Desire, Image, Intellect

In the previous post, we saw an argument developed by Giorgio Agamben that for the great medieval Italian poets Dante and Cavalcanti, there is a very close connection between love, imagination, and intellect, and that in this they were inspired by the controversial views of the great commentator Averroes in his Long Commentary on Aristotle’s On the Soul. Taking Agamben’s essay as a point of departure, Jean-Baptiste Brenet explores Averroes’ critique of his Andalusian predecessor Ibn Bajja on the relation between intellect and imagination.

Ibn Bajja is historically important for his very strong notion of the role of imagination in the constitution of a human being. He develops this as an elaboration of the Greek commentator Alexander of Aphrodisias’ view that the so-called material intellect is a “pure preparation”, and is purely immanent in a faculty of imagination that is ultimately grounded in the body. Alexander’s view partly anticipates modern empiricism. Averroes’ criticisms of Alexander and of Ibn Bajja partly anticipate some contemporary criticisms of empiricism.

Brenet begins by recalling Aristotle’s statement in book Lambda of the Metaphysics that the first cause “moves as the object of love” (quoted in Agamben and Brenet, Intellect d’amour, p. 35, my translation throughout). Following Alexander, Averroes repeats that “Every thing is related to the prime mover as the lover to the loved” (ibid, emphasis in original).

According to Brenet, Averroes holds that “[T]he human, in tending toward the prime mover, only achieves her desire in acquiring in a complete way her initially extrinsic intellect.”

“This idea here of mental acquisition is an Arabic concept, and not a Greek one” (ibid, emphasis added). It seems to have been Alfarabi who particularly developed the distinction between intellect “in habit [hexis]” and intellect fully “acquired”. In the tradition that Alfarabi founded, the “acquired” intellect is sometimes said to result from a human being’s “conjunction” with a transcendent “agent intellect”. Unlike Alexander, who identified the agent intellect (nous poietikos, literally “doing or making intellect”) with the intellect Aristotle associates with the first cause, Alfarabi and the subsequent Arabic tradition treated it as a distinct metaphysical entity subordinate to the first cause.

The sense of the distinction between “in habit” and “acquired” seems to oppose a common level of achievement and actualization to an extraordinary one, or perhaps an ordinary empirical psychology to a normative ideal.

Averroes in his early works generally follows Ibn Bajja on this issue, but later develops his own unique position.

“In [Averroes’] Compendium of the Metaphysics, he too recalls that that which moves the lover is nothing but the form (sura) of the beloved that we bear within ourselves. What form? Not the absolute intelligible that the lover’s intellect apprehends, but that singular one that her imagination summons: her phantasm” (p. 36).

Aristotle separately says that the first cause moves as the object of love, and speaks of the large role of imagination in what we might call the psychology of thought. Ibn Bajja and the early Averroes thoroughly merge these two considerations.

“When we say that the intellect moves itself toward the object of love, we should not see a metaphor that translates the tendency toward accomplishment. To describe the process of intellectual acquisition, Averroes poses that ‘we move ourselves toward the conjunction’ (dicimur moveri ad continuationem), and with him this recovers a veritable physics of thought…. or more precisely, cinematics…. Certainly, he says, we find a celebrated manner of apprehending movement, which consists in making it ‘a path toward perfection’, this path being distinct from perfection itself (via ad perfectionem quae est alia ab ipsa perfectionae). But there is another way, ‘more true’, according to which ‘movement […] does not differ from the perfection toward which it tends, except by the more and the less […]. Movement in effect is nothing other than the engenderment, part by part, of this perfection (generatio partis post aliam illius perfectionis)” (p. 37, emphasis and bracketed ellipses in original).

We have recently seen that Aristotle himself treats all motion as a kind of entelechy.

“Fascinating thesis, where movement is nothing but the thing itself in its partial realization” (ibid). He quotes Averroes, “To go toward heat is in a certain way heat itself” (ibid). He continues, “This is the model that applies to thought. To move oneself toward the conjunction is to go toward the complete intellect, that is to say to become it, part by part, being it more and more” (ibid).

As individuals we approach this completeness not by perfectly realizing some one particular thought, but primarily by simultaneously realizing many thoughts, from multiple perspectives. Spinoza seems to have been influenced by this, as well as by Averroes’ critique of the image.

Brenet also says that Averroes implicitly references Alexander’s remarks in his commentary on Aristotle’s Physics (surviving Arabic fragments of this lost work having been recently translated to French) on the simultaneous continuity and discontinuity observable in the process of a body of water’s freezing. Averroes applies a similar combination of continuity and discontinuity to thought. Brenet suggests that Averroes compares arriving at determinate thought to a process of “freezing”, and suggests that Alexander’s model of simultaneous continuity and discontinuity holds good for the history of concepts and sciences as well.

“From Ibn Bajja, Averroes takes [the idea] that our concepts of things are composites. If they are, as universals, abstracted from matter, they conserve a form of materiality in that they only exist for us as applied to the images from which they are extracted. The concept is not simple, pure. It bears the mark of its concrete origin, and is first conceived only through this. That is to say, [the concept] only occurs in relation to the image which is its source, to the point of including this in its nature. That every thought is the thought of something signifies not that it aims at a noematic content, but that it is the thought of an image, of the intelligible of an image, and that necessarily the two, like all relational things, coexist while thought lasts. There is no concept but in presence of its image, with it, just as there is no son in act except by and from a father in act” (p. 38).

This is emphasizing the role of psychological immanence in thought, as distinct from thought’s objectivity, a transcendent object, pure structure, or an ideal concept in itself.

“In this composition, the required image plays the role of matter, not only as furniture, but in the sense that it is a point of support that must be integrated into the grasp of what is supported there. This is what the text repeats, that the concept is related to the imagined form, that it is attached to it, coupled. Copulatio in Latin translates Arabic irtibat, which designates a bond, like the rope that holds an animal. The universal only appears to humans in the copula to the image (from which proceed, moreover, language and speech). In its first aspect, thought thus presents two united sides, or better, occurs as their very ligature” (p. 39).

In more modern terms, even if thought primarily resides in inference rather than in some presented content, a psychologically immanent “content” corresponding to the image is nonetheless what gives it a point of application. Averroes emphasizes the role of immanent presentation in the form of images in the genesis of thought, while refusing to grant them normative status.

“That which is constitutive in the human, who is neither god nor angel, is a predisposition to think, and this, insofar as it is not mixed, necessarily has an anchorage. This pure mental aptitude is not floating, absolutely separated. It has its place, exists only as preparation of a subject, which, according to Ibn Bajja, can only be the image. By this, Averroes thinks Ibn Bajja means not only that imagination constitutes the substrate of which intellect as a power has need in order to exist, but that it is also, via the disposition of which it is the bearer, that in which thought in act is realized. The reading, which takes in a maximal sense the intermediary (mutawassit) status of the imagination, is dizzying. This would not only be the support of the faculty of thought, nor indeed, by the active images, the correlate of conception, but… the very space of intelligibilization, the place of the happening of the intelligible” (ibid, emphasis in original).

“Averroes, after having been seduced, contested this, bequeathing to scholasticism an exclusively negative portrait of his first master. The image in the intellect moves, it is not moved; it is subiectum movens, and not recipiens. What Ibn Bajja loses is the equivocity of the very notion of the power of thought. If we mean to designate the capacity for universalization, a universality latent but virtual, initially this works well for the image, which conceals an intelligible charge of multiple ‘states’ (ahwal) close to the universal immediately susceptible of becoming concept. But if we dream of the power to receive thought, which the tradition calls the ‘material’ intellect, this no longer works. Reading Ibn Bajja, writes the final Averroes, ‘it seems […] that he wanted to say that the material intellect is the imaginative faculty insofar as it is prepared for the entities that are in it conceived in act, and that there is no other faculty serving as subject for these intelligibles outside of this faculty’. But he was wrong. The image is only the landmark and the subject-mover, and not the subject-substrate (that which leads it to invest the body). Thought cannot realize itself in the place from which it is pulled, even though it depends on it, and if there must be an intermediary, a diaphaneity of the intelligible, and then a receptacle for what is extracted from the image, this can only be an intellect adjoining but substantially distinct (‘separated’), this ‘possible’ intellect about which Cavalcanti as a poet will repeat that in it ‘as in a subject’ (come in subiecto) the form ‘takes its place and its abode'” (p. 40, emphasis and ellipses in original).

For a general orientation to the point of view Averroes is expressing here, Brenet turns to Hannah Arendt, summarizing part of the argument of her Life of the Spirit.

“To think, she explains, consists in a retreat, withdrawing oneself from place, not from where one is, from the quotidian space of worry and noise, but from all place, from all space, from spatiality itself. For thinking has for its object ‘essences’, and essences, as generalities, products of a de-sensorialization or of a stripping away of matter, offer themselves subtracted from spatial qualities: ‘In other words, the “essential” is what applies everywhere, and this “everywhere” which gives to thought its characteristic weight, is in terms of space a “nowhere”. The thinking me which moves itself among the universals, the invisible essences, is strictly speaking found nowhere: it is a non-citizen of any state, in the strongest sense of the term — that which explains perhaps the precocious development of a cosmopolitan mentality among the philosophers'” (pp. 40-41).

“Cosmopolitan” literally means “citizen of the cosmos”, indeed an appropriate epithet for a philosopher. Thought is nonspatial in the sense that it cannot be reduced to “seeing” an image, as something immediately there in a place. He notes that she particularly singles out Aristotle as having understood “that this status of being a non-citizen is the state of nature of thought” (p. 41).

To be a “citizen” of the cosmos , or of the universal community of rational animals, makes one to an extent a “non-citizen” of one’s particular community. It is also to be capable of detachment from the immediacy and naturality of imagination in experience.

Brenet quotes Albert the Great’s summary of the views of Ibn Bajja. “They say that there is no possible intellect in the human that is the subject of the intelligibles insofar as they are intelligible, because for them the form thought (forma speculationis) […] cannot have a subject in which it is found, given that it is universal, that is to say valid everywhere and for all time — but if it had a subject, it would be necessarily individuated, since every form is individuated and determined by its subject. From this they concluded that what we call possible or potential intellect is that which is potentially the thinking (speculativus) intellect, and that this is the image (phantasma) in the imagination (phantasia)” (ibid, ellipses in original).

“Without following Avempace [Ibn Bajja], many ‘Averroists’ contemporary to Dante and Cavalcanti also insisted on a form of implantation of thought by the image. This is the case with Antonio di Parma, medical doctor and philosopher, whom the two poets could have read or crossed paths with. The problem for him is not to conceive of the non-place of the universal, the atopia of the concept as such, that which is in evidence. Inversely, it concerns a being-there that makes of thought, in spite of the substantial separation of the intellect, something other than a cosmic phenomenon without relation to the incarnate personality of the thinker. The solution is in the image. Thought indeed is abstracted from the image, it is pulled from it, but this does not mean that it ‘leaves’ (leaving us at the same time), as if intellectual abstraction corresponded to a transit of the form, from the place that is the image (where it is intelligible potentially), to another place (the intellect, where it would be in act). For the universal form there is no other place, since by the way properly speaking it ‘does not go outside of us’ (non exit extra nos) when we abstract. And not only does the intellect ‘think nothing outside of us’ (non intelligit extra nos), even if it is separated, but since thought does not happen somewhere else than there where the image is transmuted, it is ‘in us’ (in nobis) that it happens, so to speak, in place. Thought does not migrate, it is not exported, and the atopism of its being promotes the immanence of its fabric. The image, homeland of thought” (pp. 41-42).

But if the image is the homeland of thought, for Averroes and his many Latin followers it is not thought’s destiny.

“These philosophers nonetheless did not make the image their last word. The individual thought that conjoins the universal to the phantasm from which it is extracted is only a form of thought in mid-course, characteristic of the apprenticeship by which physical knowledge proceeds from the punctual experience of things. A human of this sort accedes to the true, but always in mediate fashion, in a dependency on the body that keeps the ‘thing itself’ at a distance. ‘The one who attains the theoretic rank, writes Ibn Bajja, certainly regards the intelligible, but through an intermediary, like the sun appearing in water, where what we see in the water is the image and not [the sun] itself’. The intelligible linked to the image, as a consequence, is like the sun reflected in water, or in a mirror, that is to say also an image, that it is necessary to go beyond if we intend to approach reality as closely as possible.”

“To express this going beyond, Averroes uses a strong term: abolition” (pp. 42-43, emphasis in original).

Brenet quotes Averroes: “The form of the intellect in habitus is corrupted and destroyed, and nothing remains but the material intellect” (p. 43, emphasis in original).

“Finally, the image and that which it founds are reduced to nothing, leaving the power alone faced with the full act” (ibid).

This is indeed strong language, almost ascetic in character. But the emphasis is not on a rejection of worldly being, but on a detachment from overly specific representations as they spontaneously arise. The goal is not abstraction or suppression of passion, but true universality.

“The notion of Entbildung in the ‘mysticism’ of Meister Eckhart is not without support — under the veil of sermons — from the Averroist idea of the effacement or the annihilation of phantasms. Entbilden is to dis-imagine, and this de-figuration imposes itself on the soul, to render it available to the highest truth” (pp. 43-44).

Meister Eckhart has become famous in popular spirituality as a mystic, but he was also the third German master of theology from the University of Paris after Albert the Great and Dietrich of Freiberg, and held important positions in the Dominican Order. Scholars increasingly emphasize the importance of his philosophical work. Brenet quotes from Meister Eckhart’s commentary on the gospel of John:

“This is why certain philosophers affirm that the agent intellect, which they call a separate substance, is united with us in the images (nobis uniri in phantasmatibus) thanks to its light that illuminates and penetrates our imaginative faculty by that illumination, and when this intellect is multiplied by multiple acts of intellection, it unites itself finally with us and becomes for us our form (tandem nobis unitur et fit forma) in such a way that we perform the works proper to that substance, which is to say that we intellectually know the separate beings, as these last know themselves. And according to these philosophers, this intellect is therefore in us an acquired intellect (iste est in nobis secundum ipsos intellectus adeptus)” (p. 44).

Someone might object that this passage only seems to refer to the Arabic tradition in a general way. References to Arabic philosophers are not exactly uncommon in scholastic theology. But I think Brenet’s implicit argument here is that the reference to the imaginative faculty in the passage suffices to establish that the philosophers mentioned are not just Arabic but specifically Andalusian in the tradition of Ibn Bajja, and this in turn allows us to safely infer that the reference is to Averroes, because it was overwhelmingly through translations of Averroes that the Latin-speaking world gained knowledge of the Andalusian tradition. In presence of such a reference, it seems unlikely that Eckhart’s explicit talk about “dis-imagination” is a mere coincidence.

“Why this abolition of the image?… Even if their competition was necessary and must expand, the images need to disappear because our current intellect, that of abstract thought, disengaged from the world, is never transmuted. There is no great work in the individual intelligence, no alchemy. The possible does not turn into the necessary, the transitory into the incorruptible, and the intellect in habitus must finally be corrupted in order to allow to subsist, under its collapse, only the in-itself universal and timeless power of thought that is the intellect called material” (p. 45).

“But the destroyed images have been indispensable (as a path, otherwise desired, that it is a question of traveling, and not as an impurity that it would be preferable to immediately get rid of)…. The image allows the power of thought to accede, not first to the act but beneath that, to its own power; in actualizing it, it opens it up to its essential capacity” (p. 46, emphasis in original).

“If it has to build its power (for it does not at first have it, being at first only an aptitude), our intellect must also increase its scope, to the point of maximizing it, and it is by the image that it can do so. The image that the human desires, in which and by which she desires, is for the person the space of the appropriation of thought. It is like the mark made on the concept that not only individualizes it, but imputes it and attributes it” (ibid).

“In his Long Commentary on the Metaphysics, which the Latins could read, Averroes recalls the progress of the material intellect toward the acquired intellect, and of the first he writes: ‘if this intellect strips itself of all potentiality, when human perfection is realized, it is necessary that its act, which is not itself, annihilates itself (yubtilu; destruatur)’. Stripping, then ruin of the fruit of the stripping. Intellect must divest itself of its power in actualizing itself in the thoughts of the world, then obliterate this actualization solidary with the images of things…. It is on this intentional nihilism, of which the image is the paradoxical operator, that felicity depends” (pp. 46-47).

Nonetheless, “The theory of thought by ‘conjunction’ is founded on a doctrine of desire, which raises the subalternate question of moral action. There is never thought except by desire” (p. 47, emphasis added).

Brenet recalls that in book VI of the Nicomachean Ethics, Aristotle explains choice by orektikos nous (desiring intellect) “or” orexis dianoetike (reflective desire), “and such a principle is a human” (quoted, ibid). Averroes in turn speaks of cogitatio — the cogitative faculty of the soul, responsible for deliberation — sometimes in terms of discursive reasoning and sometimes in terms of imagination, but it should be understood as both simultaneously. “The principle of the human is only made effective in the crossing and the permanent division of these two dimensions” (p. 48).

The claim is that without ever becoming exempt from desire, “[T]he intellect of the human can have as object not only the abstract intelligible but the separate intelligible, universal in itself” (ibid, emphasis in original). “For Averroes, convinced of the necessity of this thought that is literally supernatural (though operated in the world here below, and by the force of reason alone), the question is not one of knowing whether our intellect accedes to the pure intelligible, but of establishing how it does so, how it can do so, what is the power that will make it capable of this” (ibid, emphasis in original).

This worldly and rational “supernatural” is a technical consequence of Aristotle’s narrow identification of the natural with terrestrial materiality. I prefer to use the term “natural” in a more expansive way, as including both astronomical entities and the whole scope of Aristotelian teleology.

“Why are all the individuals not already thought ‘in’ the thinking intellect, in the way that Augustine held that all humans have sinned in Adam? The solution again draws on the image” (p. 50).

“We have said that there are two dispositions to think in the human. The first is that which her images procure; … the second follows on this, and is its reward. This is the disposition toward the supreme thinkable, which occurs when the intellect has been taken to the limits of its capacity by the cumulative effect of all kinds of images” (p. 51).

“As for the philosopher, the beatific thinker, she is intellectually subtracted from time, and as Ibn Bajja says, that of her which is eternalized does not ‘redescend’.”

“In spite of all this, knowledge does not remain without a body. Each singular body that wears out and perishes in its images must be constantly relayed if the resulting universal is to be a constant event…. [T]he body in its phantasms is dead. Long live the immense Body” (p. 53).

“While Dante wrote his Monarchy to defend in the name of Averroes the existence of a ‘multitude’ allowing all its power to be activated, the theologian Thomas Wylton in Paris wrote an ‘Averroist’ text also maintaining that what the intellect completes is always in the first instance the species and not the individual: ‘the first perfectible of the material intellect is not Socrates or Plato, nor is it the universal abstracted by the intellect, but human nature itself, which in itself and in relation to quiddity is one in all its supports, even though it is numerically distinct in them. Insofar as it is one in this manner, it is the first perfectible of the material intellect, and as such it is — if we speak of a determinate singularity within a species — neither numbered nor singular: one may call it singular, but [only in the sense of] a vague singularity‘” (ibid, emphasis in original).

Brenet has written an entire book on Wylton.

“It appears, but as a vague individual, of which we perceive only that it is some animal, or some human, an aorist, the indeterminate individual of which what follows must show the figure or the face” (p. 54, emphasis in original).

“The phantasm is abolished, indetermination advances, the images return. Desire resumes” (ibid).

Love’s Intellect

The main theme here is an unexpectedly close relation between love and a broadly Aristotelian notion of intellect. We will also see another perspective on the crucial Aristotelian concepts of potentiality and act, and perhaps shed further light on Aristotle’s telegraphic remarks about how we have knowledge of “privations” or negations of things.

I’ll be devoting two posts to the small pamphlet Intellect d’Amour (2018), introduced by the great contemporary scholar of medieval philosophy Alain de Libera, in which leading specialist in Averroes and Latin Averroism Jean-Baptiste Brenet translates an Italian essay by Giorgio Agamben, and presents a related essay of his own. This post deals with Agamben’s part.

While I have little sympathy for Agamben’s quasi-Heideggerian reduction elsewhere of “Western metaphysics” as a whole to a fundamental error for which Aristotle is supposedly to blame, his essay here is focused and interesting. The medieval Italian poet and philosopher Guido Cavalcanti (1255?-1300) — a close associate of and influence on the great Dante Alighieri, author of The Divine Comedy — is now generally understood to have been inspired by Italian Averroist philosophy (see Italian Aristotelianism). The dominant interpretation of Cavalcanti, however, has been that of Bruno Nardi, who emphasizes a fundamental discontinuity between Cavalcanti’s exaltation of love in both its spiritual and its erotic dimensions, and his Averroist views on intellect. Agamben, Brenet, and de Libera all seem to agree in turning this interpretation on its head.

Dante and Cavalcanti are both commonly associated with the historically shadowy group of poets known as the fedeli d’amore (love’s faithful). The fedeli were apparently influenced by the poetry and music of the troubadours, who developed the Western medieval tradition of courtly love, and also used it as a spiritual metaphor, somewhat along the lines of Plato’s Symposium. Sources of the troubadour tradition are disputed by scholars and likely were multiple, but an Arabic or specifically Sufi element has been repeatedly suggested.

Agamben’s essay points out that a particularly mysterious phrase bianco in tale obiettò cade (something like “white falls into this objection”) in Cavalcanti’s poem Donna me prega appears to be intended to recall the Latin cecidit albedo in exemplari in Averroes’ Long Commentary on Aristotle’s On the Soul. In the poem, Cavalcanti has just said that love cannot be understood in terms of vision.

Agamben notes that in the passage where the corresponding phrase appears in Averroes, Averroes is more broadly addressing how we know the privations of positive terms. In the context of vision, Averroes poses “blackness” as a privation of “whiteness”, somewhat like modern science calls blackness an absence of color. Agamben quotes de Libera’s remark in his partial French translation of Averroes’ work that “Every privation is effectively known negatively, by preliminarily positing something and then negating it” (p. 13, my translation throughout).

The “white” in Cavalcanti’s poem recalls the white by which the black is known as a privation. Following the passage Cavalcanti refers to, the Latin translation of Averroes says “And it is necessary that this faculty of knowledge perceives the privation in perceiving itself as being in potentiality, when it is in potentiality, since it perceives the one and the other of itself, that is to say being in potentiality and being in act. And such is the case with the material intellect” (quoted, p. 19).

Here we have among other things a fascinating connection between self-apprehension and negation. I imagine Hegel nodding in approval here.

“Averroes affirms that, in knowing obscurity, the material intellect knows itself insofar as it is in potentiality, and that, reciprocally, for the material intellect, to understand itself is equivalent to knowing obscurity and privation. One sole and same faculty — the material or possible intellect — knows obscurity and light (obscuritatem et lumen), power and act, form and its privation. As de Libera notes, this signifies that ‘privation is attached to the very essence of intellect’, and indeed also — the consequence is inevitable — that obscurity — non-thinking in act — is an integral part of intellect and is consubstantial with it ” (pp. 19-20).

Here I think also of Socrates’ comment that wisdom involves recognizing what we do not know. In a sense, this kind of recognition of privation is just as much a part of knowledge as any positive content.

“The idea that obscurity, which for him constitutes an essential part of the amorous experience, in no way implies an exclusion of knowledge, could not but fascinate Cavalcanti. On the contrary, since one sole and same faculty — the possible or material intellect, where love has its dwelling place — knows equally well the darkness and the light, equally well the form and its privation, having the amorous experience of obscurity thus also necessarily signifies having the experience of the pure power of intellect” (p. 20).

In passing, Agamben refers here to his major thesis in this essay, that the material intellect is where love has its abode for Cavalcanti. We also see an example of the Aristotelian thesis that rational knowledge of one of a pair of opposites necessarily entails knowledge of the other.

“In this perspective, it is possible to divide the philosophers into two great classes or families. According to the one group, what defines humans is the act of thinking, and the latter are indeed like the angels, always in the act of thinking; according to the others (the Averroist tradition in which Cavalcanti as well as Dante are inscribed by right), what defines humans is not the act, but the power of thinking (humans do not think continually, which is to say they think in an intermittent way — not sine interpolatione [without interpolation], as Dante says” (pp. 20-21).

In our thinking, we who are not pure act depend on this “power of thinking” that begins as something external to us.

Agamben recalls that Averroes calls the material intellect a fourth kind of being (neither form, nor matter, nor a composite). “It is this perception of its own obscurity by the material intellect, essentially divided in its being, which becomes for Cavalcanti the place of the experience of love” (p. 22). “If the attempt to think, apropos of the material intellect, the existence of a pure power as a fourth genus of being leads Averroism to an aporia from which it is not easy to escape, it nonetheless furnishes, and precisely through that, the elements of another conception of subject than that which has prevailed since Descartes…. Otherwise said, Averroism thinks the subject as the subject of a power, and not only of an act…. Averroes suggests that the material intellect should be considered more as a place… than as a matter” (p. 23).

Agamben’s language seems overly loose here, in that it blurs together act in an Aristotelian sense and agency in a modern sense, but he nonetheless makes an important point. The “Cartesian subject” is indeed commonly conceived more or less exclusively in terms of its agency in the modern sense. Both the mechanist and the voluntarist dimensions in Cartesian thought mitigate against taking the key Aristotelian concept of potentiality seriously (and conversely, taking potentiality seriously makes both mechanism and voluntarism untenable).

The modern notion of agency is distinguished by the fact that from the outset, it is conceived as not having any inherent relation to a contrasting term like potentiality, that would condition and limit it. By contrast, Aristotle only arrives at the thesis that there can be such a thing as pure act after a long dialectical development, starting from the cases where act is only analytically distinguishable from potentiality. The common modern approach short-circuits all of this. Aristotelian act and agency in the modern sense are thus two different things. But Agamben correctly points out that any finite “subject” that is the subject of a conditioning power (or capability, as Paul Ricoeur more felicitously puts it) will be fundamentally different from the modern stereotype of a one-sided subject-agent.

“The great invention of Cavalcanti, of Dante and the other poets of love, is to situate love in the possible intellect without reservation. As the song says, and for once clearly, the possibile intelletto is the subject — or the quasi-subject (come in subietto) — the loco [place] and the dimoranza [residence] (the mansio [house]) of the veduta forma [form seen] that produces love…. [L]ove (as the ‘form seen’, veduta forma, which gives birth to it) is in the possible intellect as in its proper place” (p. 24).

The thought here seems to be that the feeling of love follows from the apprehension of a form or image as having characteristics that make it in itself lovable. According to Agamben, for Cavalcanti and Dante, the possible aka potential aka material intellect is the “quasi-subject” of love. At the same time, the possible intellect is not so much a discrete entity as a “place” that is not really a discrete place either, but a kind of ubiquitous structural relation.

Agamben cites a line from Dante speaking of “women who have love’s intellect”. He comments, “[B]etween intellect and love the connection is essential” (ibid).

“The modern specialists, each convinced that they think with their own brain — when to all evidence they on the contrary think according to the common paradigms imposed by the doctrinal system in which they are inscribed — experience such distress before the Averroist theory of the unique intellect, that they do not understand what should nonetheless be evident, namely that the speculative node of the question, so to speak the experimentum crucis [cross test] of Averroism, does not consist in the division between individuals and intellect, but — once the division is affirmed — in their conjunction, which the Latin translators render by the technical terms copulatio and continuatio. In this conjunction between the unique material intellect and singular individuals, the essential mediating function is accomplished by the intentiones ymaginatae, that is to say the phantasms of the imagination” (p. 25).

“Nonetheless, not only does the imagination operate as an intermediary between individuals and the intellect, but it is also for Calvalcanti the object and at the same time the subject of amorous passion” (p. 26). “Cavalcanti and the poets of love take the coincidence between love and imagination so far that they personify the phantasms” (p. 27).

This is saying that imagination is both the object and the subject of love, as well as what individualizes intellect.

Agamben points out that Averroes strongly underlines Aristotle’s statement that only the combination of intellect and desire moves us. “It is this singular fusion between intellect, desire, and imagination that it is also necessary to understand in the ‘love’s intellect’ of Dante…. Love is not a substance, it is — as [Cavalcanti’s] song says in its overture — an ‘accident’ that indetermines the three substances intellect, imagination, and desire, and puts them fiercely in tension” (p. 29).

“[F]or intellection to be ‘acquired’ and become ‘proper’ to the individual, in effect it does not suffice that the forms be imagined, but it is necessary that they be desired and willed…. [T]he phantasm by desire makes the intelligible proper to the subject. Thought belongs to me because it has been imagined and desired” (p. 31).

“The great invention of Cavalcanti and the poets of love is to make love the place par excellence of the adeptio [acquisition] of thought by the individual” (p. 32).

Whom and what we love are of decisive importance to who we are, as well as to what we hold to be true.

Agamben notes that Dante also drew political consequences from his Averroist view of intellect. He quotes Dante’s treatise on monarchy: “Since the power of thought cannot be integrally and simultaneously actualized by a single human or by a single particular community […], it is necessary that there be in the human genus a multitude through which the whole power is in act” (p. 33, ellipses in original).

Dante’s universalist aspirations distinguish him from Cavalcanti, who was deeply involved in factional intrigue. For Dante, “‘our’… accompanies and precedes ‘me'” (p. 34).

The Knowledge Sought

Following the emphasis of al-Farabi on demonstrative “science”, the Latin scholastic tradition treated “metaphysics” as a completed science. Some writers attributed such a completed science to Aristotle, while others, following in the wake of Avicenna, put forward their own improvements.

With respect to being, Aristotle himself speaks of knowledge sought rather than possessed. In inquiring about being “as such”, he is exploring a question given prominence by others. Far from claiming to have final knowledge of being as such, he highlights the ambiguity of “being”. There can be no “as such” — and hence no final knowledge — of an ambiguous thing.

This is not the end of the story, however. The very first sentence of the Metaphysics is “All human beings by nature stretch themselves out toward knowing. A sign of this is our love of the senses; for even apart from their use, they are loved on their own account (book capital Alpha (I), ch. 1, Sachs tr., p. 1).

We are after knowledge of something. It is just not clear that that something would be accurately characterized as “being”, full stop.

“[A] sign of the one who knows and the one who does not is being able to teach, and for this reason we regard the art, more than the experience, to be knowledge” (p. 2).

“Further, we consider none of the senses to be wisdom, even though they are the most authoritative ways of knowing particulars; but they do not pick out the why of anything” (ibid).

“[T]he person with experience seems wiser than those who have any perception whatever, the artisan wiser than those with experience, the master craftsman wiser than the manual laborer, and the contemplative arts more so than the productive ones. It is apparent, then, that wisdom is a knowledge concerned with certain sources and causes” (p. 3).

This concern with sources and causes, with the why, is the true subject matter of the Metaphysics. This is emphasized again at length in book Epsilon (VI).

“Since we are seeking this knowledge, this should be examined: about what sort of causes and what sort of sources wisdom is the knowledge. Now if one takes the accepted opinions we have about the wise man, perhaps from this it will become more clear. We assume first that the wise man knows all things, in the way that is possible, though he does not have knowledge of them as particulars. Next, we assume that the one who is able to know things that are difficult, and not easy for a human being to know, is wise; for perceiving is common to everyone, for which reason it is an easy thing and nothing wise. Further, we assume the one who has more precision and is more able to teach the causes is wiser concerning each kind of knowledge. And among the kinds of knowledge, we assume the one that is for its own sake and chosen for the sake of knowing more to be wisdom than the one chosen for the sake of results” (ch. 2, p. 3).

“Now of these, the knowing of all things must belong to the one who has most of all the universal knowledge, since he knows in a certain way all the things that come under it; and these are just about the most difficult things for human beings to know, those that are most universal, since they are farthest away from the senses. And the most precise kinds of knowledge are the ones that are most directed at first things, since those that reason from fewer things are more precise than those that reason from extra ones” (p. 4).

For long I struggled with this last statement. How could a knowledge of first things be the most precise of all? In the Topics, he says that first principles can only be investigated by dialectic: “[T]his task belongs properly, or most appropriately, to dialectic; for dialectic is a process of criticism wherein lies the path to the principles of all inquiries” (Collected Works, Barnes ed., p. 168).

Some commentators — influenced by al-Farabi and the subsequent tradition’s overwhelming emphasis on the place of demonstration as opposed to dialectic in Aristotle — have considered it a puzzle or a defect that the Metaphysics and other Aristotelian texts do not seem to consist in demonstrations as described in the Prior Analytics. The answer is that the Metaphysics and the others generally do follow the model of dialectic articulated in the Topics, as the Topics itself says they ought to.

Returning to the Metaphysics, Aristotle has already stressed that the most universal knowledge is also the most difficult. Also, he standardly distinguishes between how things are “in themselves” and how they are “for us”. The knowledge of first things would be most precise in itself, not necessarily for us in our relative achievement of it.

To anticipate, I think the final conclusion of the Metaphysics will be something like “All things are ultimately moved by love of the good”. The qualification “ultimately” is essential to making sense of this.

(For Aristotle himself, all becoming and terrestrial motion are grounded in — though not in detail determined by — the entelechy or entelechies of circular celestial motion. The stars are a kind of everlasting living beings endowed with superior intellect, and are directly moved by love of the first cause. This might seem quaint to modern people. I find the love part beautiful in a poetic sort of way, but think Aristotle’s theoretical astronomy in general and his views of the special status of celestial objects have relatively little impact on interpretation of the rest of his work — particularly with respect to the teleology affecting earthly things and the discussions here in the Metaphysics.)

Plato says that the Good surpasses all things in ancientness and power. He represents Socrates as provocatively arguing that all beings desire the good, regardless of how confused they may be about what the good really is. No one deliberately and self-consciously desires what they recognize as evil. That is impossible, because it is logically self-contradictory. For the same reason, there also could not be a “principle” of evil. This is a tremendously powerful thought, of unparalleled importance for ethics. It sets a fundamental tone of charitable interpretation, in diametrical contrast to the kind of point of view that says those people over there are just evil.

Aristotle, however, says that Plato does not clearly explain the mode of activity of the Good, or how it acts as a cause. According to Aristotle, when Plato does gesture in this direction, he lapses into treating the Good as either a formal cause or an efficient cause, or both. But speaking in terms of formal or efficient causality loses what is most essential about the good — what many contemporary philosophers would call its normative character.

Aristotle considered his own contribution in this area to be a thorough account of how all things are ultimately moved by that for the sake of which, and of how the Good indirectly influences things just as that for the sake of which. This, once again, is what Kant called “internal teleology”.

After the horrors of the 20th century, many people have lost faith in the fundamental goodness of life. This is basically an emotional response. The indubitable factuality of horrendous evil in the world is not an Aristotelian or Hegelian actuality, and does not touch actuality. The factuality of evil does pose a roadblock for common interpretations of particular providence or “external” teleology, but not for Aristotelian or Hegelian teleology.

But how could a knowledge of first things be exact? We certainly don’t have knowledge of the first cause in itself. But coming back to my formulation “All things are ultimately moved by love of the good”, this does meet Aristotle’s criterion of simplicity: all things are said to be ultimately moved by one thing (even though more directly, they are moved by their own love of whatever they do love, which seems good to them within the limits of their understanding).

We have exact knowledge neither of the first cause in itself nor of the particulars we encounter in life, but perhaps we can after all have exact, certain knowledge that “All things are ultimately moved by love of the good”. This is the kind of thing I think Aristotle is suggesting. (See also Aristotle on Explanation.)

Next in this series: The Four Causes Revisited

Love

As Aristotle might remind us, “love” is said in many ways. Moreover, there are at least four separate Greek words with distinct but overlapping meanings that we translate by “love” — eros, agape, philia, and storge.

Eros most commonly emphasizes passion, sensuality, and attraction. Classical authors often associated it with a kind of mania leading lovers to extreme behavior. Modern authors have generalized it to include desire of all sorts, and Freud in his later work treated it as a sort of life force. Plato in the Symposium and Plotinus in his works on Beauty and Intelligible Beauty saw eros as capable of being sublimated into an uplifting kind of love for ideal or spiritual things. Aristotle poetically gave it a cosmic role, saying that the stars are moved by eros for their apparent axis of rotation. The latter, as cosmic “unmoved mover”, “unmovingly moves” things in this way, by being the object of their eros. (Unmoved moving also has another, purely descriptive sense that is not relevant here; see Moved, Unmoved.)

Agape is the main word for love in the Greek New Testament, emphasizing compassion and charity. It is applied to God’s love for the world, and in the injunction to love our neighbors as ourselves. It is about this kind of love that Augustine said “love, and do as you will”.

Philia is applied by Aristotle to a wide range of ethical and social contexts — a feeling of affection and sympathy between friends, lovers, families, members of a community, people engaged in some common activity. In the Rhetoric, he defines it as wanting what we think is good for someone, not for our own sake but for theirs, and being inclined to act on that insofar as we are capable. It involves an implicit norm of reciprocity in a broad “proportional” sense that applies even when there is some asymmetry in the underlying relationship. Aristotle argues that although a kind of self-sufficiency is also a virtue, doing for others is a greater good. Moreover, he says that the philos (friend or loved one) is for us like another self. This is the Aristotelian root of Hegel’s ethics of mutual recognition. Also, philosophy is philia for wisdom.

According to Wikipedia, storge is familial or domestic love. Modern authors have associated it with long-term commitment and a kind of unconditional support, and with romantic love that has origins in friendship rather than manic attraction.

Emotions and Human Nature

Spinoza took emotions more seriously than any philosopher before him.

“Most of those who have written about the Affects, and men’s way of living, seem to treat, not of natural things, which follow the common laws of nature, but of things which are outside nature. Indeed they seem to conceive man in nature as a dominion within a dominion. For they believe that man disturbs, rather than follows, the order of nature, that he has absolute power over his actions, and that he is determined only by himself. And they attribute the cause of human impotence, not to the common power of nature, but to I know not what vice of human nature, which they therefore bewail, or laugh at, or disdain, or (as usually happens) curse. And he who knows how to censure more eloquently and cunningly the weakness of the human Mind is held to be Godly.”

“…To them it will doubtless seem strange that I should undertake to treat men’s vices and absurdities in the Geometric style….”

“But my reason is this: nothing happens in nature that can be attributed to any defect in it, for nature is always the same….”

“The Affects, therefore, of hate, anger, envy, etc., considered in themselves, follow from the same necessity and force of nature as the other singular things. And therefore they acknowledge certain causes, through which they are understood, and have certain properties, as worthy of our knowledge as the properties of any other thing” (Ethics, book III, preface, Collected Works vol. 1, Curley trans., pp. 491-492).

“By affect I understand affections of the Body by which the Body’s power of acting is increased or diminished, aided or restrained, and at the same time, the ideas of these affections” (book III, definition 3, p. 493).

“[I]nsofar as it has adequate ideas, [our Mind] necessarily does certain things, and insofar as it has inadequate ideas, it necessarily undergoes certain things” (book III, proposition 1, ibid).

“[T]he Mind and the Body are one and the same thing, which is considered now under the attribute of Thought, now under the attribute of Extension” (book III, proposition 2, scholium, p. 494).

“The Mind, as far as it can, strives to imagine those things that increase or aid the Body’s power of acting” (book III, proposition 12, p. 502).

“Love is nothing but Joy with the accompanying idea of an external cause, and Hate is nothing but Sadness with the accompanying idea of an external cause” (book III, proposition 13, scholium, ibid).

(By no means would I suggest that this is the last word on love; it seems to apply mainly to a lowest common denominator usage of “love” that is not what I normally mean when I use the word.)

“Apart from the Joy and Desire that are passions, there are other affects of Joy and Desire that are related to us insofar as we act” (book III, proposition 58, p. 529).

“Among all the affects that are related to the mind insofar as it acts, there are none that are not related to Joy or Desire” (book III, proposition 59, ibid).

Based on these and similar principles, he develops a sort of physics of the emotions, which on the whole yields surprisingly plausible qualitative predictions of how people will behave in various conditions.

Ricoeur on Psychoanalysis

The concluding book of Ricoeur’s Freud and Philosophy aims at a reconciliation of two contrasting approaches in hermeneutics — demystifying and kerygmatic — that would be not merely eclectic but genuinely dialectical. He suggests on the one hand that faith ought to be entirely compatible with a sharp critique of idols, and on the other that Freud never adequately considered how his late concept of Eros and its sublimations could be legitimately reconnected with notions of spiritual love.

He develops a bit further his earlier contrast between a “philosophy of consciousness” and a “philosophy of reflection”. A philosophy of consciousness grounds a false Cogito on the immediacy of consciousness. A philosophy of reflection on the other hand pays attention to the always mediated character of experience, and to subjectivity as something that is constituted as well as constitutive. It therefore decenters subjectivity. Ricoeur argues that Husserl as much as Freud considered subjectivity as something constituted.

At the same time, Ricoeur in this work still wants to speak of a true Cogito of reflection, and in this context wants to distinguish between immediate consciousness and the “living self-presence” to which Husserl appealed. Although Ricoeur does not say it, it seems to me that Husserl’s living self-presence is supposed to be precisely a kind of non-empirical (i.e., transcendental) immediate consciousness. I think on the contrary that the transcendental is all mediation, and hold what I take to be a Kantian position that feelings of living presence or self-presence belong on the side of introspective appearance that is ultimately empirical rather than transcendental.

Ricoeur notes that for Freud, it is more a question of “it speaks” rather than “I think”.

He thinks there is an ambiguity in Freud between primitive, sub-linguistic and transcendental, supra-linguistic concerns, so that symbolic meaning expressing poetic or spiritual truth is not clearly separated from something like word play. This goes back to his earlier concern with the phenomenology of religious symbols. I actually think that word play can serve as an indirect expression of poetic or spiritual truth, but then I also think spiritual truth is inherently “poetic”.

In spite of criticizing (the old stereotype of) Hegel for claiming a sort of omniscience, Ricoeur suggests that Hegel’s phenomenology, with its distinction between Consciousness and Spirit and its discussions of the relation between Spirit and desire, provides a “teleology” complementary and inverse to Freud’s “archeology” of subjectivity. For this to be a truly dialectical relation, he says, each must contain a moment approximating the other, and he thinks that in fact they do.

He also connects Freud’s work with Spinoza’s critique of consciousness and free will; Leibniz’s theories of unconscious perception; and Kant’s simultaneous assertion of a transcendental idealism and an empirical realism. Freud’s “topographies” are associated with a kind of realism in this Kantian sense.

For Ricoeur’s Freud, life and desire always have an unsurpassable character. Because of this, a relation to reality is always a task, not a possession. What ultimately distinguishes psychoanalysis, Ricoeur says, is not just the idea that we have motives of which we are ignorant, but Freud’s account of the resistance of an always somewhat narcissistic ego and the corresponding extended work of overcoming it. This relates directly to the idea of reality as a task. “We did not regard this realism as a relapse into naturalism, but as a dispossession of immediate certitude, a withdrawal from and humiliation of our narcissism” (p. 432). “It is one and the same enterprise to understand Freudianism as a discourse about the subject and to discover that the subject is never the subject one thinks it is” (p. 420).

“I consider the Freudian metapsychology an extraordinary discipline of reflection: like Hegel’s Phenomenology of Spirit, but in the opposite direction, it achieves a decentering of the home of significations, a displacement of the birthplace of meaning. By this displacement, immediate consciousness finds itself dispossessed to the advantage of another agency of meaning — the transcendence of speech or the emergence of desire…. We must really lose hold of consciousness and its pretension of ruling over meaning, in order to save reflection” (p. 422). What Ricoeur called reflection and will, I give the more classical name of Reason.

Fear and Suffering

This is a response to a few more pages of Ricoeur’s The Symbolism of Evil. I was initially greatly troubled by the statement, “Man enters into the ethical world through fear and not through love” (p. 30). I prefer the spirit of Augustine’s “Love, and do as you will”, and really dislike that fear and trembling stuff. A few pages later, though, Ricoeur already begins to sublimate the emphasis on fear.

Historically, there have been tendencies to confuse unintelligible suffering with personal punishment by God. (Less diplomatically than Ricoeur, I would associate these with superstitious, unethical forms of religion.) The lesson of Job was a separation of “the ethical world of sin from the physical world of suffering” (p. 32). “[S]uffering has had to become absurd and scandalous in order that sin might acquire its strictly spiritual meaning. At this terrible price, the fear that was attached to it could become the fear of not loving enough and could be dissociated from the fear of suffering and failure” (ibid).

Ricoeur goes on to say that the lingering symbolism of defilement “furnishes the imaginative model” (p. 34) for a transposition from a ritual purification or catharsis into a philosophical one. “It is not the immediate abolition but the mediate sublimation of fear… which is the soul of all true education.” (p. 44; emphasis in original). I still prefer to emphasize seeking the good, but the argument now seems headed in a better direction.