Memory, History, Forgetting

I’ll be devoting several upcoming posts to Paul Ricoeur’s last big book Memory, History, Forgetting (French ed. 2000), to which I just added a reference in I-Thou, I-We. This work weaves fascinating discussions of memory and forgetting as well as more explicitly ethical considerations into the results of Ricoeur’s earlier Time and Narrative, to which I devoted an eight-part series, culminating in the post Narrated Time. Near the beginning, Augustine and Husserl’s more specific discussions of memory are incorporated and reflected upon. Husserl’s “egological” view is criticized after a sympathetic interpretation, and Ricoeur develops an important critique of Locke’s influential views on memory and personal identity. The middle of the book further develops Ricoeur’s thought on the writing of history. At the end, there is a long meditation on forgiveness.

Next in this series: Ricoeur on Memory: Orientation

Phenomenological Reduction?

This is a follow-up to my earlier article on Husserlian and existential phenomenology in light of the past year’s reading of Paul Ricoeur. In The Conflict of Interpretations (French ed. 1969), Ricoeur discusses the impact of his own view of hermeneutics as a “long detour” essential to understanding.

Ricoeur wrote that “It is in spite of itself that [Husserlian] phenomenology discovers, in place of an idealist subject locked within its system of meanings, a living being which from all time has, as the horizon of all its intentions, a world, the world. In this way, we find delimited a field of meanings anterior to the constitution of a mathematized nature, such as we have represented it since Galileo, a field of meanings anterior to objectivity for a knowing subject. Before objectivity, there is the horizon of the world; before the subject of the theory of knowledge, there is operative life” (p. 9). “Of course, Husserl would not have accepted the idea of meaning as irreducibly nonunivocal” (p. 15).

“In truth, we do not know beforehand, but only afterward, although our desire to understand ourselves has alone guided this appropriation. Why is this so? Why is the self that guides the interpretation able to recover itself only as a result of the interpretation? …the celebrated Cartesian cogito, which grasps itself directly in the experience of doubt, is a truth as vain as it is invincible…. Reflection is blind intuition if it is not mediated by what Dilthey called the expressions in which life objectifies itself. Or, to use the language of Jean Nabert, reflection is nothing other than the appropriation of our act of existing by means of a critique applied to the works and the acts which are the signs of this act of existing…. [R]eflection must be doubly indirect: first, because existence is evinced only in the documents of life, but also because consciousness is first of all false consciousness, and it is always necessary to rise by a corrective critique from misunderstanding to understanding” (pp. 17-18). This is a nice expression of what I take to be one of the greatest lessons of Aristotle and Hegel (see First Principles Come Last; Aristotelian Actualization; What We Really Want.)

For Ricoeur, Husserlian phenomenological reduction ceases to be a “fantastic operation” identified with a “direct passage”, “at once and in one step”. Rather, “we will take the long detour of signs” (p. 257).

Husserl’s “reductions” reduced away reference to putatively existing objects in favor of a sole focus on what would be the Fregean sense in meaning. Ricoeur wants to reintroduce reference, and in this way to distinguish a semantics that includes consideration of reference from a semiology addressing pure sense articulated by pure difference. Reference for Ricoeur is not a primitive unexplained explainer, but something that needs to be explained, and a big part of the explanation goes through accounts of sense. Ricoeur also wants to connect reference back to the earlier mentioned “self that guides the interpretation”, which again functions as an end rather than being posited as actual from the outset.

Similarly to his critique of phenomenological reduction “at once and in one step”, he criticizes Heidegger’s “short route” that in one step simply replaces a neo-Kantian or Husserlian “epistemology of interpretation” with an “ontology of understanding”. Ricoeur is a lot more deferential to Heidegger than I would be at this point, but for Ricoeur such an ontology is again only a guiding aim, and not a claimed achievement like it was for Heidegger. I think this makes Ricoeur’s “ontological” interest reconcilable with my own “anti-ontological” turn of recent years, because my objections have to do with claimed achievements. I broadly associate Ricoeur’s modest ontology-as-aim with my own acceptance of a kind of inquiry about beings that avoids strong ontological claims. Even Heidegger emphasized Being as a question.

Ricoeur of course rejects foundationalist epistemology (see also Kant and Foundationalism), but sees both an epistemology of interpretation and an ontology of understanding as aims guiding the long detour. He effectively contrasts the long path of investigation of meaning with the short path of appeals to consciousness (see also Meaning, Consciousness).

I actually like the idea he attributes to Husserl of reducing being to meaning or the sense(s) of being. If meaning is fundamentally nonunivocal as Ricoeur says rather than univocal as Husserl wanted, this would not be idealist in a bad sense.

Brandom’s simpler suggestion that reference is something real but that it should be ultimately explained in terms of sense seems to me a further improvement over Ricoeur’s apparent notion of reference as a kind of supplement to sense that nonetheless also needs to be explained in terms of sense, but without being reduced to it. I see the inherently overflowing, non-self-contained nature of real as compared to idealized being/meaning as making a supplement superfluous. (See also Reference, Representation; Meant Realities.)

Narrated Time

The third volume of Paul Ricoeur’s Time and Narrative returns to more overtly philosophical themes. From the beginning of volume 1, he has been using Augustine’s aporias concerning time as a sort of background to everything else he considers. He had suggested that both Husserl’s phenomenology of internal time consciousness and Heidegger’s existential phenomenology of time — contrary to the intentions of their authors — ended up in aporias similar to Augustine’s.

Ricoeur says that neither a phenomenology of the experience of time nor a “cosmological”, measurement-oriented approach to its objective aspects can avoid some dependency on the other. “The distension of the soul alone cannot produce the extension of time; the dynamism of movement alone cannot generate the dialectic of the threefold present” (vol. 3, p. 21). His hope is that a poetics of narrative, even if it too is unable to resolve the Augustinian aporias, can at least make them “work for us” (p. 4). It will develop the “complicity as well as the contrast” (p. 22) between the two approaches.

He will subordinate the “dimension of reference to the hermeneutic dimension of refiguration” developed in volume 2’s discussion of literary narrative (p. 5, emphasis added). The approach to a “real” historical past can then be understood in terms of a narrative refiguration, rather than vice versa. (This differs significantly from Brandom’s subordination of reference to what might be called a hermeneutic dimension of material inference, but both Ricoeur and Brandom are putting some kind of hermeneutics or interpretation of meaning conceptually ahead of reference to “things” (see also What and Why; Objectivity of Objects). For both of them, reference is still a valid concept, but it is something that potentially stands in need of explanation, rather than something that provides an explanation.)

For Ricoeur here, “pure” semantics and foundationalist epistemology are both superseded by a “hermeneutic of the ‘real’ and the ‘unreal'” (p. 6) he expects will yield insight into both history and fiction. History and fiction are two ultimately interdependent modes of narrative refiguration, so that there is no history without an element of creative fiction, but also no fiction without an element of something like what is involved in historical reconstruction. This seems like an important and valid point.

The main body of this volume contains further elaboration on various matters he discussed before (see Time and Narrative; Ricoeur on Augustine on Time; Emplotment, Mimesis; Combining Time and Narrative; Ricoeur on Historiography; Literary Narrative; Narrative Time). In separate posts, I will selectively comment on a few parts of this. (See Philosophy of History?; Ricoeur on Foucault.)

At the end, he wants to “verify at what point the interweaving of the referential intentions of history and fiction constitutes an adequate response” (p. 242) to the aporia resulting from the interdependence of the phenomenological and “cosmological” views of time. Second, there is the question “what meaning to give to the process of totalization of the ecstases of time, in virtue of which time is always spoken of in the singular” (ibid). He expects the answer here to be less adequate. It will yield “a premonition of the limits ultimately encountered by our ambition of saturating the aporetics of time with the poetics of narrative” (p. 243). Finally, most “embarrassing” of all is the new question, “can we still give a narrative equivalent to the strange temporal situation that makes us say that everything — ourselves included — is in time, not in the sense given this ‘in’ by some ‘ordinary’ acceptation as Heidegger would have it in Being and Time, but in the sense that myths say that time encompasses us with its vastness” (ibid; emphasis in original). This, he suggests, ultimately remains a mystery in the Marcelian sense.

“Narrated time is like a bridge set over the breach constantly opened up by speculation between phenomenological time and cosmological time” (p. 244). “Augustine has no other resources when it comes to the cosmological doctrines than to oppose to them the time of a mind that distends itself” (ibid), but his meditations on Creation implicitly require a “cosmological” time. Aristotle’s cosmological view made time dependent on motion but distinct from it as a measurement of motion, but any actual measurement seems also to depend on some action performed by a soul.

Husserl elaborated a view of something like Augustine’s threefold present, which included memory and anticipation as well as current attention. He spoke of time as constituted through “retention”, “protention”, and a sort of comet-like duration rather than a point-like present. I am barely skimming the surface of a sophisticated development.

Ricoeur was a great admirer of Husserl, but in this case suggests that Husserl failed to achieve his further goal of establishing the primacy of phenomenological time with respect to other sorts of time. For Husserl, Ricoeur says, the constitution of phenomenological time depends on a “pure hyletics of consciousness” (ibid), but any discourse about the hyletic (i.e., relationally “material” in a broadly Aristotelian and more specifically Husserlian sense) will depend on the “borrowings it makes from the determinations of constituted time” (ibid). Thus for Ricoeur, the articulation of what Husserl wanted to be a purely constitutive phenomenological time actually depends on what he had wanted to treat as constituted results. As a consequence, despite Husserl’s wishes, phenomenological time should not be simply said to be purely constitutive.

Heidegger’s “authentic temporality” takes this aporia to its “highest degree of virulence” (p. 245). Being-in-the world does appear as a being-in-time. However, that time remains resolutely “individual in every case” (ibid), owing to Heidegger’s fixation on being-toward-death.

For Ricoeur, the “fragile offshoot” of the “dialectic of interweaving” of the “crisscrossing processes of a fictionalization of history and a historization of narrative” (p. 246) is a new concept of narrative identity of persons and communities as a practical category. A narrative provides the basis for the permanence of a proper name. He alludes to a saying of Hannah Arendt that to answer the question “who” is to tell the story of a life. Without such a recourse to narration, there is an “antinomy with no solution” between simply positing a substantially or formally identical subject, or with Hume and Nietzsche globally rejecting such a subject as an illusion.

(I have proposed a different “middle path” by decoupling actual subjectivity from the assumption of more unity than can be shown, and associating it more with what we care about and hold to be true than with “us” per se. Yet I also find myself wanting to tell a story of how the sapient “I” and the sentient “me” I want to distinguish are nonetheless interwoven in life, which is also what I think Hegel wanted to do.)

Ricoeur here introduces the connection between narrative identity and an ethical aim of “self-constancy” that he developed later in Oneself as Another. “[T]he self of self-knowledge is not the egotistical and narcissistic ego whose hypocrisy and naivete the hermeneutics of suspicion have denounced, along with its aspects of an ideological superstructure and infantile and neurotic archaism. The self of self-knowledge is the fruit of an examined life, to recall Socrates’ phrase” (p. 247). In Hegelian terms, this is the “self” involved in self-consciousness. In my terms, who we are is defined by what we care about and how we act on that. It is a “living” end or work always in progress rather than an achieved actuality. For Ricoeur, psychoanalysis and historiography provide “laboratories” for philosophical inquiry into narrative identity.

The second aporia concerned the unity or “totality” of time. “The major discovery with which we have credited Husserl, the constitution of an extended present by the continuous addition of retentions and protentions… only partially answers this question” (p. 252). It only results in partial “totalities”.

(While rejecting claims to unconditional “totality”, Ricoeur here accepts the terminology of “totalization” as an aim. I prefer to take something like Ricoeur’s conclusion that we only ever achieve partial “totalities” as a ground for saying that even as an aim, we should speak more modestly of (always partial and local) synthesis rather than “totalization”. To my ear, even as an aim “totalization” sounds too univocal and predetermined. I want to say that an aim of totalization is inherently unrealizable for a rational animal, whereas any end we turn out to have been actually pursuing based on interpretation of our actions must in some sense have been realizable. Ricoeur emphasizes that the mediation involved is imperfect, so that I think the difference in his case is merely verbal, but other authors’ use of “totalization” is more problematic.)

For Ricoeur, “the constitution of a common time will then depend on intersubjectivity” (p. 253), rather than on the unity of a consciousness. We should replace a “monological” theme of fallenness with a “dialogical” theme of being affected by history. Meanwhile, all initiative is in a sense “untimely”. The dialogical character of a historical present opens onto the same space of reciprocity as the making of promises. “[T]he imperfect mediation of historical consciousness responds to the multiform unity of temporality” (p. 257). But meanwhile, “it is not certain that repetition satisfies the prerequisites of time considered as a collective singular” (ibid). In this context he speaks of “an original status for the practical category that stands over against the axiom of the oneness of time” (ibid), and of a return to Kantian practical reason that “can be made only after a necessary detour through Hegel” (p. 258).

Ricoeur proposes “an epic conception of humanity”. Nonetheless, the “good correlation between the multiform unity of the ecstases of time and the imperfect mediation of the historical consciousness” (p. 259) cannot be attributed to narrative. “[T]he notion of plot gives preference to the plural at the expense of the collective singular in the refiguration of time. There is no plot of all plots capable of equaling the idea of one humanity and one history” (ibid). Narrativity does not so much resolve the aporias of time as put them to work.

The final aporia concerned the inscrutability of a unified time. He associates this with our non-mastery of meaning. We are “pulled back” toward an archaic, mythical, poetic form of thinking of the oneness of time that “points toward a region where the claim of a transcendental subject (in whatever form) to constitute meaning no longer holds sway” (p. 263). About returning to an origin we can only speak in metaphors. Finally, he asks if it is possible to speak of a narrative refiguring of the unrepresentability of time. “It is in the way narrativity is carried toward its limits that the secret of its reply to the inscrutability of time lies” (p. 270). “[T]he narrative genre itself overflows into other genres of discourse” (p. 271). Fiction multiplies our experiences of eternity in various ways, “thereby bringing narrative in different ways to its own limits” (ibid). It serves as a laboratory for an unlimited number of thought experiments. It “can allow itself a certain degree of intoxication” (ibid).

“It is not true that the confession of the limits of narrative abolishes the idea of the positing of the unity of history, with its ethical and political implications. Rather it calls for this idea…. The mystery of time is not equivalent to a prohibition directed against language. Rather it gives rise to the exigence to think more and to speak differently” (p. 274). It is only in the context of a search for narrative identity “that the aporetics of time and the poetics of narrative correspond to each other in a sufficient way” (ibid).

Last post in this series: Narrative Identity, Substance

Literary Narrative

Resuming the thread on Ricoeur’s Time and Narrative, the beginning of volume 2 makes it clear he thinks the stakes in discussing fictional narrative — distinguished from historical narrative by not being oriented toward anything analogous to historical truth — extend well beyond the traditional concerns of literary criticism. (Of course, going beyond those traditional concerns is pretty much the norm for literary critics these days.) Let me say that I am no scholar of literature, though I used to write experimental “language on language” poetry, and have read a bit of literary theory mainly for its philosophical content.

Philosophically, he will defend the “precedence of our narrative understanding in the epistemological order” (vol. 2, p. 7). There will be a great “three-way debate” between lived experience, historical time, and fictional time. He will extensively take up the idea of the “world” projected by a text. There will be a sort of analogy between the place of a structuralist or semiotic analysis of a literary text and the work of explanation in history, but Ricoeur says the analysis will eventually show that literary narrative has different relations to time than historical narrative.

Thinking about literary narrative, he suggests, will turn out to be more helpful in shedding light on Augustine’s paradoxes of the experience of time. In the literary case, there will be a distinction between the time of the act of narration and the time of the things narrated.

The continuing relevance of a notion of plot in modern literature, he says, needs to be shown rather than assumed. Rather than extending and further abstracting the general principle of formal composition that Aristotle had begun to articulate, modern literary studies began with an odd combination of struggle against old conventions, concern for increased realism, and inappropriate borrowing from models of ancient genres. According to Ricoeur, this resulted in a mutilated, dogmatic, not very interesting notion of plot associated mainly with a linear sequence of events, that “could only be conceived as an easily readable form” (p. 9).

Modern novels, on the other hand, have greatly increased the importance of character, and explored the dynamic process of its growth. They may take alternate forms, such as streams of consciousness, diaries, or exchanges of letters. Action accordingly has to be understood in a broader and deeper way no longer limited to external behavior, encompassing things like growth of character and moments in a stream of consciousness. Once this is done, he says, a generalized notion of imitation of action will again apply.

But the early English novelists “shared with empiricist philosophers of language from Locke to Reid” (p. 11) an ideal of purely representational language stripped of metaphor and figurative constructs. “Implicit in this project is the reduction of mimesis to imitation, in the sense of making a copy, a sense totally foreign to Aristotle’s Poetics” (p. 12). I’m more inclined to think so-called literal language is just a limit case of metaphor. I would also note that this representationalist paradigm of transparency is the direct opposite of the “language on language” perspective. “Today it is said that only a novel without plot or characters or any discernible temporal organization is more genuinely faithful to experience” (p. 13). The kind of justification offered, he says, is the same as the one for naturalistic literature — reproduction of experience rather than synthesis. I’m sure someone must have done that, but appeals to experience are somewhat inimical to the structuralist “language on language” view.

Ricoeur wants to suggest that literary paradigms originate “at the level of the schematism of the narrative understanding rather than at the level of semiotic rationality” (p. 15). He will argue that a purely semiotic approach to narrative has the same weaknesses as the positivist “covering law” model in history. I’m a little confused by this, because earlier he more charitably compared the semiotic approach to historical explanation in general, which he had presented as legitimately different from narrative understanding.

He suggests that structural analysis at lower levels like phonology or lexical semantics does not lose nearly as much context of meaning as structural analysis of narrative, which aims to reduce away all temporal elements and replace them with logical relationships. He also says the identity of a style is transhistorical, not atemporal, and that styles are perennial rather than eternal.

He contests the assertion of Roland Barthes that there is an “identity” between language and literature, and that each sentence already has the essential features of a narrative. Behind what Ricoeur is objecting to, I think, may be the additional idea of a strictly compositional, bottom-up interpretation of meaning, which he alluded to earlier. In a formal context like that of structural analysis, compositionality is an extremely important property, but in a broader hermeneutics, I agree with Ricoeur that a bottom-up approach is basically a non-starter. My own past enthusiasm for structuralism had much more to do with its relational, difference-before-identity aspect. I’ve always had severe doubts about any bottom-up reduction when it comes to meaning.

On the other hand, while recognizing many valuable contributions of Husserl and his followers, I fundamentally disagree with what I take to be that tradition’s identification of “consciousness” with what I take Hegel to have sharply distinguished from consciousness as “self-consciousness”.

On my reading, this distinction is the radical “break” in Hegel’s Phenomenology. I have glossed “self-consciousness” as actually other-focused even though it does involve a unity of apperception, and as anything but a species of a genus “consciousness”. I think unity of apperception and Hegelian “self-consciousness” have to do with Aristotelian ethos and what we care about, as a discursive stance in relation to others. I do of course agree that there is consciousness, and that it has a kind of interiority of its own. I also agree that one of its features is something like Husserl’s “living present”, but I think consciousness and the living present belong to what Brandom calls our sentience rather than to what he calls our sapience, which I associate with unity of apperception and “self-consciousness”.

What attitude one takes on this question of the identity or distinctness of consciousness and self-consciousness matters greatly when it comes to something like the debate between structuralism and phenomenology in the tradition of Husserl. I care about rich concepts of reason and feeling, but “consciousness” not so much. I am not worried about the impact of structuralism on the living present, because I see them as pertaining to disjunct domains.

On the other hand, I think Ricoeur is right to be very doubtful whether narrative can be adequately understood without temporality, and right again to reject bottom-up determination of meaning. I am inclined to be sympathetic to his view that temporality cannot be reduced to logic.

I also think it makes a big difference whether one is considering a stereotyped form like the folk tales whose analysis by Vladimir Propp he discusses, or something as complex as a modern novel. Structural analysis may come much closer to yielding comprehensive insight in the one case, while falling much further short in the other. (Ricoeur is not satisfied even in the case of the folk tale.)

Ricoeur also discusses work on a higher level “logic of narrative” concerned with roles of characters, and the narrative grammar of Greimas. He says narrative has more to do with history than with logic. He makes the very valid point that the structuralist notion of the “diachronic” captures only a simple notion of succession. I agree that one should not look to structuralism for rich analyses of time itself, but that does not mean it cannot give us insight about things happening in time, which in turn does not mean it gives us the whole story either.

Next in this series: Narrative Time

Ricoeur on Psychoanalysis

The concluding book of Ricoeur’s Freud and Philosophy aims at a reconciliation of two contrasting approaches in hermeneutics — demystifying and kerygmatic — that would be not merely eclectic but genuinely dialectical. He suggests on the one hand that faith ought to be entirely compatible with a sharp critique of idols, and on the other that Freud never adequately considered how his late concept of Eros and its sublimations could be legitimately reconnected with notions of spiritual love.

He develops a bit further his earlier contrast between a “philosophy of consciousness” and a “philosophy of reflection”. A philosophy of consciousness grounds a false Cogito on the immediacy of consciousness. A philosophy of reflection on the other hand pays attention to the always mediated character of experience, and to subjectivity as something that is constituted as well as constitutive. It therefore decenters subjectivity. Ricoeur argues that Husserl as much as Freud considered subjectivity as something constituted.

At the same time, Ricoeur in this work still wants to speak of a true Cogito of reflection, and in this context wants to distinguish between immediate consciousness and the “living self-presence” to which Husserl appealed. Although Ricoeur does not say it, it seems to me that Husserl’s living self-presence is supposed to be precisely a kind of non-empirical (i.e., transcendental) immediate consciousness. I think on the contrary that the transcendental is all mediation, and hold what I take to be a Kantian position that feelings of living presence or self-presence belong on the side of introspective appearance that is ultimately empirical rather than transcendental.

Ricoeur notes that for Freud, it is more a question of “it speaks” rather than “I think”.

He thinks there is an ambiguity in Freud between primitive, sub-linguistic and transcendental, supra-linguistic concerns, so that symbolic meaning expressing poetic or spiritual truth is not clearly separated from something like word play. This goes back to his earlier concern with the phenomenology of religious symbols. I actually think that word play can serve as an indirect expression of poetic or spiritual truth, but then I also think spiritual truth is inherently “poetic”.

In spite of criticizing (the old stereotype of) Hegel for claiming a sort of omniscience, Ricoeur suggests that Hegel’s phenomenology, with its distinction between Consciousness and Spirit and its discussions of the relation between Spirit and desire, provides a “teleology” complementary and inverse to Freud’s “archeology” of subjectivity. For this to be a truly dialectical relation, he says, each must contain a moment approximating the other, and he thinks that in fact they do.

He also connects Freud’s work with Spinoza’s critique of consciousness and free will; Leibniz’s theories of unconscious perception; and Kant’s simultaneous assertion of a transcendental idealism and an empirical realism. Freud’s “topographies” are associated with a kind of realism in this Kantian sense.

For Ricoeur’s Freud, life and desire always have an unsurpassable character. Because of this, a relation to reality is always a task, not a possession. What ultimately distinguishes psychoanalysis, Ricoeur says, is not just the idea that we have motives of which we are ignorant, but Freud’s account of the resistance of an always somewhat narcissistic ego and the corresponding extended work of overcoming it. This relates directly to the idea of reality as a task. “We did not regard this realism as a relapse into naturalism, but as a dispossession of immediate certitude, a withdrawal from and humiliation of our narcissism” (p. 432). “It is one and the same enterprise to understand Freudianism as a discourse about the subject and to discover that the subject is never the subject one thinks it is” (p. 420).

“I consider the Freudian metapsychology an extraordinary discipline of reflection: like Hegel’s Phenomenology of Spirit, but in the opposite direction, it achieves a decentering of the home of significations, a displacement of the birthplace of meaning. By this displacement, immediate consciousness finds itself dispossessed to the advantage of another agency of meaning — the transcendence of speech or the emergence of desire…. We must really lose hold of consciousness and its pretension of ruling over meaning, in order to save reflection” (p. 422). What Ricoeur called reflection and will, I give the more classical name of Reason.

Ricoeur on Husserl’s Ideas II

In Ricoeur’s volume of essays on Husserl, I just discovered a piece on Ideas II. Apparently in this work, Husserl rather surprisingly introduced a notion of “spirit” related to the German notion of Geisteswissenschaft (i.e., social or human science). However, it still seems thinner than that of even a deflationary Hegel.

Ricoeur writes, “In reintroducing the dimension of the person and that of community Husserl completes the ego-psyche polarity with a new schema where spirit (Geist) is not the empirical counterpart of the pure subject of phenomenology but is rather a sort of cultural equivalent much more awkward to situate in the phenomenological structure” (Husserl: An Analysis of His Phenomenology, pp. 68-69). Further on, he adds that for Husserl, “Spirit ‘works’… in the world only so far as people understand and approve it” (p. 76). He concludes that Husserl’s “Geist is nothing other than the ego of phenomenology, but without the light of the phenomenological reduction” (p. 80).

Phenomenology of Will

I’m starting to look at Paul Ricoeur’s large early work Freedom and Nature (French ed. 1950). This was to be the first of three volumes on a philosophy of will, of which he only completed two. It turns out to be full of rich detail on the vexing question of the way transcendental and empirical aspects of subjectivity are interrelated.

In this work, Ricoeur combines a Marcelian emphasis on embodiment with a broadly Husserlian phenomenological method. The investigation is to address “Cogito’s complete experience, including even its most diffuse affective margins” (p. 8; emphasis in original). I would shy away from the Cartesian sound of saying “Cogito” at all, but the really important part here is the qualifiers Ricoeur adds. Even in Descartes, cogito has a broad usage that sometimes seems to include perception and feeling, and not just thought in the narrower sense.

Ricoeur here seems to accept something like the Stoic hegemonikon (etymologically related to “hegemony”), which was ancestral to later notions of “will” as a unified faculty or power. I prefer Aristotle’s approach, which accounts for the phenomena — including choice — without the need for such an hypothesis. In the later tradition, it is often ambiguous whether will is really supposed to be a separate power like the Stoics seem to have thought, or simply a name for the cooperation of reason and desire in governing action, as Aristotle probably would have said. (See also Kantian Will.) Here Ricoeur’s use of phenomenological method is a big help in minimizing the impact of this sort of issue.

“To say ‘I will’ means first ‘I decide’, secondly ‘I move my body’, thirdly ‘I consent'” (p. 6). This sort of concrete delineation is very helpful. These are all kinds of things that actually happen and that we can describe or interpret as phenomena, independent of any assumed theory of the will.

Ricoeur had already said he would use something like Husserl’s method of phenomenological and eidetic reduction, “putting in brackets” questions of existence or of the objectivity of appearances in order to focus on what Ricoeur here calls “elaborating the idea or meaning” (pp. 3-4). Eidos was the word Plato and Aristotle used for form. Husserl adopted it for the second of three stages of “reduction”.

Briefly put, Husserl’s first, “phenomenological” reduction emphasizes a suspension of existence claims about the content under examination. The second, “eidetic” one emphasizes a positive examination of the ranges of variation of pure “essences” of mental objects, still not assumed to have any particular metaphysical or objective status. Ricoeur’s gloss “idea or meaning” (emphasis added) already anticipates a shift of emphasis in the direction of hermeneutics. He says he will not use Husserl’s third, “transcendental” reduction, which was supposed to arrive at a “pure” consciousness unaffected by empirical psychology. Ricoeur explicitly notes that “we cannot pretend that we are unaware of the fact that the involuntary is often better known empirically, in its form, albeit degraded, of a natural event” (p. 11).

A main top-level thesis of this work of Ricoeur’s is that the voluntary and the involuntary are reciprocally interdependent, and we cannot really understand either one without the other. Not only is the voluntary partly shaped by the involuntary, but also we only fully understand the involuntary through its impacts on the voluntary. (For more on the same book, see Ricoeur on Embodiment; Ricoeur on Choice; Voluntary Action; Consent?. In general, see also Willing, Unwilling; Rethinking Responsibility.)

Next in this series: Ricoeurian Choice

Ricoeurian Ethics

In the final chapters of Oneself as Another, Ricoeur develops a meta-level discourse about ethics, and concludes with a few “ontological” suggestions. Universalizing Kantian morality and the obligation it entails are said to provide a valuable extension to Aristotelian ethics, but ultimately to require supplementation by a return to Aristotelian practical judgment. This seems just about exactly right.

On the Kantian side, norms are said to concretize Aristotelian aims. The most important and general Kantian norm, according to Ricoeur, is reciprocity. He argues for the importance of the golden rule, citing Rabbi Hillel and the Gospels of Luke and Matthew. The distinction between “power over” and “power to” is discussed. The notion of persons as ends in themselves is emphasized. Procedural justice is seen to complement Aristotelian distributive justice. John Rawls’ summary of justice as fairness is endorsed. Although it is ultimately necessary to return to the openness of practical judgment, the passage through universalizing morality is equally necessary, as a safeguard against arbitrariness. Universality and contextuality go hand in hand, much as I have been arguing.

Writing at a time when French anti-Hegelianism was still quite influential and before the rise of new interest in Hegel, Ricoeur did not think Hegelian Geist — which he mistakenly saw as turning the state into an “agency capable of thinking itself by itself” (p. 255) — fit well with the notion of self Ricoeur wanted to advance. He did not want to follow what he saw as Hegel’s path in returning to an ethics of Sittlichkeit or mores embedded in concrete culture, but saw great potential value in a Sittlichkeit separated from the “ontology of Geist” (ibid) and the “thesis of the objective mind” (p. 256), especially if Sittlichkeit were “bent” in the direction of the openness of Aristotelian practical judgment. (A reading of Geist free of such ontology has more recently been argued by Brandom and others to be a better reading of Hegel himself.) “Our final word in this ‘little ethics’… will be to suggest that the practical wisdom we are seeking aims at reconciling Aristotle’s phronesis, by way of Kant’s Moralität, with Hegel’s Sittlichkeit” (p. 290).

On other matters such as the broad thrust of Hegel’s critique of atomistic individualism in the Philosophy of Right and the general value of dialectic, Ricoeur defended Hegel. The Hegelian concept of Right, he says, “surpasses the concept of justice on every side” (p. 253). The “problematic of realization, of the actualization of freedom, is ours as well in this study” (ibid). Reflection, he says, needs the mediation of analysis.

He says that institutionalized conflict is an essential feature of democracy. We should be accepting of conflict, but draw the line at violence. The idea of Rawls that argumentation is “the critical agency operating at the heart of convictions” (p. 288; emphasis in original), raising convictions to the level of considered convictions and resulting in a “reflective equilibrium”, is cited with approval. Ricoeur speaks of a “reflective equilibrium between the ethics of argumentation and considered convictions” (p. 289).

Respect for persons should take priority over respect for the law. The importance of keeping promises extends beyond its role with respect to personal identity to the space of reciprocity and the golden rule. Gabriel Marcel is quoted as saying all commitment is a response to an other. A notion of imputability is introduced as an ascription of action “under the condition of ethical and moral predicates” (p. 292). To this is added a notion of responsibility. Finally, he endorses Hegel’s concept of mutual recognition.

Unlike Brandom, Ricoeur construed the philosophy of language as analytically separate from ethics. He thus saw a need to go beyond its boundaries, and characterized that as an “ontological” moment. This seems to have two main ingredients.

First, the key to understanding the notion of self he wants to advance lies in Aristotelian potentiality and actuality. He also wants to understand actuality and self in connection with Heideggerian being-in-the-world. “[S]elf and being-in-the-world are basic correlates” (p. 313). Actuality should not be thought in terms of presence. Self should not be confused with “man”, and is not a foundation. Spinoza’s conatus or the general effort of beings to persevere finds its highest expression in Aristotelian energeia or actuality, and thus overflows its deterministic origins. The distinction between actuality and potentiality is associated with that between selfhood and sameness. (See also The Importance of Potentiality.)

Second, a discussion of Husserl’s distinction between the body (viewed externally) and “flesh” in which we live leads eventually to the conclusion that a dialectic of the Same and the Other cannot be constructed “in a unilateral manner” (p. 331). A final discussion of Nietzsche, Heidegger, and Lévinas leads to an “ultimate equivocalness with respect to the Other in the phenomenon of conscience” (p. 353). We need an alternative to “constitution in and through the ego” (p. 334), and he thinks an adaptation of Husserl’s notion of flesh provides this. Unfortunately, he speaks in passing of an “originary, immediate givenness of the flesh to itself” (p. 333). I think the notion of flesh is supposed to suggest something that softens the kind of rigid boundaries between self and other that we associate with an ego, and that is all good. But the other big issue with constitution of meaning through the ego is precisely that the ego was supposed to be a locus of originary, immediate givenness. It seems to me that one of the great values of a hermeneutic perspective is that it does not need to assume anything like that.

With the exception of this brief reference and his apparent attribution in passing of a reflexive “self” to Aristotle, the degree of convergence with what I have been developing here is impressive indeed.

(I think the kind of reflexivity Ricoeur had in mind in the latter case was only intended to be related to action, so his intent was to capture the fact that we can and do act on ourselves. This, I think, is a true and important observation. My quibble there is with attributing a notion of self as a simple unity to Aristotle.)

Heidegger

Martin Heidegger (1889–1976) was a tremendously original, highly influential, and troublesome philosopher. What makes his work troublesome is not only conceptual difficulty and a deliberate practice of translating the familiar into the unfamiliar, but also his never clearly repudiated attempt to influence the Nazi movement in Germany. He seems to have been a cultural and linguistic chauvinist who rejected pseudo-biological racism, but nonetheless put hopes in an “inner truth and greatness” of National Socialism as an alternative to American and Soviet materialism. This identification puts a dark cloud over the interpretation of his writing, which was, however, generally very far removed from politics. The question is, how much it is possible to detach his work from a stance that seems worse than one of mere bad judgment.

An influential but controversial reader of Aristotle, Plato, Kant, Hegel, and Nietzsche, Heidegger combined a sympathetic but critical take on Husserl’s phenomenology with an interest in the hermeneutics of Wilhem Dilthey. Widely read as an “existentialist”, he sharply repudiated Sartre’s appropriation of his work. In his later works, he approached philosophy as a kind of poetic meditation.

His most famous thesis was that Western thought largely lost its way from Plato onward, neglecting the question of the meaning of Being in favor of preoccupation with things. While he made good points about the preconceptions involved in our ordinary encounters with things, I think he too sharply rejected “ontic” engagement with empirical, factual concerns in favor of a purified ontology. He also promoted a valorization of what I would call the pre-philosophical thought of the pre-Socratics Heraclitus and Parmenides. I think Plato and especially Aristotle represented a gigantic leap forward from this.

Some of Heidegger’s very early work was on the medieval theologian Duns Scotus, who seems to have originated the standard notion of ontology later promoted by Wolff and others. In sharp contrast to the tradition stemming from Scotus, Heidegger argued that Being is not the most generic concept, and wanted to emphasize a “Being of beings” in contrast to their factual, empirical presentation. He did not follow the path of Aquinas in identifying pure Being with God, either, and Aquinas probably would have rejected his talk of the Being of beings.

I think his most important contribution was an emphasis on what he called “being-in-the-world” as a way of overcoming the dichotomy of subject and object. His associated critique of Cartesian subjectivity has been highly influential. In later works, he also recommended putting difference before identity, and relations before things. Although the way he expounded these notions was quite original, I prefer to emphasize their roots in Aristotle, Kant, and Hegel. (See also Being, Existence; Being, Consciousness; Beings; Phenomenological Reduction?; Memory, History, Forgetfulness — Conclusion.)

Intentionality

Standard notions of intentionality as a mental state involving representations of objects go back to the medieval Iranian philosopher Avicenna (980 – 1037). Augustine had already spoken of of “intentions” as acts of the soul, but it was Avicenna who explicitly gave what were translated to Latin as “intentions” the later standard sense of mental representations. Discussion of Avicennan “intentions” was common in the Latin scholastic tradition, but disappeared in the early modern period, only to be revived by Franz Brentano. In his 1874 work Psychology from an Empirical Standpoint, Brentano characterized intentionality as having to do with mental states that are directed toward objects that are themselves mental representations, and argued that intentionality is the defining characteristic of mind in general. Edmund Husserl later attempted to separate a logical concept of intentionality from empirical psychology, and made it a central theme of his phenomenology. Intentionality is widely discussed among analytic philosophers as well.

A main focus of Brandom’s Making It Explicit was to develop in great detail a novel concept of intentionality that is linguistic, social, and normative, rather than mental in the usual sense. Intentionality for Brandom is rooted in normative social practices and dialogue rather than psychology. Representation is treated as something to be explained, rather than as an unexplained explainer. The objects Brandomian intentionality is concerned with are not objects of mental representations, but objects of normative social practices and dialogue. Accepting Brentano’s thesis that intentionality is the defining characteristic of mind, this gives us a concept of mind that is mainly ethical, linguistic, and social (see Mind Without Mentalism).

I think the kind of hermeneutics implicitly practiced by Aristotle throughout his work was concerned with real things, but primarily as objects of normative social practices and dialogue, and only secondarily in a more direct way. Aristotle also said that intelligence comes to us “from outside”. I read him too as working with a primarily ethical, linguistic, and social notion of mind (see also Aristotelian Subjectivity). Plato’s Forms were also explicitly nonpsychological. Even Augustine’s “inner man” has nothing private about it, but rather participates in an ethical community of the spirit that tends toward universality.

An ethical-linguistic-social view of intentionality also gives us a good way of talking about all the practical, real-life concerns of human subjectivity, without the bad theoretical baggage of referring all those concerns to a supposedly sovereign individual Subject or Ego.