In the previous post, we saw an argument developed by Giorgio Agamben that for the great medieval Italian poets Dante and Cavalcanti, there is a very close connection between love, imagination, and intellect, and that in this they were inspired by the controversial views of the great commentator Averroes in his Long Commentary on Aristotle’s On the Soul. Taking Agamben’s essay as a point of departure, Jean-Baptiste Brenet explores Averroes’ critique of his Andalusian predecessor Ibn Bajja on the relation between intellect and imagination.

Ibn Bajja is historically important for his very strong notion of the role of imagination in the constitution of a human being. He develops this as an elaboration of the Greek commentator Alexander of Aphrodisias’ view that the so-called material intellect is a “pure preparation”, and is purely immanent in a faculty of imagination that is ultimately grounded in the body. Alexander’s view partly anticipates modern empiricism. Averroes’ criticisms of Alexander and of Ibn Bajja partly anticipate some contemporary criticisms of empiricism.

Brenet begins by recalling Aristotle’s statement in book Lambda of the Metaphysics that the first cause “moves as the object of love” (quoted in Agamben and Brenet, Intellect d’amour, p. 35, my translation throughout). Following Alexander, Averroes repeats that “Every thing is related to the prime mover as the lover to the loved” (ibid, emphasis in original).

According to Brenet, Averroes holds that “[T]he human, in tending toward the prime mover, only achieves her desire in acquiring in a complete way her initially extrinsic intellect.”

“This idea here of mental acquisition is an Arabic concept, and not a Greek one” (ibid, emphasis added). It seems to have been Alfarabi who particularly developed the distinction between intellect “in habit [hexis]” and intellect fully “acquired”. In the tradition that Alfarabi founded, the “acquired” intellect is sometimes said to result from a human being’s “conjunction” with a transcendent “agent intellect”. Unlike Alexander, who identified the agent intellect (nous poietikos, literally “doing or making intellect”) with the intellect Aristotle associates with the first cause, Alfarabi and the subsequent Arabic tradition treated it as a distinct metaphysical entity subordinate to the first cause.

The sense of the distinction between “in habit” and “acquired” seems to oppose a common level of achievement and actualization to an extraordinary one, or perhaps an ordinary empirical psychology to a normative ideal.

Averroes in his early works generally follows Ibn Bajja on this issue, but later develops his own unique position.

“In [Averroes’] Compendium of the Metaphysics, he too recalls that that which moves the lover is nothing but the form (sura) of the beloved that we bear within ourselves. What form? Not the absolute intelligible that the lover’s intellect apprehends, but that singular one that her imagination summons: her phantasm” (p. 36).

Aristotle separately says that the first cause moves as the object of love, and speaks of the large role of imagination in what we might call the psychology of thought. Ibn Bajja and the early Averroes thoroughly merge these two considerations.

“When we say that the intellect moves itself toward the object of love, we should not see a metaphor that translates the tendency toward accomplishment. To describe the process of intellectual acquisition, Averroes poses that ‘we move ourselves toward the conjunction’ (dicimur moveri ad continuationem), and with him this recovers a veritable physics of thought…. or more precisely, cinematics…. Certainly, he says, we find a celebrated manner of apprehending movement, which consists in making it ‘a path toward perfection’, this path being distinct from perfection itself (via ad perfectionem quae est alia ab ipsa perfectionae). But there is another way, ‘more true’, according to which ‘movement […] does not differ from the perfection toward which it tends, except by the more and the less […]. Movement in effect is nothing other than the engenderment, part by part, of this perfection (generatio partis post aliam illius perfectionis)” (p. 37, emphasis and bracketed ellipses in original).

We have recently seen that Aristotle himself treats all motion as a kind of entelechy.

“Fascinating thesis, where movement is nothing but the thing itself in its partial realization” (ibid). He quotes Averroes, “To go toward heat is in a certain way heat itself” (ibid). He continues, “This is the model that applies to thought. To move oneself toward the conjunction is to go toward the complete intellect, that is to say to become it, part by part, being it more and more” (ibid).

As individuals we approach this completeness not by perfectly realizing some one particular thought, but primarily by simultaneously realizing many thoughts, from multiple perspectives. Spinoza seems to have been influenced by this, as well as by Averroes’ critique of the image.

Brenet also says that Averroes implicitly references Alexander’s remarks in his commentary on Aristotle’s Physics (surviving Arabic fragments of this lost work having been recently translated to French) on the simultaneous continuity and discontinuity observable in the process of a body of water’s freezing. Averroes applies a similar combination of continuity and discontinuity to thought. Brenet suggests that Averroes compares arriving at determinate thought to a process of “freezing”, and suggests that Alexander’s model of simultaneous continuity and discontinuity holds good for the history of concepts and sciences as well.

“From Ibn Bajja, Averroes takes [the idea] that our concepts of things are composites. If they are, as universals, abstracted from matter, they conserve a form of materiality in that they only exist for us as applied to the images from which they are extracted. The concept is not simple, pure. It bears the mark of its concrete origin, and is first conceived only through this. That is to say, [the concept] only occurs in relation to the image which is its source, to the point of including this in its nature. That every thought is the thought of something signifies not that it aims at a noematic content, but that it is the thought of an image, of the intelligible of an image, and that necessarily the two, like all relational things, coexist while thought lasts. There is no concept but in presence of its image, with it, just as there is no son in act except by and from a father in act” (p. 38).

This is emphasizing the role of psychological immanence in thought, as distinct from thought’s objectivity, a transcendent object, pure structure, or an ideal concept in itself.

“In this composition, the required image plays the role of matter, not only as furniture, but in the sense that it is a point of support that must be integrated into the grasp of what is supported there. This is what the text repeats, that the concept is related to the imagined form, that it is attached to it, coupled. Copulatio in Latin translates Arabic irtibat, which designates a bond, like the rope that holds an animal. The universal only appears to humans in the copula to the image (from which proceed, moreover, language and speech). In its first aspect, thought thus presents two united sides, or better, occurs as their very ligature” (p. 39).

In more modern terms, even if thought primarily resides in inference rather than in some presented content, a psychologically immanent “content” corresponding to the image is nonetheless what gives it a point of application. Averroes emphasizes the role of immanent presentation in the form of images in the genesis of thought, while refusing to grant them normative status.

“That which is constitutive in the human, who is neither god nor angel, is a predisposition to think, and this, insofar as it is not mixed, necessarily has an anchorage. This pure mental aptitude is not floating, absolutely separated. It has its place, exists only as preparation of a subject, which, according to Ibn Bajja, can only be the image. By this, Averroes thinks Ibn Bajja means not only that imagination constitutes the substrate of which intellect as a power has need in order to exist, but that it is also, via the disposition of which it is the bearer, that in which thought in act is realized. The reading, which takes in a maximal sense the intermediary (mutawassit) status of the imagination, is dizzying. This would not only be the support of the faculty of thought, nor indeed, by the active images, the correlate of conception, but… the very space of intelligibilization, the place of the happening of the intelligible” (ibid, emphasis in original).

“Averroes, after having been seduced, contested this, bequeathing to scholasticism an exclusively negative portrait of his first master. The image in the intellect moves, it is not moved; it is subiectum movens, and not recipiens. What Ibn Bajja loses is the equivocity of the very notion of the power of thought. If we mean to designate the capacity for universalization, a universality latent but virtual, initially this works well for the image, which conceals an intelligible charge of multiple ‘states’ (ahwal) close to the universal immediately susceptible of becoming concept. But if we dream of the power to receive thought, which the tradition calls the ‘material’ intellect, this no longer works. Reading Ibn Bajja, writes the final Averroes, ‘it seems […] that he wanted to say that the material intellect is the imaginative faculty insofar as it is prepared for the entities that are in it conceived in act, and that there is no other faculty serving as subject for these intelligibles outside of this faculty’. But he was wrong. The image is only the landmark and the subject-mover, and not the subject-substrate (that which leads it to invest the body). Thought cannot realize itself in the place from which it is pulled, even though it depends on it, and if there must be an intermediary, a diaphaneity of the intelligible, and then a receptacle for what is extracted from the image, this can only be an intellect adjoining but substantially distinct (‘separated’), this ‘possible’ intellect about which Cavalcanti as a poet will repeat that in it ‘as in a subject’ (come in subiecto) the form ‘takes its place and its abode'” (p. 40, emphasis and ellipses in original).

For a general orientation to the point of view Averroes is expressing here, Brenet turns to Hannah Arendt, summarizing part of the argument of her Life of the Spirit.

“To think, she explains, consists in a retreat, withdrawing oneself from place, not from where one is, from the quotidian space of worry and noise, but from all place, from all space, from spatiality itself. For thinking has for its object ‘essences’, and essences, as generalities, products of a de-sensorialization or of a stripping away of matter, offer themselves subtracted from spatial qualities: ‘In other words, the “essential” is what applies everywhere, and this “everywhere” which gives to thought its characteristic weight, is in terms of space a “nowhere”. The thinking me which moves itself among the universals, the invisible essences, is strictly speaking found nowhere: it is a non-citizen of any state, in the strongest sense of the term — that which explains perhaps the precocious development of a cosmopolitan mentality among the philosophers'” (pp. 40-41).

“Cosmopolitan” literally means “citizen of the cosmos”, indeed an appropriate epithet for a philosopher. Thought is nonspatial in the sense that it cannot be reduced to “seeing” an image, as something immediately there in a place. He notes that she particularly singles out Aristotle as having understood “that this status of being a non-citizen is the state of nature of thought” (p. 41).

To be a “citizen” of the cosmos , or of the universal community of rational animals, makes one to an extent a “non-citizen” of one’s particular community. It is also to be capable of detachment from the immediacy and naturality of imagination in experience.

Brenet quotes Albert the Great’s summary of the views of Ibn Bajja. “They say that there is no possible intellect in the human that is the subject of the intelligibles insofar as they are intelligible, because for them the form thought (forma speculationis) […] cannot have a subject in which it is found, given that it is universal, that is to say valid everywhere and for all time — but if it had a subject, it would be necessarily individuated, since every form is individuated and determined by its subject. From this they concluded that what we call possible or potential intellect is that which is potentially the thinking (speculativus) intellect, and that this is the image (phantasma) in the imagination (phantasia)” (ibid, ellipses in original).

“Without following Avempace [Ibn Bajja], many ‘Averroists’ contemporary to Dante and Cavalcanti also insisted on a form of implantation of thought by the image. This is the case with Antonio di Parma, medical doctor and philosopher, whom the two poets could have read or crossed paths with. The problem for him is not to conceive of the non-place of the universal, the atopia of the concept as such, that which is in evidence. Inversely, it concerns a being-there that makes of thought, in spite of the substantial separation of the intellect, something other than a cosmic phenomenon without relation to the incarnate personality of the thinker. The solution is in the image. Thought indeed is abstracted from the image, it is pulled from it, but this does not mean that it ‘leaves’ (leaving us at the same time), as if intellectual abstraction corresponded to a transit of the form, from the place that is the image (where it is intelligible potentially), to another place (the intellect, where it would be in act). For the universal form there is no other place, since by the way properly speaking it ‘does not go outside of us’ (non exit extra nos) when we abstract. And not only does the intellect ‘think nothing outside of us’ (non intelligit extra nos), even if it is separated, but since thought does not happen somewhere else than there where the image is transmuted, it is ‘in us’ (in nobis) that it happens, so to speak, in place. Thought does not migrate, it is not exported, and the atopism of its being promotes the immanence of its fabric. The image, homeland of thought” (pp. 41-42).

But if the image is the homeland of thought, for Averroes and his many Latin followers it is not thought’s destiny.

“These philosophers nonetheless did not make the image their last word. The individual thought that conjoins the universal to the phantasm from which it is extracted is only a form of thought in mid-course, characteristic of the apprenticeship by which physical knowledge proceeds from the punctual experience of things. A human of this sort accedes to the true, but always in mediate fashion, in a dependency on the body that keeps the ‘thing itself’ at a distance. ‘The one who attains the theoretic rank, writes Ibn Bajja, certainly regards the intelligible, but through an intermediary, like the sun appearing in water, where what we see in the water is the image and not [the sun] itself’. The intelligible linked to the image, as a consequence, is like the sun reflected in water, or in a mirror, that is to say also an image, that it is necessary to go beyond if we intend to approach reality as closely as possible.”

“To express this going beyond, Averroes uses a strong term: abolition” (pp. 42-43, emphasis in original).

Brenet quotes Averroes: “The form of the intellect in habitus is corrupted and destroyed, and nothing remains but the material intellect” (p. 43, emphasis in original).

“Finally, the image and that which it founds are reduced to nothing, leaving the power alone faced with the full act” (ibid).

This is indeed strong language, almost ascetic in character. But the emphasis is not on a rejection of worldly being, but on a detachment from overly specific representations as they spontaneously arise. The goal is not abstraction or suppression of passion, but true universality.

“The notion of Entbildung in the ‘mysticism’ of Meister Eckhart is not without support — under the veil of sermons — from the Averroist idea of the effacement or the annihilation of phantasms. Entbilden is to dis-imagine, and this de-figuration imposes itself on the soul, to render it available to the highest truth” (pp. 43-44).

Meister Eckhart has become famous in popular spirituality as a mystic, but he was also the third German master of theology from the University of Paris after Albert the Great and Dietrich of Freiberg, and held important positions in the Dominican Order. Scholars increasingly emphasize the importance of his philosophical work. Brenet quotes from Meister Eckhart’s commentary on the gospel of John:

“This is why certain philosophers affirm that the agent intellect, which they call a separate substance, is united with us in the images (nobis uniri in phantasmatibus) thanks to its light that illuminates and penetrates our imaginative faculty by that illumination, and when this intellect is multiplied by multiple acts of intellection, it unites itself finally with us and becomes for us our form (tandem nobis unitur et fit forma) in such a way that we perform the works proper to that substance, which is to say that we intellectually know the separate beings, as these last know themselves. And according to these philosophers, this intellect is therefore in us an acquired intellect (iste est in nobis secundum ipsos intellectus adeptus)” (p. 44).

Someone might object that this passage only seems to refer to the Arabic tradition in a general way. References to Arabic philosophers are not exactly uncommon in scholastic theology. But I think Brenet’s implicit argument here is that the reference to the imaginative faculty in the passage suffices to establish that the philosophers mentioned are not just Arabic but specifically Andalusian in the tradition of Ibn Bajja, and this in turn allows us to safely infer that the reference is to Averroes, because it was overwhelmingly through translations of Averroes that the Latin-speaking world gained knowledge of the Andalusian tradition. In presence of such a reference, it seems unlikely that Eckhart’s explicit talk about “dis-imagination” is a mere coincidence.

“Why this abolition of the image?… Even if their competition was necessary and must expand, the images need to disappear because our current intellect, that of abstract thought, disengaged from the world, is never transmuted. There is no great work in the individual intelligence, no alchemy. The possible does not turn into the necessary, the transitory into the incorruptible, and the intellect in habitus must finally be corrupted in order to allow to subsist, under its collapse, only the in-itself universal and timeless power of thought that is the intellect called material” (p. 45).

“But the destroyed images have been indispensable (as a path, otherwise desired, that it is a question of traveling, and not as an impurity that it would be preferable to immediately get rid of)…. The image allows the power of thought to accede, not first to the act but beneath that, to its own power; in actualizing it, it opens it up to its essential capacity” (p. 46, emphasis in original).

“If it has to build its power (for it does not at first have it, being at first only an aptitude), our intellect must also increase its scope, to the point of maximizing it, and it is by the image that it can do so. The image that the human desires, in which and by which she desires, is for the person the space of the appropriation of thought. It is like the mark made on the concept that not only individualizes it, but imputes it and attributes it” (ibid).

“In his Long Commentary on the Metaphysics, which the Latins could read, Averroes recalls the progress of the material intellect toward the acquired intellect, and of the first he writes: ‘if this intellect strips itself of all potentiality, when human perfection is realized, it is necessary that its act, which is not itself, annihilates itself (yubtilu; destruatur)’. Stripping, then ruin of the fruit of the stripping. Intellect must divest itself of its power in actualizing itself in the thoughts of the world, then obliterate this actualization solidary with the images of things…. It is on this intentional nihilism, of which the image is the paradoxical operator, that felicity depends” (pp. 46-47).

Nonetheless, “The theory of thought by ‘conjunction’ is founded on a doctrine of desire, which raises the subalternate question of moral action. There is never thought except by desire” (p. 47, emphasis added).

Brenet recalls that in book VI of the Nicomachean Ethics, Aristotle explains choice by orektikos nous (desiring intellect) “or” orexis dianoetike (reflective desire), “and such a principle is a human” (quoted, ibid). Averroes in turn speaks of cogitatio — the cogitative faculty of the soul, responsible for deliberation — sometimes in terms of discursive reasoning and sometimes in terms of imagination, but it should be understood as both simultaneously. “The principle of the human is only made effective in the crossing and the permanent division of these two dimensions” (p. 48).

The claim is that without ever becoming exempt from desire, “[T]he intellect of the human can have as object not only the abstract intelligible but the separate intelligible, universal in itself” (ibid, emphasis in original). “For Averroes, convinced of the necessity of this thought that is literally supernatural (though operated in the world here below, and by the force of reason alone), the question is not one of knowing whether our intellect accedes to the pure intelligible, but of establishing how it does so, how it can do so, what is the power that will make it capable of this” (ibid, emphasis in original).

This worldly and rational “supernatural” is a technical consequence of Aristotle’s narrow identification of the natural with terrestrial materiality. I prefer to use the term “natural” in a more expansive way, as including both astronomical entities and the whole scope of Aristotelian teleology.

“Why are all the individuals not already thought ‘in’ the thinking intellect, in the way that Augustine held that all humans have sinned in Adam? The solution again draws on the image” (p. 50).

“We have said that there are two dispositions to think in the human. The first is that which her images procure; … the second follows on this, and is its reward. This is the disposition toward the supreme thinkable, which occurs when the intellect has been taken to the limits of its capacity by the cumulative effect of all kinds of images” (p. 51).

“As for the philosopher, the beatific thinker, she is intellectually subtracted from time, and as Ibn Bajja says, that of her which is eternalized does not ‘redescend’.”

“In spite of all this, knowledge does not remain without a body. Each singular body that wears out and perishes in its images must be constantly relayed if the resulting universal is to be a constant event…. [T]he body in its phantasms is dead. Long live the immense Body” (p. 53).

“While Dante wrote his Monarchy to defend in the name of Averroes the existence of a ‘multitude’ allowing all its power to be activated, the theologian Thomas Wylton in Paris wrote an ‘Averroist’ text also maintaining that what the intellect completes is always in the first instance the species and not the individual: ‘the first perfectible of the material intellect is not Socrates or Plato, nor is it the universal abstracted by the intellect, but human nature itself, which in itself and in relation to quiddity is one in all its supports, even though it is numerically distinct in them. Insofar as it is one in this manner, it is the first perfectible of the material intellect, and as such it is — if we speak of a determinate singularity within a species — neither numbered nor singular: one may call it singular, but [only in the sense of] a vague singularity‘” (ibid, emphasis in original).

Brenet has written an entire book on Wylton.

“It appears, but as a vague individual, of which we perceive only that it is some animal, or some human, an aorist, the indeterminate individual of which what follows must show the figure or the face” (p. 54, emphasis in original).

“The phantasm is abolished, indetermination advances, the images return. Desire resumes” (ibid).