Author: Christopher Brinkley

Beings

When I talk about beings, or us as beings, I mean this in a very ordinary, pre-philosophical way. It seems to me that to informally qualify as a “being”, something must have a degree of coherence; a degree of resilience or persistence in the face of change; and relations to other beings.

We might form a notion of something absolutely singular or self-contained, but it would not be a notion of a being. The classic notion of something absolutely singular was the One of Plotinus, which for him explicitly preceded all being. For Plotinus, we should only begin to talk about being when we have something that is “both one and many”.

If we speak of beings, it makes some sense to inquire about the being of beings. To me, though, this just means a higher-order consideration of the ordinary “being a being” of ordinary beings. It does not imply some very different “Being with a capital B” that gives being to all ordinary beings.

When Aristotle inquired about “being as being”, he reached two main conclusions. First, “being is said in many ways”. That is to say, being is not a univocal concept; it has multiple meanings. More profoundly, what we nonetheless informally call being itself is itself analogous to something that is nonunivocal rather than univocal. The non-self-containedness that seems to be characteristic of beings means that if we look closely, what we call individual beings do not have univocal identity, but rather are “identified” by a kind of family resemblance to themselves. Beings do not have sharp edges that would unambiguously separate an inside from an outside, and sometimes they change profoundly. Second, being a being nonetheless always involves being some way that is distinguishable from some other way. Calling something a being or saying it “is” in any sense thus expresses a kind of commitment on our part, and as Aristotle and Brandom would both remind us, the very nature of commitments implicitly commits us to abstain from or correct other incompatible commitments.

Being a being in whatever sense thus involves both a determinateness and an openness. Determinateness and openness in turn have to be understood in ways that permit their coexistence. (See also Equivocal Determination; Openness of Reason; Bounty of Nature.)

I want to say that everything important about being a being belongs in the register of “whatness”, or what was traditionally called essence. Contrary to the great arguments of Aquinas as well as to the 20th century mystique of existentialism, I don’t find value in an allegedly separate register of existence. Some people have argued that Aristotle did not have a proper concept of existence, as if this were a shortcoming. I find Aristotle’s direction of our attention to the “what” of being to be noninflationary in a quite salutary way. (See also Substance; Platonic Truth; Meant Realities.)

Ricoeur on Imagination

Paul Ricoeur’s essay on imagination in From Text to Action invites us “to see in it an aspect of semantic innovation characteristic of the metaphorical use of language” (p. 171). The term “image”, he says, has acquired a bad reputation from its misuse in the empiricist theory of knowledge. It “corresponds to two extreme theories, illustrated by Hume and Sartre, respectively” (p. 170). Hume sought to derive images entirely from sense perception, while Sartre related them starkly to the absence of a real object. According to Ricoeur, “To say that our images are spoken before they are seen is to give up an initial false self-evidence, which holds the image to be first and foremost a ‘scene’ unfolding in some mental ‘theater’ before the gaze of an internal ‘spectator’. But it also means giving up at the same time a second false self-evidence, holding that this mental entity is the cloth out of which we tailor our abstract idea, our concepts, the basic ingredient of some sort of mental alchemy” (p. 171).

He suggests that we take the poetic image as paradigmatic. The poetic image is unfolded through what Eugène Minkowski and Gaston Bachelard called a kind of “reverberation” of things said. Metaphor for Ricoeur operates not just as substitution for nouns, but rather in a refiguration of whole sentences. Use of what would otherwise be “bizarre predicates” produces a kind of shock that leads us to “produce a new predicative pertinence that is the metaphor…. [A]t the moment when a new meaning emerges out of the ruins of literal predication[,] imagination offers its specific mediation” (p. 172). “[S]emantic shock… ignites the spark of meaning of the metaphor…. Before being a fading perception, the image is an emerging meaning” (p. 173). (See also Beauty, Deautomatization.) He says that in a Kantian sense, imagination schematizes emerging meaning, giving it concreteness.

The reverberation of meaning is not a secondary phenomenon, but rather essential to the constitution of meaning as such. Ricoeur suggests that “the power unfurled by poetic language” (p. 174) affects not only meaning, but reference too. Poetic discourse abolishes “our first-order interest in manipulation and control” (p. 175), but brings to the foreground a second-order reference to “our profound belonging to the life-world” and the “tie of our being to other beings” (ibid). This second-order reference “in reality is the primordial reference” (ibid). (See Rule of Metaphor.) Such a perspective goes along with the idea that reference is constituted by meaning, rather than vice versa. In Fregean terms, sense is prior to reference.

“The paradox of fiction is that setting perception aside is the condition for augmenting our vision of things” (ibid). According to Ricoeur, work in model theory suggests that not only in poetry but also in science, fiction plays a necessary heuristic role in articulating new meanings (see also Searching for a Middle Term). Further, “the first way human beings attempt to understand and to master the ‘manifold’ of the practical field is to give themselves a fictive representation of it” (p. 176).

Referring to Aristotle’s Poetics, he says “poetry goes right to the essence of action precisely because it ties together mythos and mimesis, that is, in our vocabulary, fiction and redescription” (ibid). In a Kantian vein, Ricoeur adds that “Its referential force consists in the fact that the narrative act, winding through the narrative structures, applies the grid of an ordered fiction to the ‘manifold’ of human action” (pp. 176-177; see also Narrated Time.)

Beyond its mimetic function, imagination also has a projective aspect. “Without imagination, there is no action…. And it is indeed through the anticipatory imagination of acting that I ‘try out’ different possible courses of action and that I ‘play’, in the precise sense of the word, with possible practices…. It is imagination that provides the milieu, the luminous clearing, in which we can compare and evaluate motives as diverse as desires and ethical obligations, themselves as disparate as professional rules, social customs, or intensely personal values” (p. 177). “Finally, it is in the realm of the imaginary that I try out my power to act, that I measure the scope of ‘I can'” (p. 178). (See also Free Play; Practical Judgment.)

Imagination is also involved in our recognition of others as like us. “[I]ndividuals as well as collective entities… are always already related to social reality in a mode other than that of immediate participation, following the figures of noncoincidence, which are, precisely, those of the social imaginary” (p. 182).

“[T]he analogical tie that makes every man my brother is accessible to us only through a number of imaginative practices, among them ideology and utopia” (p. 181). Ideology “seems to be tied to the necessity for any group to give itself an image of itself, to ‘play itself’, in the theatrical sense of the word, to put itself at issue and on stage…. [S]ymbolism is not an effect of society, society is an effect of symbolism” (ibid). Ideology covers over the real gaps in all systems of legitimacy. Utopia exposes these gaps, but also tends to subordinate reality to dreams, and to be fixated on perfectionist designs. Ideology and utopia are mutually antagonistic, and both tend toward a kind of pathology that renders their positive function unrecognizable. “[T]he productive imagination… can be restored to itself only through a critique of the antagonistic and semipathological figure of the social imaginary” (p. 181).

Imagination

“Imagination” is said in at least three major ways.  Aristotle minimalistically characterized phantasia as a production of images that both plays a role in our experience of sense perception and can operate independent of it, as in dreaming.  Spinoza treated imagination as kind of a passive belief.  For him, this was strongly associated with common illusions and wishful thinking – especially with regard to our status as agents — in ordinary life.  The Romantics identified imagination with creativity.

Beatrice Longuenesse in her marvelous Kant and the Capacity to Judge has developed in detail Kant’s argument that the same basic “categories” used in reflective thought are already implicit in our pre-reflective apprehensions of things in what Kant called a synthesis of imagination.  I think this means not that the Kantian categories have some pre-given or metaphysical status, but rather that for the kind of beings we are, even “pre-reflective” apprehensions have some dependency on previous reflective apprehensions.  We are never either entirely active or entirely passive.  (See also Passive Synthesis, Active Sense; Voluntary Action; Middle Part of the Soul.)

Richard Kearney in On Paul Ricoeur: The Owl of Minerva nicely develops Ricoeur’s view that imagination is not so much a special way of seeing as “the capacity for letting new worlds shape our understanding of ourselves…. This power would not be conveyed by images, but by the emergent meanings in our language” (quoted in Kearney, p. 35).  According to Kearney, Ricoeur associated imagination first and foremost with “semantic innovation”.  What Aristotle in a different context called “searching for a middle term” is an aspect of this creativity with respect to meaning.

The Greek root for “poetry” (poiesis) fundamentally means making or doing in a much more general sense.  The Romantics added a stress on innovation, which they saw as coming from the inner depths of the soul.  Ricoeur’s treatment of imagination as fundamentally involving the emergence of new meaning nicely takes up the Romantic stress on imagination as innovation, without depending on the Romantics’ dubious metaphysical psychology of interiority.  (See also Personhood; Reason, Nature.)

The Future and the Past

Practical interpretation is simultaneously forward- and backward-looking, as Ricoeur, Brandom, and Pippin have emphasized. Not only is the future not predetermined; for practical purposes, neither is the meaning of the past. The present is not a point, but a zone in which an incompletely determined past and an incompletely determined future overlap and fuse. (See Narrated Time; Hegel’s Ethical Innovation; Hegel on Willing.)

Nexus

If what we are in the most comprehensive sense is the aimed-at realization of an ethos within the context of an organic life, then even though who we distinctively are is mainly a matter of ethos, the aimed-at ethical “self” will not be just a currently actualized ethos or unity of apperception, but a fully rounded practical being involved in all sorts of doings, which will also continue to be a work in progress as long as we live. Such a “self” will not have a strict logical identity, but rather something like what Ricoeur called narrative identity. (See also The Ambiguity of “Self”; Two Kinds of Character; Personhood; Self, Infinity; Narrated Time; Hegel’s Ethical Innovation; Hegel on Willing.)

Personhood

We intuitively grasp a kind of unity of each human person, but have no special, privileged mode of knowledge of persons as individuals. Common sense tends to be rather dogmatic, and glosses over many distinctions in such matters. Plato compared the soul to a city, a sort of community of thoughts and desires — a kind of unity to be sure, but a relatively weak one. In Kantian terms, human persons seem to be distinguished from everything else by somehow being the nexus of combination of otherwise very distinct empirical and transcendental domains.

Considerations of change over time further complicate the picture, but may also provide a kind of guiding thread. A factual “me” is mainly a retrospective construction. A normative “I” on the other hand has both retrospective and prospective aspects. Brandom’s and Pippin’s readings of Hegel emphasize that we should think of agency and acts as always comprising both a partially constituted, retrospectively constructed past and a yet-to-be-determined future. Ricoeur has developed a temporally extended, retrospective and prospective notion of self as an ethical aim or promise rather than an existing actuality. Such an aim or promise, it seems to me, can have a much stronger unity than we could legitimately claim as an existing actuality.

Rather than conflating the empirical and transcendental, as in the Latin medieval notion of an “intellectual soul” — or inflating a notion of empirical self to fill the whole space of subjectivity, in the common modern way — we can tie the unification of empirical and transcendental elements to that prospective aim or promise, without asserting it in the present. (See also Empirical-Transcendental Doublet?; Two Kinds of Character; Narrated Time; Hegel’s Ethical Innovation; Hegel on Willing.)

Reason, Nature

Ethical reason is our simultaneously active and receptive contribution to the bounty of nature. We are neither masters nor slaves or automatons, but co-stewards of this world.

The open-ended inclusiveness characteristic of ethical reason resembles the superabundance of form in nature, the same resemblance I’d like to think Plotinus had in mind when he said we should act in ways that express a “likeness to God”, which I take in the spirit of Leibnizian affirmative “wise charity”. (See also Fragility of the Good; Two Kinds of Character; Magnanimity; Second Nature; Naturalness, Mindedness; Interpretation.)

Bounty of Nature

Nature as we experience it is more characterized by superabundance and diversity of form than by univocal necessity. Even nonorganic phenomena like the weather involve material tendencies toward a kind of dynamic equilibrium. These tendencies — which are even more pronounced with living things — involve an “ability” to spontaneously recover when disturbed, a kind of resilience and adaptability to new circumstances.

The neoplatonists developed a whole metaphysic of “eternal generation” by a kind of overflow. For them, beyond every intelligible essence was something “supra-essential” that could be characterized only indirectly, through its overflowing superabundance. Essence ended up as a kind of after-image of the eternally overflowing primary superabundance of the Good or the One. Transformed in various ways, this notion greatly influenced historical developments in theology, supporting notions of the generosity, providence, and grace of a more personal God.

In a more modest and down-to-earth way, Aristotle had also dwelt on our experience of superabundance, applying it in his biology and in the more general notion of potentiality. In between, the Stoics developed a contrasting emphasis on a univocal direct divine omnipotence with respect to events. In the tradition, all three of these approaches came to be hybridized in all sorts of ways. While I think the approach of Aristotle himself was the best of all, I have a lot more sympathy with theologies of superabundance of form than with theologies of power-over and dominion. (See also Fragility of the Good.)

What We Really Want

Aristotle distinguished willing from unwilling actions, noting that there are mixed cases in which we do something we ordinarily would not do, in order to avoid a greater evil or to further a greater good. Hegel suggested that what we actually do is the best guide to understanding what we really want. Does this make Aristotle’s distinction meaningless? I want to say no.

It may be that Hegel would reject Aristotle’s secondary distinction between unwilling actions and mixed cases. Hegel might even say that all of Aristotle’s “willing” and “unwilling” actions are better thought of as mixed. Paul Ricoeur has somewhat similarly argued that agency always involves a combination of active and passive aspects.

Aristotle said that we should either judge mixed cases by the particulars of the relevant tradeoffs, or simply consider them as occasions calling for forgiveness. I think this is compatible with Hegel’s perspective. What we actually did in some situation is not necessarily the key to what we really wanted, full stop, but rather the key to what we really wanted under the applicable conditions. (See also Context; Rethinking Responsibility; Brandomian Forgiveness.)