“Hegel demonstrates that the pure ‘I’ is spirit…. The truth of the ‘I’ is pure knowing…. ‘[A]rt’, ‘religion’, and ‘philosophy’ … are absolute because they are no longer opinions of consciousness which extend to an object beyond that which presents and fully affirms itself within these forms” (Gadamer, Hegel’s Dialectic: Five Hermeneutical Studies, German ed. 1971, English tr. 1976, p. 77).
It is important to notice the directedness of this identification. Hegel is clearly not saying that spirit, whatever that is, should be understood in terms of a Cartesian ego that we experience immediately. Rather, he is saying that the “I”, whatever that is (which Kant analyzed as a pure indexical reference to a unity of apperception), should be understood in terms of what he calls forms of spirit. Ramified forms of Hegelian “spirit” (or Aristotelian ethos) effectively make up the contents of a unity of apperception.
I like the way Gadamer subtly folds in a reference to Plato’s sharp critique of “opinion”, and relates it to “consciousness” in Hegel. As I would put it, “consciousness” is the subjective form of that same appearance that Plato radically questions. Canonically for Hegel, consciousness is defined as an attitude that sees itself as looking out on fully preformed objects that are external to it. It does not see the mythical character of the Myth of the Given.
(Elsewhere, though, like many others, Gadamer treats consciousness as the common denominator of the whole Phenomenology, rather than a specific name for the lowest stage of spirit’s development, that is most of all superseded in the course of development of the Phenomenology. The true common denominator of the Phenomenology is one of those concepts that Aristotle mentions as being implicit in a context of use, without being adequately named by any noun in common speech.)
I also like Gadamer’s deflationary treatment (at least in the above passage) of “absolute knowing” in terms of the productions of art, religion, and philosophy. Hegelian absolute knowing, whatever that is, is not some impossible thing. It should be understood as that which is expressed in art, religion, and philosophy. Wherever there is art, religion, or philosophy, there is some form of absolute knowing in Hegel’s sense.
“Hegel lays his very own foundation, on which he rebuilds absolute knowing as the truth of metaphysics as Aristotle, for one, conceived of it in nous or Aquinas, for another, in intellectus agens. And thus a universal logic — which explicates the ideas of God before the creation — is made possible. Hegel’s concept of spirit which transcends the subjective forms of self-consciousness thus goes back to the logos-nous metaphysics of the Platonic and Aristotelian traditions, which predates the whole question of self-consciousness” (p. 78).
I must applaud this situating of Hegel in relation to Plato and Aristotle. Heidegger does the same, but gives the whole a decidedly negative spin (“forgetting of Being”, etc.).
Gadamer’s reference to Aquinas gives me pause. Aquinas developed his own highly original philosophy and theology, which uses core Aristotelian vocabulary in ways very different from those of Aristotle himself. This has resulted in great confusion, when Thomistic concepts are mistakenly re-applied to the reading of Aristotle.
The reference to ideas of God before the creation does recall a passage from Hegel. More recently though, Robert Pippin has convincingly argued that the passage is extremely misleading, for multiple reasons.
We also see here how Aristotelian “intellect” is something constitutive rather than something empirical.
“In Greek philosophy Hegel saw the philosophy of logos, or put another way, the courage to consider pure thoughts per se. As a result, Greek thought succeeded in unfolding the universe of ideas. For this realm Hegel coins a new expression, typical of him, namely, ‘the logical’. What he is characterizing here is the entire cosmos of ideas as Plato’s philosophy dialectically develops it. Now Plato was driven by the desire to provide justification for every thought and his doctrine of ideas was intended to satisfy the demand which Socrates makes in the dialogues that for every contention a reason or argument must always be given (logon didonai)” (ibid).
Pure thought just means thought that develops from its own resources, and in its workings avoids any decisive appeal to unjustified assumptions, authority, givenness, etc.
This helps clarify what Gadamer means by “logos philosophy”. Although in the first instance it seems to involve careful attention to language and to the pragmatics of communicative speech or writing, Gadamer links it to a shared view of Plato, Aristotle, and Hegel — that the rarified thing we call thought is in principle capable of developing an adequate account of things. This giving of an account (another meaning of logos) has nothing to do with certainty or foreknowledge or immediate knowledge that could be simply possessed. Rather, it seems to be the space in which Socratic dialogue and Aristotelian phronesis do their work.
In his magnum opus Truth and Method, Gadamer briefly but explicitly ties in the logos (“Word”) from the Gospel of John. At greater length, he traces the origin of Romantic hermeneutics to early Protestant emphasis on direct reading of scripture over the institutional mediation of the Church. Above, we saw him invoke Aquinas on the agent intellect. Without fanfare, he seems intent on building an ecumenical bridge between Christianity and the ethical-rather-than-epistemic logos that he sees in Socrates, Plato, and Aristotle.