Love’s Intellect

The main theme here is an unexpectedly close relation between love and a broadly Aristotelian notion of intellect. We will also see another perspective on the crucial Aristotelian concepts of potentiality and act, and perhaps shed further light on Aristotle’s telegraphic remarks about how we have knowledge of “privations” or negations of things.

I’ll be devoting two posts to the small pamphlet Intellect d’Amour (2018), introduced by the great contemporary scholar of medieval philosophy Alain de Libera, in which leading specialist in Averroes and Latin Averroism Jean-Baptiste Brenet translates an Italian essay by Giorgio Agamben, and presents a related essay of his own. This post deals with Agamben’s part.

While I have little sympathy for Agamben’s quasi-Heideggerian reduction elsewhere of “Western metaphysics” as a whole to a fundamental error for which Aristotle is supposedly to blame, his essay here is focused and interesting. The medieval Italian poet and philosopher Guido Cavalcanti (1255?-1300) — a close associate of and influence on the great Dante Alighieri, author of The Divine Comedy — is now generally understood to have been inspired by Italian Averroist philosophy (see Italian Aristotelianism). The dominant interpretation of Cavalcanti, however, has been that of Bruno Nardi, who emphasizes a fundamental discontinuity between Cavalcanti’s exaltation of love in both its spiritual and its erotic dimensions, and his Averroist views on intellect. Agamben, Brenet, and de Libera all seem to agree in turning this interpretation on its head.

Dante and Cavalcanti are both commonly associated with the historically shadowy group of poets known as the fedeli d’amore (love’s faithful). The fedeli were apparently influenced by the poetry and music of the troubadours, who developed the Western medieval tradition of courtly love, and also used it as a spiritual metaphor, somewhat along the lines of Plato’s Symposium. Sources of the troubadour tradition are disputed by scholars and likely were multiple, but an Arabic or specifically Sufi element has been repeatedly suggested.

Agamben’s essay points out that a particularly mysterious phrase bianco in tale obiettò cade (something like “white falls into this objection”) in Cavalcanti’s poem Donna me prega appears to be intended to recall the Latin cecidit albedo in exemplari in Averroes’ Long Commentary on Aristotle’s On the Soul. In the poem, Cavalcanti has just said that love cannot be understood in terms of vision.

Agamben notes that in the passage where the corresponding phrase appears in Averroes, Averroes is more broadly addressing how we know the privations of positive terms. In the context of vision, Averroes poses “blackness” as a privation of “whiteness”, somewhat like modern science calls blackness an absence of color. Agamben quotes de Libera’s remark in his partial French translation of Averroes’ work that “Every privation is effectively known negatively, by preliminarily positing something and then negating it” (p. 13, my translation throughout).

The “white” in Cavalcanti’s poem recalls the white by which the black is known as a privation. Following the passage Cavalcanti refers to, the Latin translation of Averroes says “And it is necessary that this faculty of knowledge perceives the privation in perceiving itself as being in potentiality, when it is in potentiality, since it perceives the one and the other of itself, that is to say being in potentiality and being in act. And such is the case with the material intellect” (quoted, p. 19).

Here we have among other things a fascinating connection between self-apprehension and negation. I imagine Hegel nodding in approval here.

“Averroes affirms that, in knowing obscurity, the material intellect knows itself insofar as it is in potentiality, and that, reciprocally, for the material intellect, to understand itself is equivalent to knowing obscurity and privation. One sole and same faculty — the material or possible intellect — knows obscurity and light (obscuritatem et lumen), power and act, form and its privation. As de Libera notes, this signifies that ‘privation is attached to the very essence of intellect’, and indeed also — the consequence is inevitable — that obscurity — non-thinking in act — is an integral part of intellect and is consubstantial with it ” (pp. 19-20).

Here I think also of Socrates’ comment that wisdom involves recognizing what we do not know. In a sense, this kind of recognition of privation is just as much a part of knowledge as any positive content.

“The idea that obscurity, which for him constitutes an essential part of the amorous experience, in no way implies an exclusion of knowledge, could not but fascinate Cavalcanti. On the contrary, since one sole and same faculty — the possible or material intellect, where love has its dwelling place — knows equally well the darkness and the light, equally well the form and its privation, having the amorous experience of obscurity thus also necessarily signifies having the experience of the pure power of intellect” (p. 20).

In passing, Agamben refers here to his major thesis in this essay, that the material intellect is where love has its abode for Cavalcanti. We also see an example of the Aristotelian thesis that rational knowledge of one of a pair of opposites necessarily entails knowledge of the other.

“In this perspective, it is possible to divide the philosophers into two great classes or families. According to the one group, what defines humans is the act of thinking, and the latter are indeed like the angels, always in the act of thinking; according to the others (the Averroist tradition in which Cavalcanti as well as Dante are inscribed by right), what defines humans is not the act, but the power of thinking (humans do not think continually, which is to say they think in an intermittent way — not sine interpolatione [without interpolation], as Dante says” (pp. 20-21).

In our thinking, we who are not pure act depend on this “power of thinking” that begins as something external to us.

Agamben recalls that Averroes calls the material intellect a fourth kind of being (neither form, nor matter, nor a composite). “It is this perception of its own obscurity by the material intellect, essentially divided in its being, which becomes for Cavalcanti the place of the experience of love” (p. 22). “If the attempt to think, apropos of the material intellect, the existence of a pure power as a fourth genus of being leads Averroism to an aporia from which it is not easy to escape, it nonetheless furnishes, and precisely through that, the elements of another conception of subject than that which has prevailed since Descartes…. Otherwise said, Averroism thinks the subject as the subject of a power, and not only of an act…. Averroes suggests that the material intellect should be considered more as a place… than as a matter” (p. 23).

Agamben’s language seems overly loose here, in that it blurs together act in an Aristotelian sense and agency in a modern sense, but he nonetheless makes an important point. The “Cartesian subject” is indeed commonly conceived more or less exclusively in terms of its agency in the modern sense. Both the mechanist and the voluntarist dimensions in Cartesian thought mitigate against taking the key Aristotelian concept of potentiality seriously (and conversely, taking potentiality seriously makes both mechanism and voluntarism untenable).

The modern notion of agency is distinguished by the fact that from the outset, it is conceived as not having any inherent relation to a contrasting term like potentiality, that would condition and limit it. By contrast, Aristotle only arrives at the thesis that there can be such a thing as pure act after a long dialectical development, starting from the cases where act is only analytically distinguishable from potentiality. The common modern approach short-circuits all of this. Aristotelian act and agency in the modern sense are thus two different things. But Agamben correctly points out that any finite “subject” that is the subject of a conditioning power (or capability, as Paul Ricoeur more felicitously puts it) will be fundamentally different from the modern stereotype of a one-sided subject-agent.

“The great invention of Cavalcanti, of Dante and the other poets of love, is to situate love in the possible intellect without reservation. As the song says, and for once clearly, the possibile intelletto is the subject — or the quasi-subject (come in subietto) — the loco [place] and the dimoranza [residence] (the mansio [house]) of the veduta forma [form seen] that produces love…. [L]ove (as the ‘form seen’, veduta forma, which gives birth to it) is in the possible intellect as in its proper place” (p. 24).

The thought here seems to be that the feeling of love follows from the apprehension of a form or image as having characteristics that make it in itself lovable. According to Agamben, for Cavalcanti and Dante, the possible aka potential aka material intellect is the “quasi-subject” of love. At the same time, the possible intellect is not so much a discrete entity as a “place” that is not really a discrete place either, but a kind of ubiquitous structural relation.

Agamben cites a line from Dante speaking of “women who have love’s intellect”. He comments, “[B]etween intellect and love the connection is essential” (ibid).

“The modern specialists, each convinced that they think with their own brain — when to all evidence they on the contrary think according to the common paradigms imposed by the doctrinal system in which they are inscribed — experience such distress before the Averroist theory of the unique intellect, that they do not understand what should nonetheless be evident, namely that the speculative node of the question, so to speak the experimentum crucis [cross test] of Averroism, does not consist in the division between individuals and intellect, but — once the division is affirmed — in their conjunction, which the Latin translators render by the technical terms copulatio and continuatio. In this conjunction between the unique material intellect and singular individuals, the essential mediating function is accomplished by the intentiones ymaginatae, that is to say the phantasms of the imagination” (p. 25).

“Nonetheless, not only does the imagination operate as an intermediary between individuals and the intellect, but it is also for Calvalcanti the object and at the same time the subject of amorous passion” (p. 26). “Cavalcanti and the poets of love take the coincidence between love and imagination so far that they personify the phantasms” (p. 27).

This is saying that imagination is both the object and the subject of love, as well as what individualizes intellect.

Agamben points out that Averroes strongly underlines Aristotle’s statement that only the combination of intellect and desire moves us. “It is this singular fusion between intellect, desire, and imagination that it is also necessary to understand in the ‘love’s intellect’ of Dante…. Love is not a substance, it is — as [Cavalcanti’s] song says in its overture — an ‘accident’ that indetermines the three substances intellect, imagination, and desire, and puts them fiercely in tension” (p. 29).

“[F]or intellection to be ‘acquired’ and become ‘proper’ to the individual, in effect it does not suffice that the forms be imagined, but it is necessary that they be desired and willed…. [T]he phantasm by desire makes the intelligible proper to the subject. Thought belongs to me because it has been imagined and desired” (p. 31).

“The great invention of Cavalcanti and the poets of love is to make love the place par excellence of the adeptio [acquisition] of thought by the individual” (p. 32).

Whom and what we love are of decisive importance to who we are, as well as to what we hold to be true.

Agamben notes that Dante also drew political consequences from his Averroist view of intellect. He quotes Dante’s treatise on monarchy: “Since the power of thought cannot be integrally and simultaneously actualized by a single human or by a single particular community […], it is necessary that there be in the human genus a multitude through which the whole power is in act” (p. 33, ellipses in original).

Dante’s universalist aspirations distinguish him from Cavalcanti, who was deeply involved in factional intrigue. For Dante, “‘our’… accompanies and precedes ‘me'” (p. 34).

The Knowledge Sought

Following the emphasis of al-Farabi on demonstrative “science”, the Latin scholastic tradition treated “metaphysics” as a completed science. Some writers attributed such a completed science to Aristotle, while others, following in the wake of Avicenna, put forward their own improvements.

With respect to being, Aristotle himself speaks of knowledge sought rather than possessed. In inquiring about being “as such”, he is exploring a question given prominence by others. Far from claiming to have final knowledge of being as such, he highlights the ambiguity of “being”. There can be no “as such” — and hence no final knowledge — of an ambiguous thing.

This is not the end of the story, however. The very first sentence of the Metaphysics is “All human beings by nature stretch themselves out toward knowing. A sign of this is our love of the senses; for even apart from their use, they are loved on their own account (book capital Alpha (I), ch. 1, Sachs tr., p. 1).

We are after knowledge of something. It is just not clear that that something would be accurately characterized as “being”, full stop.

“[A] sign of the one who knows and the one who does not is being able to teach, and for this reason we regard the art, more than the experience, to be knowledge” (p. 2).

“Further, we consider none of the senses to be wisdom, even though they are the most authoritative ways of knowing particulars; but they do not pick out the why of anything” (ibid).

“[T]he person with experience seems wiser than those who have any perception whatever, the artisan wiser than those with experience, the master craftsman wiser than the manual laborer, and the contemplative arts more so than the productive ones. It is apparent, then, that wisdom is a knowledge concerned with certain sources and causes” (p. 3).

This concern with sources and causes, with the why, is the true subject matter of the Metaphysics. This is emphasized again at length in book Epsilon (VI).

“Since we are seeking this knowledge, this should be examined: about what sort of causes and what sort of sources wisdom is the knowledge. Now if one takes the accepted opinions we have about the wise man, perhaps from this it will become more clear. We assume first that the wise man knows all things, in the way that is possible, though he does not have knowledge of them as particulars. Next, we assume that the one who is able to know things that are difficult, and not easy for a human being to know, is wise; for perceiving is common to everyone, for which reason it is an easy thing and nothing wise. Further, we assume the one who has more precision and is more able to teach the causes is wiser concerning each kind of knowledge. And among the kinds of knowledge, we assume the one that is for its own sake and chosen for the sake of knowing more to be wisdom than the one chosen for the sake of results” (ch. 2, p. 3).

“Now of these, the knowing of all things must belong to the one who has most of all the universal knowledge, since he knows in a certain way all the things that come under it; and these are just about the most difficult things for human beings to know, those that are most universal, since they are farthest away from the senses. And the most precise kinds of knowledge are the ones that are most directed at first things, since those that reason from fewer things are more precise than those that reason from extra ones” (p. 4).

For long I struggled with this last statement. How could a knowledge of first things be the most precise of all? In the Topics, he says that first principles can only be investigated by dialectic: “[T]his task belongs properly, or most appropriately, to dialectic; for dialectic is a process of criticism wherein lies the path to the principles of all inquiries” (Collected Works, Barnes ed., p. 168).

Some commentators — influenced by al-Farabi and the subsequent tradition’s overwhelming emphasis on the place of demonstration as opposed to dialectic in Aristotle — have considered it a puzzle or a defect that the Metaphysics and other Aristotelian texts do not seem to consist in demonstrations as described in the Prior Analytics. The answer is that the Metaphysics and the others generally do follow the model of dialectic articulated in the Topics, as the Topics itself says they ought to.

Returning to the Metaphysics, Aristotle has already stressed that the most universal knowledge is also the most difficult. Also, he standardly distinguishes between how things are “in themselves” and how they are “for us”. The knowledge of first things would be most precise in itself, not necessarily for us in our relative achievement of it.

To anticipate, I think the final conclusion of the Metaphysics will be something like “All things are ultimately moved by love of the good”. The qualification “ultimately” is essential to making sense of this.

(For Aristotle himself, all becoming and terrestrial motion are grounded in — though not in detail determined by — the entelechy or entelechies of circular celestial motion. The stars are a kind of everlasting living beings endowed with superior intellect, and are directly moved by love of the first cause. This might seem quaint to modern people. I find the love part beautiful in a poetic sort of way, but think Aristotle’s theoretical astronomy in general and his views of the special status of celestial objects have relatively little impact on interpretation of the rest of his work — particularly with respect to the teleology affecting earthly things and the discussions here in the Metaphysics.)

Plato says that the Good surpasses all things in ancientness and power. He represents Socrates as provocatively arguing that all beings desire the good, regardless of how confused they may be about what the good really is. No one deliberately and self-consciously desires what they recognize as evil. That is impossible, because it is logically self-contradictory. For the same reason, there also could not be a “principle” of evil. This is a tremendously powerful thought, of unparalleled importance for ethics. It sets a fundamental tone of charitable interpretation, in diametrical contrast to the kind of point of view that says those people over there are just evil.

Aristotle, however, says that Plato does not clearly explain the mode of activity of the Good, or how it acts as a cause. According to Aristotle, when Plato does gesture in this direction, he lapses into treating the Good as either a formal cause or an efficient cause, or both. But speaking in terms of formal or efficient causality loses what is most essential about the good — what many contemporary philosophers would call its normative character.

Aristotle considered his own contribution in this area to be a thorough account of how all things are ultimately moved by that for the sake of which, and of how the Good indirectly influences things just as that for the sake of which. This, once again, is what Kant called “internal teleology”.

After the horrors of the 20th century, many people have lost faith in the fundamental goodness of life. This is basically an emotional response. The indubitable factuality of horrendous evil in the world is not an Aristotelian or Hegelian actuality, and does not touch actuality. The factuality of evil does pose a roadblock for common interpretations of particular providence or “external” teleology, but not for Aristotelian or Hegelian teleology.

But how could a knowledge of first things be exact? We certainly don’t have knowledge of the first cause in itself. But coming back to my formulation “All things are ultimately moved by love of the good”, this does meet Aristotle’s criterion of simplicity: all things are said to be ultimately moved by one thing (even though more directly, they are moved by their own love of whatever they do love, which seems good to them within the limits of their understanding).

We have exact knowledge neither of the first cause in itself nor of the particulars we encounter in life, but perhaps we can after all have exact, certain knowledge that “All things are ultimately moved by love of the good”. This is the kind of thing I think Aristotle is suggesting. (See also Aristotle on Explanation.)

Next in this series: The Four Causes Revisited

Love

As Aristotle might remind us, “love” is said in many ways. Moreover, there are at least four separate Greek words with distinct but overlapping meanings that we translate by “love” — eros, agape, philia, and storge.

Eros most commonly emphasizes passion, sensuality, and attraction. Classical authors often associated it with a kind of mania leading lovers to extreme behavior. Modern authors have generalized it to include desire of all sorts, and Freud in his later work treated it as a sort of life force. Plato in the Symposium and Plotinus in his works on Beauty and Intelligible Beauty saw eros as capable of being sublimated into an uplifting kind of love for ideal or spiritual things. Aristotle poetically gave it a cosmic role, saying that the stars are moved by eros for their apparent axis of rotation. The latter, as cosmic “unmoved mover”, “unmovingly moves” things in this way, by being the object of their eros. (Unmoved moving also has another, purely descriptive sense that is not relevant here; see Moved, Unmoved.)

Agape is the main word for love in the Greek New Testament, emphasizing compassion and charity. It is applied to God’s love for the world, and in the injunction to love our neighbors as ourselves. It is about this kind of love that Augustine said “love, and do as you will”.

Philia is applied by Aristotle to a wide range of ethical and social contexts — a feeling of affection and sympathy between friends, lovers, families, members of a community, people engaged in some common activity. In the Rhetoric, he defines it as wanting what we think is good for someone, not for our own sake but for theirs, and being inclined to act on that insofar as we are capable. It involves an implicit norm of reciprocity in a broad “proportional” sense that applies even when there is some asymmetry in the underlying relationship. Aristotle argues that although a kind of self-sufficiency is also a virtue, doing for others is a greater good. Moreover, he says that the philos (friend or loved one) is for us like another self. This is the Aristotelian root of Hegel’s ethics of mutual recognition. Also, philosophy is philia for wisdom.

According to Wikipedia, storge is familial or domestic love. Modern authors have associated it with long-term commitment and a kind of unconditional support, and with romantic love that has origins in friendship rather than manic attraction.

Emotions and Human Nature

Spinoza took emotions more seriously than any philosopher before him.

“Most of those who have written about the Affects, and men’s way of living, seem to treat, not of natural things, which follow the common laws of nature, but of things which are outside nature. Indeed they seem to conceive man in nature as a dominion within a dominion. For they believe that man disturbs, rather than follows, the order of nature, that he has absolute power over his actions, and that he is determined only by himself. And they attribute the cause of human impotence, not to the common power of nature, but to I know not what vice of human nature, which they therefore bewail, or laugh at, or disdain, or (as usually happens) curse. And he who knows how to censure more eloquently and cunningly the weakness of the human Mind is held to be Godly.”

“…To them it will doubtless seem strange that I should undertake to treat men’s vices and absurdities in the Geometric style….”

“But my reason is this: nothing happens in nature that can be attributed to any defect in it, for nature is always the same….”

“The Affects, therefore, of hate, anger, envy, etc., considered in themselves, follow from the same necessity and force of nature as the other singular things. And therefore they acknowledge certain causes, through which they are understood, and have certain properties, as worthy of our knowledge as the properties of any other thing” (Ethics, book III, preface, Collected Works vol. 1, Curley trans., pp. 491-492).

“By affect I understand affections of the Body by which the Body’s power of acting is increased or diminished, aided or restrained, and at the same time, the ideas of these affections” (book III, definition 3, p. 493).

“[I]nsofar as it has adequate ideas, [our Mind] necessarily does certain things, and insofar as it has inadequate ideas, it necessarily undergoes certain things” (book III, proposition 1, ibid).

“[T]he Mind and the Body are one and the same thing, which is considered now under the attribute of Thought, now under the attribute of Extension” (book III, proposition 2, scholium, p. 494).

“The Mind, as far as it can, strives to imagine those things that increase or aid the Body’s power of acting” (book III, proposition 12, p. 502).

“Love is nothing but Joy with the accompanying idea of an external cause, and Hate is nothing but Sadness with the accompanying idea of an external cause” (book III, proposition 13, scholium, ibid).

(By no means would I suggest that this is the last word on love; it seems to apply mainly to a lowest common denominator usage of “love” that is not what I normally mean when I use the word.)

“Apart from the Joy and Desire that are passions, there are other affects of Joy and Desire that are related to us insofar as we act” (book III, proposition 58, p. 529).

“Among all the affects that are related to the mind insofar as it acts, there are none that are not related to Joy or Desire” (book III, proposition 59, ibid).

Based on these and similar principles, he develops a sort of physics of the emotions, which on the whole yields surprisingly plausible qualitative predictions of how people will behave in various conditions.

Ricoeur on Psychoanalysis

The concluding book of Ricoeur’s Freud and Philosophy aims at a reconciliation of two contrasting approaches in hermeneutics — demystifying and kerygmatic — that would be not merely eclectic but genuinely dialectical. He suggests on the one hand that faith ought to be entirely compatible with a sharp critique of idols, and on the other that Freud never adequately considered how his late concept of Eros and its sublimations could be legitimately reconnected with notions of spiritual love.

He develops a bit further his earlier contrast between a “philosophy of consciousness” and a “philosophy of reflection”. A philosophy of consciousness grounds a false Cogito on the immediacy of consciousness. A philosophy of reflection on the other hand pays attention to the always mediated character of experience, and to subjectivity as something that is constituted as well as constitutive. It therefore decenters subjectivity. Ricoeur argues that Husserl as much as Freud considered subjectivity as something constituted.

At the same time, Ricoeur in this work still wants to speak of a true Cogito of reflection, and in this context wants to distinguish between immediate consciousness and the “living self-presence” to which Husserl appealed. Although Ricoeur does not say it, it seems to me that Husserl’s living self-presence is supposed to be precisely a kind of non-empirical (i.e., transcendental) immediate consciousness. I think on the contrary that the transcendental is all mediation, and hold what I take to be a Kantian position that feelings of living presence or self-presence belong on the side of introspective appearance that is ultimately empirical rather than transcendental.

Ricoeur notes that for Freud, it is more a question of “it speaks” rather than “I think”.

He thinks there is an ambiguity in Freud between primitive, sub-linguistic and transcendental, supra-linguistic concerns, so that symbolic meaning expressing poetic or spiritual truth is not clearly separated from something like word play. This goes back to his earlier concern with the phenomenology of religious symbols. I actually think that word play can serve as an indirect expression of poetic or spiritual truth, but then I also think spiritual truth is inherently “poetic”.

In spite of criticizing (the old stereotype of) Hegel for claiming a sort of omniscience, Ricoeur suggests that Hegel’s phenomenology, with its distinction between Consciousness and Spirit and its discussions of the relation between Spirit and desire, provides a “teleology” complementary and inverse to Freud’s “archeology” of subjectivity. For this to be a truly dialectical relation, he says, each must contain a moment approximating the other, and he thinks that in fact they do.

He also connects Freud’s work with Spinoza’s critique of consciousness and free will; Leibniz’s theories of unconscious perception; and Kant’s simultaneous assertion of a transcendental idealism and an empirical realism. Freud’s “topographies” are associated with a kind of realism in this Kantian sense.

For Ricoeur’s Freud, life and desire always have an unsurpassable character. Because of this, a relation to reality is always a task, not a possession. What ultimately distinguishes psychoanalysis, Ricoeur says, is not just the idea that we have motives of which we are ignorant, but Freud’s account of the resistance of an always somewhat narcissistic ego and the corresponding extended work of overcoming it. This relates directly to the idea of reality as a task. “We did not regard this realism as a relapse into naturalism, but as a dispossession of immediate certitude, a withdrawal from and humiliation of our narcissism” (p. 432). “It is one and the same enterprise to understand Freudianism as a discourse about the subject and to discover that the subject is never the subject one thinks it is” (p. 420).

“I consider the Freudian metapsychology an extraordinary discipline of reflection: like Hegel’s Phenomenology of Spirit, but in the opposite direction, it achieves a decentering of the home of significations, a displacement of the birthplace of meaning. By this displacement, immediate consciousness finds itself dispossessed to the advantage of another agency of meaning — the transcendence of speech or the emergence of desire…. We must really lose hold of consciousness and its pretension of ruling over meaning, in order to save reflection” (p. 422). What Ricoeur called reflection and will, I give the more classical name of Reason.

Fear and Suffering

This is a response to a few more pages of Ricoeur’s The Symbolism of Evil. I was initially greatly troubled by the statement, “Man enters into the ethical world through fear and not through love” (p. 30). I prefer the spirit of Augustine’s “Love, and do as you will”, and really dislike that fear and trembling stuff. A few pages later, though, Ricoeur already begins to sublimate the emphasis on fear.

Historically, there have been tendencies to confuse unintelligible suffering with personal punishment by God. (Less diplomatically than Ricoeur, I would associate these with superstitious, unethical forms of religion.) The lesson of Job was a separation of “the ethical world of sin from the physical world of suffering” (p. 32). “[S]uffering has had to become absurd and scandalous in order that sin might acquire its strictly spiritual meaning. At this terrible price, the fear that was attached to it could become the fear of not loving enough and could be dissociated from the fear of suffering and failure” (ibid).

Ricoeur goes on to say that the lingering symbolism of defilement “furnishes the imaginative model” (p. 34) for a transposition from a ritual purification or catharsis into a philosophical one. “It is not the immediate abolition but the mediate sublimation of fear… which is the soul of all true education.” (p. 44; emphasis in original). I still prefer to emphasize seeking the good, but the argument now seems headed in a better direction.