as a “free Christian”. Around the same time, he came into personal contact with Husserl, eventually becoming Husserl’s assistant. His early work under Husserl was devoted mainly to a phenomenology of religion.

Heidegger in his early works favors intuition over reason, and puts a high value on immediacy. He identifies with German romanticism, particularly the work of Schleiermacher on religion. As late as 1921, he still refers to himself as a theologian. An early work on Augustine decries the bad influence of Greek philosophy on Christian theology.

His early philosophical involvements were mainly with medieval philosophy, and with the German philosophy of his own day. Plato and Aristotle hardly figure at all in the story told in these two books, up to the point when Heidegger starts lecturing on them as a supposed expert. He claimed to be working on a book on Aristotle in the early 1920s, but only completed the introduction. He did give several lecture courses on Aristotle, and a couple on Plato.

I used to be fascinated by his discussions on the etymology of Greek philosophical words, but my understanding is that these are not taken very seriously by linguists. As someone who “reads” classical Greek mainly in bilingual editions with heavy use of a dictionary, I came to realize that this kind of informal talk about etymologies did not imply a very deep study of the texts in question, or a very deep knowledge of the language. I could write with great confidence about individual Greek words the way Heidegger does, but I am nowhere near competent to critically discuss major Greek texts in the original.

In 1923, Heidegger apparently had the flash of inspiration that Greek ousia really meant standing presence. Neither the biography nor the study of his early work gives any indication of close textual or historical study of Greek philosophy leading up to this. His attention seems to have been mostly elsewhere. It seems that ousia as presence was no more than a quite unhistorical intuition. But Heidegger apparently had great charisma as a teacher, and he asserted it with great confidence. Cheap shots against Aristotle are an easy sell in the modern world; hardly anyone looks at them critically.

I cannot help but notice that a notion of “presence” does play a significant role in Husserl, while it really does not in Plato or Aristotle. The most plausible hypothesis, I think, is that Heidegger reads a strong notion of presence into Plato and Aristotle because he has been immersed in Husserl, for whom presence is very important.

The biography does fill in a bit more about his involvement with Nazism. Heidegger was originally a Catholic conservative, though he left the church during the First World War. He seems to have supported the Nazis at least as early as 1931. He does not seem to have been personally anti-Semitic, but he was willing to adopt anti-Semitic behavior in order to conform.

In 1933, Safranski says Heidegger was positively “electrified” by Hitler’s ascendance. This had some kind of huge significance for him, and he wanted to give it a profound philosophical meaning. He reportedly even called it a collective emergence from Plato’s cave. Evidently he imagined that there was a world-historical philosophical significance to nazification as a new spiritual era, and he had the hubris to believe that he himself could somehow personally guide the movement. Those last hopes were dashed fairly quickly. They didn’t listen to him at all. He was never part of the Nazi inner circle, and he left his Nazi-appointed university rectorship in 1934. But at least as late as 1935 and perhaps quite a bit longer, he still politically supported the regime.

Later, Heidegger downplayed the Nazi chapter of his life as a simple “error in judgment”. Biographer Safranski does not find this disavowal to be credible. He says there is just too much evidence of how tremendously important these events were for him, and how excited he was about it all. It was the most important thing in his life for over a year. But the great phenomenologist Husserl at one point called this man his best student. The young Hannah Arendt, who would go on to become one of the leading intellectuals of the 20th century in her own right, apparently was really in love with her professor. And I cannot honestly say I am sure that the philosophical positions I have major issues with in themselves lead to fascism or anything like that. But I do find it troubling.

So we end still with deep ambivalence.

Death Instinct?

Part 3 of book 2 of Ricoeur’s Freud and Philosophy examines the considerable perturbations to Freud’s views that resulted from his introduction of a “death instinct” in Beyond the Pleasure Principle. Ricoeur notes that Freud’s German is more literally “drive” rather than instinct, which seems to make fewer assumptions, and that Freud often refers to “death instincts” in the plural. He sees this phase of Freud’s work as involving a partial return to Freud’s youthful interest in a Romantic “philosophy of nature” like that of Goethe, from the more scientific orientation of his earlier work.

According to Ricoeur, the late Freud ends up proposing his own sort of Romantic philosophy of nature in opposition to the dominant “philosophy of consciousness”. Ricoeur notes that at this point Freud’s presentation becomes frankly speculative and increasingly tentative. Whereas The Interpretation of Dreams derived theory from clinical interpretation, the later work in part bases clinical interpretation on a new “mythology” of instincts. Three great questions arise: What is the death instinct? What is pleasure? And what is the “reality principle”?

It turns out that for the later Freud, “death instinct” is said in many ways. The idea originated from his questioning of his own previous view that the unconscious is uniformly governed by the “pleasure principle” — seeking pleasure and avoiding unpleasure — with pleasure understood as an ultimately physical decrease of tension. Investigating phenomena of obsessive repetition, Freud began to wonder if something even more primitive than the pleasure principle were involved, a sort of compulsive psychic conservatism.

Ricoeur says the initial presentation of the death instinct was largely in terms this sort of conservatism; only later did Freud begin to emphasize aggressive impulses. The death instinct can also be sublimated into negation that need not be related to any aggression. (Ricoeur reminds us that for Freud there is no negation in the unconscious, so this involves an expression through the ego.) It is also expressed in feelings of guilt, associated with the “cruelty” of the superego’s authoritarian “conscience” toward the ego. (The superego is said to be closer to the id than to the ego; it seems very far from a pure moral conscience, heavily weighed down with psychological baggage. Neither aggression nor a cruel superego seems “natural” to me; I would call them both phenomena of alienation.) Finally, there is a complex relation between the death instinct and the ego. An instinct for conservative self-preservation against change becomes interpreted as ultimately a desire to die in one’s own way.

Freud’s notion of pleasure became increasingly ambiguous, as he began to emphasize cases in which a detour through unpleasure leads to a greater pleasure. This should not be too surprising; Plato and Aristotle already pointed the highly equivocal character of pleasure.

Ricoeur says Freud initially took a notion of “reality” for granted, in contrast to hallucination. Later it became a task and a problem, associated with Ananke, the word for “necessity” in the Greek tragedies. Whereas in Freud’s earlier work the “pleasure principle” governing the unconscious was contrasted with the “reality principle” associated with the development of consciousness, in the later work Eros or love is the principle that binds all things together, from cells in a body to people in society, and helps protect us against the ravages of the death instinct and aggressive self-assertion. Ricoeur associates the Freudian Eros with a kind of wisdom that comes to recognize reality through or in spite of the distortions of the death instinct.

“Death instinct” is a paradoxical term. It becomes less paradoxical if we consider its evolution or variation from a conservative impulse to an aggressive impulse. As mentioned above, I don’t consider human aggression to be primarily a natural phenomenon, but rather mainly an emergent result of bad socialization, so I don’t want to call it an instinct, but at most a distorted expression of an instinct. On the other hand, I find it a good deal easier to accept the idea that there could be a “conservative instinct” alongside Eros, leading to the disharmony of instincts that was the late Freud’s great theme. (See also Psychoanalytic Interpretation; Culture and the Freudian Ego.)

Last post in this series: Ricoeur on Psychoanalysis