Combining Time and Narrative

After an initial treatment of Augustine’s meditations on time and Aristotle’s concepts of emplotment and mimesis, Ricoeur devotes a chapter to outlining the way he intends to combine these apparently very different concerns and approaches.

A very complex spectrum of Aristotle-Augustine hybrids developed during the Latin high middle ages, but Ricoeur’s approach is quite different from any of them. As in Ricoeur’s case, the various medieval syntheses were especially motivated by questions about what it is to be a human person, but there the resemblance largely ends.

Ricoeur begins by saying that “time becomes human to the extent that it is articulated through a narrative mode, and narrative attains its full meaning when it becomes a condition of temporal existence” (Time and Narrative vol. 1, p. 52; emphasis in original). The “cultural abyss” that separates Aristotle from Augustine, however, compels him “to construct at my own risk the intermediary links” (ibid). “Augustine’s paradoxes of the experience of time owe nothing to the activity of narrating a story…. [Aristotle’s] ‘logic’ of emplotment discourages any consideration of time” (ibid).

Emplotment seems to be the “structuralist” moment in Aristotelian mimesis. Although he acknowledges this second of three moments of mimesis as central to the whole scheme, Ricoeur wants to say that rather than considering it in splendid isolation, we should recognize that it draws “its intelligibility from its faculty of mediation” (p. 53) between the other two moments he identified — a preliminary “preunderstanding” of actions prior to emplotment, and a reception of the ensemble by a reader or audience. “For a semiotic theory, the only operative concept is that of the literary text. Hermeneutics, however, is concerned with reconstructing the entire arc by which practical experience provides itself with works, authors, and readers” (ibid). He comments that every structural analysis of narrative implicitly presupposes a phenomenology of “doing something”.

(I was in doubt whether the first moment should even be considered as a separate layer. It at first seemed to involve the kind of “agentless actions” he found not very useful in Oneself as Another. I’m more inclined to think emplotment would relate to a blind apprehension of events as Kantian thought does to intuition, or Aristotelian form to matter. Its mediating role then would not be between bare events and the reader or audience, but in contributing form to the self-relations of the practical experience in the quote above. But Ricoeur takes a different approach, made plausible by the beginning of a real account of the first moment, which he now refers to as a “preunderstanding of the world of action”.)

Incidentally, Ricoeur now adopts Ernst Cassirer’s very general concept of “symbol”, which he had rejected for a more specific one in The Symbolism of Evil. He speaks of symbolic mediation of practical understanding as already associated with the first moment of mimesis. Human action is “always already articulated by signs, rules, and norms” (p. 57). A preunderstanding of action involves not only a “conceptual network of action” and its symbolic mediations, but “goes so far as to recognize in action temporal structures that call for narration” (p. 59). “What counts here is the way in which everyday praxis orders the present of the future, the present of the past, and the present of the present in terms of one another” (p. 60). These make up Augustine’s threefold present.

Plot in turn will be called a “synthesis of the heterogeneous” (p. 66). The “followability” of a story “constitutes the poetic solution to the paradox of distention and intention. The fact that the story can be followed converts the paradox into a living dialectic” (p. 67). The “configurational arrangement” of plot takes the experience of time beyond a bare linear succession of events. “[T]he act of narrating, reflected in the act of following a story, makes productive the paradoxes that disquieted Augustine” (p. 68). Ricoeur likens it to the Kantian productive imagination that engenders a mixed intelligibility both intellectual and intuititive. “This schematism, in turn, is constituted within a history that has all the characteristics of a tradition” (ibid).

Ricoeur develops the notion of tradition. “Let us understand by this term not the inert transmission of some dead deposit of material but the living transmission of an innovation always capable of being reactivated by a return to the most creative moments of poetic activity” (ibid). The various paradigms followed by works of art are products of sedimentation, but each individual work also embodies innovation. “[T]he possibility of deviation is inscribed in the relation between sedimented paradigms and actual works” (p. 70).

Next he argues that the emplotment moment of mimesis requires complementation by the third moment characterized by the reception of the reader or audience. “[N]arrative has its full meaning when it is restored to the time of action and of suffering” (ibid). He will be concerned with the relation between “a phenomenology that does not stop engendering aporias and what I earlier called the poetic solution to these aporias. The question of the relationship between time and narrative culminates in this dialectic between an aporetics and a poetics” (p. 71).

We should not place all consonance on the side of narrative and all dissonance on the side of temporality. Temporality cannot be reduced to pure discordance, he says. (This might seem to put him at odds with the Foucault of the Archaeology of Knowledge. I have indeed begun to wonder if some of the unspecified contrasting references of that work’s preface are actually to Ricoeur’s Freud and Philosophy. But Foucault’s emphasis on intelligible distinction over unity is not necessarily to be identified with a view of time as pure discordance.) Also, emplotment is never the simple triumph of order. “[P]lots themselves coordinate distention and intention” (p. 73). Even the regimented form of Greek tragedy makes essential use of contingencies and surprises.

He wants to address an objection that “If there is no human experience that is not already mediated by symbolic systems, and, among them, by narratives, it seems vain to say, as I have, that action is in quest of narrative” (p.74). He suggests that in the first moment of mimesis — now associated with action and life — there are only potential stories. In life, he says, we are passively entangled in untold stories. Our quest for personal identity, he says, ensures there is a continuity extending from our potential stories through to those for which we actually assume responsibility. “[H]uman lives need and merit being narrated” (p. 75). Thus he speaks of a hermeneutic circle of narrative and time.

Notions like schematization and traditionality, he says, already undo a rigid separation between the “inside” and “outside” of a text. They are “from the start” categories of interaction between writing and reading. Emplotment is the “joint work of the text and the reader” (p. 76). The written work is a “sketch for reading” (p. 77).

Extending what he said about metaphor in The Rule of Metaphor, he insists that the literary work is not just language upon language, but also has a kind of reference. (This will be further explored in volume 2 of Time and Narrative.) The communicative role of the work, he says, already implies that it must have some sort of reference, saying something about something. At the level of sentences and texts, language is oriented beyond itself. “Reference and horizon are as correlative as figure and ground” (p. 78). Language does not constitute a world unto itself, but rather belongs to our world. Reciprocally, Ricoeur suggests that the verb “to be” itself has metaphorical import. Hermeneutics will aim “less at restoring the author’s intention behind the text than at making explicit the movement by which the text unfolds, as it were, a world in front of itself” (p. 81).

From Augustine to Husserl and Heidegger, the phenomenology of time has made “genuine discoveries” that nonetheless “cannot be removed from the aporetic realm that so strongly characterizes the Augustinian theory of time” (p. 83). Ricoeur suggests this means phenomenology in the sense of Husserl and Heidegger cannot play the foundational role that Husserl and Heidegger wanted to give it; nonetheless, he will also take up this phenomenology, and place it in a three-way conversation with history and literary criticism.

Next in this series: Ricoeur on Historiography

Emplotment, Mimesis

If Augustine “groaned under the existential burden of discordance,” and in his meditations on time spoke to a “lived experience where discordance rends concordance” (Time and Narrative vol. 1, p. 31), Ricoeur says he found in Aristotle’s discussion of the principles of composition of Greek tragedy an “opposite reply” to Augustine’s problem of the “distention” of the soul, in “an eminently verbal experience where concordance mends discordance” (ibid). Aristotle’s mending concordance is achieved through mythos or “emplotment”.

Ricoeur analyzes the poetic act of mimesis or “imitation” into three moments: simple imitation of actions; emplotment; and a reception by the reader or audience.

He notes that Aristotle uses the same word (praxis) for the actions represented by the poet, and for ethical actions. This potentially sets the stage for an innovative cross-fertilization between ethics and poetics. To anticipate a bit, it suggests to me that the Self Ricoeur elsewhere in a Kantian way treats as an ethical aim may also be viewed as an artistic work, in the sense that the Greeks spoke of beautiful actions.

In the moment of emplotment, the first, superficial view of isolated actions as successive events is transformed into a story or narrative that gives actions coherence and meaning (and, one might say, makes them true actions). Ricoeur compares emplotment to the schematism that is generated by the productive imagination in the first layer of Kantian synthesis, which preconsciously transforms the “blind” intuition of a manifold into the first stage of actual experience. A kind of synthesis turns a series of events into an ordered emplotment or story, reconceptualizing events as meaningful actions, and distinguishing those that are relevant to the story from those that are not. (See also Ascription of Actions.)

Anticipating again, it seems to me Ricoeur’s third moment of mimesis — reception by the reader or audience — is the analogue in poetics to the moment of recognition by others in ethics.

Ricoeur notes that the mimetic activity of the poet does not itself have any markedly temporal character for Aristotle. (The same could be said, I would note, of unities of apperception in Kant.) Ricoeur himself will take responsibility for connecting time and narrative.

He will abstract a generalized notion of narrative from Aristotle’s discussion of several specific genres. The notion of narrative Ricoeur wants to develop will include both fiction and history. It abstracts beyond the contrast he notes between Aristotle’s tendency to see characters in terms of their roles in a story, and some modern novels that use a story largely as a vehicle for character development.

In both cases, I anticipate, narrative will show a constitution of persons or selves. This seems to me like a very nice innovation. Integral personhood, instead of being a matter of dogma or an ontological primitive, becomes a matter of ethics and poetics. It is not so much an actuality as an aim, end, or work in progress.

For Aristotle, Ricoeur notes, the art of composing plots is comprehensive enough to be simply identified with poetics as a whole. Ricoeur wants to stress that this composition — and poetic representation generally — is an activity irreducible to any static structure. Here he begins to rejoin Augustine’s emphasis on acts of the soul. As Brandom might say, representation is first of all a kind of doing. (The Greek for “poetics” is derived from a verb meaning to do or to make.) In Marcelian terms, representation is not something we have.

Aristotle’s treatment of poetic mimesis as an activity, Ricoeur says, makes it far removed from Plato’s — a single field of human doing rather than something involving Plato’s hierarchy of copies, in which poetic “imitation” is an inferior second iteration of the way things passively resemble their ideas. Ricoeur says that Aristotle almost identifies poetic representation of action with an active organizing of events.

A plot forms a kind of whole. Its order follows a kind of practical “logic” rather than the mere sequentiality of a chronology. Coherence of the mythos is more important than the particular story, which according to Ricoeur makes Aristotelian mimesis a kind of directly universalizing making. This makes sense, given the previous comparison of mimesis to Kantian synthesis. Aristotelian “imitation” is never just a copy of a pre-existing reality; it is always creative. Ricoeur speaks of the mediating function of mimesis. The mythos is a metaphorical transformation of the ethical field.

Ricoeur analyzes several of the stylistic techniques discussed by Aristotle — such as surprises or sudden reversals of fortune — as particular examples of the incorporation of discord into an overall concordance. These are judged by a standard resembling the broadly rational “persuasiveness” that according to Aristotle is the rhetorician’s goal. This kind of effort also resembles what Brandom calls Hegelian genealogy.

Next in this series: Combining Time and Narrative

Time and Narrative

My next project, occupying several posts, will concern Ricoeur’s Time and Narrative (3 vols; French ed. 1983-85). I previously commented on chapters in his Oneself as Another that used this work’s concept of narrative identity. Volume 1 contains discussions of Augustine’s treatment of time in the Confessions, which I always found to be one of the most intriguing things in Augustine; Aristotle’s concept from the Poetics that Ricoeur translates as “emplotment”, which turns out to be a derived use of the Greek mythos (myth); different kinds of mimesis or “imitation”, also in the Poetics; and narrative versus explanation in the writing of history. Volume 2 is concerned with the experience of time in literature, and volume 3 applies the results of volume 2 to the problems posed in volume 1, developing the philosophical consequences. Hayden White called this work the 20th century’s “most important synthesis of literary and historical theory”.

Next in this series: Ricoeur on Augustine on Time

Phenomenology of Will

I’m starting to look at Paul Ricoeur’s large early work Freedom and Nature (French ed. 1950). This was to be the first of three volumes on a philosophy of will, of which he only completed two. It turns out to be full of rich detail on the vexing question of the way transcendental and empirical aspects of subjectivity are interrelated.

In this work, Ricoeur combines a Marcelian emphasis on embodiment with a broadly Husserlian phenomenological method. The investigation is to address “Cogito’s complete experience, including even its most diffuse affective margins” (p. 8; emphasis in original). I would shy away from the Cartesian sound of saying “Cogito” at all, but the really important part here is the qualifiers Ricoeur adds. Even in Descartes, cogito has a broad usage that sometimes seems to include perception and feeling, and not just thought in the narrower sense.

Ricoeur here seems to accept something like the Stoic hegemonikon (etymologically related to “hegemony”), which was ancestral to later notions of “will” as a unified faculty or power. I prefer Aristotle’s approach, which accounts for the phenomena — including choice — without the need for such an hypothesis. In the later tradition, it is often ambiguous whether will is really supposed to be a separate power like the Stoics seem to have thought, or simply a name for the cooperation of reason and desire in governing action, as Aristotle probably would have said. (See also Kantian Will.) Here Ricoeur’s use of phenomenological method is a big help in minimizing the impact of this sort of issue.

“To say ‘I will’ means first ‘I decide’, secondly ‘I move my body’, thirdly ‘I consent'” (p. 6). This sort of concrete delineation is very helpful. These are all kinds of things that actually happen and that we can describe or interpret as phenomena, independent of any assumed theory of the will.

Ricoeur had already said he would use something like Husserl’s method of phenomenological and eidetic reduction, “putting in brackets” questions of existence or of the objectivity of appearances in order to focus on what Ricoeur here calls “elaborating the idea or meaning” (pp. 3-4). Eidos was the word Plato and Aristotle used for form. Husserl adopted it for the second of three stages of “reduction”.

Briefly put, Husserl’s first, “phenomenological” reduction emphasizes a suspension of existence claims about the content under examination. The second, “eidetic” one emphasizes a positive examination of the ranges of variation of pure “essences” of mental objects, still not assumed to have any particular metaphysical or objective status. Ricoeur’s gloss “idea or meaning” (emphasis added) already anticipates a shift of emphasis in the direction of hermeneutics. He says he will not use Husserl’s third, “transcendental” reduction, which was supposed to arrive at a “pure” consciousness unaffected by empirical psychology. Ricoeur explicitly notes that “we cannot pretend that we are unaware of the fact that the involuntary is often better known empirically, in its form, albeit degraded, of a natural event” (p. 11).

A main top-level thesis of this work of Ricoeur’s is that the voluntary and the involuntary are reciprocally interdependent, and we cannot really understand either one without the other. Not only is the voluntary partly shaped by the involuntary, but also we only fully understand the involuntary through its impacts on the voluntary. (For more on the same book, see Ricoeur on Embodiment; Ricoeur on Choice; Voluntary Action; Consent?. In general, see also Willing, Unwilling; Rethinking Responsibility.)

Next in this series: Ricoeurian Choice

Archaeology of the Subject

Leading scholar of medieval Latin thought Alain de Libera (b. 1948; automated translation of French Wiki page here) has produced a great deal of fascinating work. Well-versed in contemporary continental and analytic philosophy, de Libera excels in developing the sort of historiographical-philosophical nuances that I think are vital to solid understanding. He makes exemplary original use of Foucaultian archaeology and what I have been calling Aristotelian semantics, developing many fine historiographical distinctions in the use of philosophical words that turn out to have huge significance.

He has pointed out the large influence of Arabic philosophy on the Latin West (see Fortunes of Aristotle); contributed to a more balanced appreciation of the great Aristotelian commentator Averroes; documented the work of Albert the Great and his students, developing a surprising Aristotelian background to the German mystics; and explored the contemporary relevance of the medieval debate on universals.

His greatest contribution, however, is undoubtedly the ongoing work on an Archaeology of the Subject, with three volumes in French published so far, and related lectures at the Collège de France 2013-2019. I just stumbled on a related article in English.

The article introduces this work by noting a convergence between Foucault’s late “hermeneutics of the subject” and Paul Ricoeur’s book Oneself as Another, suggesting that late Foucault’s “subject” is actually close to Ricoeur’s positive notion of “self”. Ricoeur had said that this self stands “at an equal distance from the cogito exalted by Descartes and from the cogito that Nietzsche proclaimed forfeit” (emphasis in original). (In Freud and Philosophy (French ed. 1965), Ricoeur had referred to psychoanalysis as an “archaeology of the subject”.) Meanwhile, de Libera points out, the French philosopher Vincent Descombes, in defending a positive role for the notion of “subject”, concluded “the subject which it is necessary for us to discover is more Aristotelian than Cartesian”. While de Libera’s terminology is different from the way of speaking I have been developing here (see The Ambiguity of “Self”; Self, Subject; Subject; Empirical-Transcendental Doublet), there is a great deal of common ground, and I have been influenced by his work.

The main historical thesis advanced by de Libera is that the modern notion of “subject” is the result of a complex theological compromise and hybridization between initially very different notions of Aristotelian hypokeimenon (a generic notion of substrate with no intrinsic connection to personality, used by Averroes in raising apparently new questions about what substrate it is in which thought inheres) and Augustinian thought about hypostasis (the Greek term used for a person of the Trinity). I am barely scratching the surface of a highly developed account with many additional distinctions. (See also Pseudo-Dionysius on the Soul.)

This is a vital correction to many grossly oversimplified views of the history of notions of subjectivity in the Western world. My own view of the theological developments he highlights is a good deal more ambivalent, but compared to the value of this historiographical contribution, that seems like a minor difference.

Next in this series: On a Philosophical Grammar

The Importance of Potentiality

I think modern philosophy generally is handicapped in its thinking about the empirical world by its lack of a notion like Aristotelian potentiality. To build context, I need to first say a bit more about the role of actuality.

The modern concept of a factual, existing world is relatively close to Aristotelian actuality, but the first big difference is that it is not paired with anything. The modern concept of a factual world is something that is supposed to be complete in itself, whereas for Aristotle, actuality in the world is always complemented by some correlative potentiality. Aristotle did not consider actuality alone to be sufficient to account for the world as we experience it.

To say that something is actually X is to judge that it has achieved and is stably continuing to achieve a full expression of what it is to be X, which means it is actively fulfilling that for the sake of which X’s do what they characteristically do (see also Entelechy). This kind of judgment is inherently normative. In thinking about it, it is important not to set the bar too high — Aristotle thinks it is true of many things. But it is not true of all existing things.

Actuality also does not exactly correspond to a state of things, but rather expresses what is effectively operative. This is semantically a bit deeper than a notion of state. At the same time, it does not have state’s strong implications of complete determination. It also does not have the monolithic unity of a state. Actuality in the world consists of many coexisting things. Further, it is not intended by itself to provide all the resources needed to account for change and what happens next. This is related to the fact that for Aristotle, the operative determination of things is not entirely univocal. (See also Equivocal Determination.)

Enter potentiality. For Aristotle, all necessity is hypothetical, dependent upon conditions. Potentiality in general occupies the space of what is not univocal in the determination of things. For Aristotle a potential X will “naturally” become an actual X if no other cause stands in the way (which is sometimes a big if; e.g., we could legitimately say that the motivated high school student is a potential doctor who would become an actual doctor given the opportunity, but she may not even have to opportunity to go to university),

But the same being or thing may be potentially many things. A block of stone may be potentially a statue of Hermes, and at the same time potentially a bowl. A devout student might at the same time potentially be a doctor, a mother, and a nun. Potentialities of the same being or thing may be either mutually exclusive (like being a statute and being a bowl, or being a mother and being a nun) or compatible (like being a mother and being a doctor).

A being or thing’s potentiality in general (as distinct from specifically being potentially this or that) corresponds to multiple concrete possibilities of realization that are already implicit in current reality, but are not necessarily all compatible with one another.

At the same time, this is a far more specific notion than mere logical possibility. Potentiality is closely dependent on whatever actualities have already been concretely achieved.

At the same time, it occupies the real gaps or holes in what is determined about the future of each thing. For each aspect of things where there is not univocal determination, there are instead multiple potential alternatives. This correlates with the fact that, for Aristotle — in contrast to Poincaré’s classic formulation of modern determinism — the present does not completely determine the future.

Poincaré famously claimed that from the state of the universe at any arbitrary point in time, its entire future is completely determined. This resembles the Stoic notion of fate, transferred to a modern event-based model of causality. For both the Stoics and Poincaré, the world is completely univocally determined. Like Aristotle, they emphasized the intelligibility of the world and of change in the world, but they made the very strong assumption of complete univocal determination. Aristotle did not.

Aristotle’s notion of intelligibility is broadly semantic and normative, whereas Poincaré’s is mathematical. With semantic and normative interpretation, there is always a question of how far we develop the account, which in principle could be extended indefinitely. It thus naturally lends itself to an account of incomplete determination, corresponding to some stopping point. Aristotle does not claim any more determination than he can show.

Poincaré’s approach, by contrast, requires that we assume there is a complete univocal determination of the world by mathematical laws, even though we can never even come close to knowing enough to show it. This assumption leaves no room for anything like potentiality.

Some philosophers have also denied the relevance of potentiality, either implicitly (like Spinoza) or explicitly (like Nietzsche).

The modern factual world is usually considered as something that just is, without modal qualification, but I have increasingly begun to doubt whether for Aristotle there is any non-modal account of the world. I read actuality and potentiality both as modal concepts, and most things in the Aristotelian world as parsable into actuality and potentiality.

What’s important about this is that potentiality is not just some mysterious “metaphysical” concept that we could maybe do without. It is a distinct logical/semantic modality supporting multiple virtual alternatives for the same thing. It allows us to intelligibly account for the incomplete determination we really experience, rather than treating real-world incompleteness and ambiguity as if it were a kind of flaw. Through its relation to actuality, it is also tied to normative evaluation. (See also Structural Causality, Choice; Values, Causality; Structure, Potentiality.)

Suarez on Agents and Action

Among the greatest of the Latin scholastics, Francisco Suárez (1548-1617) was a profoundly original and highly sophisticated theologian-philosopher who significantly influenced early modern thought, and also produced monumental summaries of several centuries of Latin scholastic argument. A full third of his gigantic Metaphysical Disputations was devoted to an extremely detailed and systematic discussion of causality. A large volume entirely dedicated to efficient causes has been translated to English, and a web search popped up several secondary discussions. My comments here will be very high-level, mostly based on those.

In this scholastic context, traditional Aristotelian terms like cause, being, and substance are all given very different explanations from the nonstandard but hopefully both more historical and more useful ones I have been giving them. Latin scholastics tended to have a somewhat neoplatonizing, substantialized notion of Aristotelian causes. A common view was that any cause must be a substantial entity of some sort, whereas causes in the common modern sense are events, and I read Aristotle himself as identifying causes with “reasons why”.

Suárez held to the view of causes as substantial entities, and apparently went on to argue that all causes give Thomistic being (esse) either to a substance or to an accident in a substance. This influx or “influence” is described as a kind of immaterial flowing of being that makes or produces, without diminishing the agent. In the case of an efficient cause, this influence occurs through action, and the substantial efficient cause is called an agent. (By contrast, in the above-linked article, which has brief additional remarks on Suárez, I quoted Aristotle saying in effect that an agent’s action is more properly an efficient cause than the agent, and that something like a technique used in an action is more properly an efficient cause than the action.)

Suárez’s metaphysical emphasis on actions producing being in things has been characterized as transitional to a modern, event-based view of causality. While Suárez himself held to the idea that causes were substantial agents, early modern mechanism indeed seems to have kept his emphasis on action but moved to an event-based view.

It seems to me to have been a historical accident that mathematical natural science arose on the basis of an event-based view. While mathematics certainly can be used to develop precise descriptions of events, any mathematical analysis relevant to this can also be construed as a “reason why” rather than a mere description. On the frontier of analytic philosophy, Brandom is again suggesting that a consideration of reasons actually circumscribes — and is necessary to underwrite — consideration of events and descriptions. This suggests a new motivation for recovering Aristotle’s original reason-based view.

Efficient Cause, Again

Yesterday, I changed my thinking about Aristotle’s “efficient cause”, making a somewhat surprising connection to the modern notion of “structural causality”. Then I had to update my account of generalized unmoved movers to add a case for an unmoved efficient cause.

Aristotle’s whole framework of “causes” (answers to “why” questions) is often misunderstood, and it is especially bad with the so-called efficient cause. A quick web search on the latter turns up mostly accounts that are just wrong. (A wonderful exception is the outstanding article in the Stanford Encyclopedia of Philosophy).

At Physics 195b22-25, referring back to an earlier example of a man building a house that was initially said (metonymically, it turns out) to be an efficient cause, Aristotle wrote (Complete Works, Barnes edition) “In investigating the cause of each thing it is always necessary to seek what is most precise (as also in other things): thus a man builds because he is a builder, and a builder builds in virtue of his art of building. This last cause then is prior; and so generally.” So it is the art of building — not the carpenter or the hammer or the hammer’s blow — that primarily “builds” the house (i.e., governs the details of the process its construction), and is properly (not just metonymically) called its efficient cause. Once again, for Aristotle it is something at the level of adverbial detail — not the coarse level of agents or action — that is most important.

Having said the other day that Foucaultian discursive regularities are a kind of efficient cause like the art of building, it occurred to me they are also a good example of structural causality, and then that one might say the same about, e.g., the art of building.

Previously, I had been thinking about the efficient cause as functioning like a sort of catalyst. This relatively modest role had led me to privately think of the efficient cause as an “accidental” cause (i.e., one not really contributing to the essence of the thing).

This was at the opposite extreme from the tendency of late scholastics like the great Jesuit Francisco Suárez (1548-1617) to make efficient causes paradigmatic for causes in general, conceived in a proto-modern sense of being responsible for the fact of a thing’s being or existence rather than for the manner of its being, and as involving an “influence” from an agent rather than reasons. (In this context, ends or “final causes” were also reduced to mental intentions of a natural or supernatural agent, as al-Ghazali (d. 1111 CE) had done earlier, quite contrary to Aristotle’s own non-mental account. It was this mentalist reinterpretation that was the real target of Spinoza’s eloquent polemic against against teleology.) There is a nice article by Stephan Schmid on these issues in Suárez.

Anyway, an efficient cause as a point of application of structural causality clearly has a much bigger role to play in determining the detailed nature of a thing than the purely external one of a mere catalyst. (I am using the word “nature” here in a sense broader than Aristotle’s, similar to essence but particular to things that come to be, whereas Aristotle further limited it to nonartificial things, which he thought all contained at least a rudimentary internal principle of motion not shared by artificial things.) On my new account, the efficient cause also exemplifies the interweaving of Aristotelian essence with accident or contingency, due to the role of the semantic materiality as well as form of the means of realization of a nature that is its efficient cause.

This is also more conformant to the idea that all Aristotelian causes are supposed to contribute to explaining the natures of things. Ironically, my previous “catalyst” view made the efficient cause a kind of exception that looked more like the sort of cause of existence I have generally been arguing is un-Aristotelian. As a point of application of structural causality, an efficient cause now fits the general pattern of explaining natures, rather than the mere factual existence of things with natures more or less taken for granted.

Structural Causality, Choice

I now have an Aristotelian account of structural causality. It is exercised by the combined form and materiality of actually used means to desired ends, and behaves like a contextual unmoved mover. As usual with Aristotelian “causes”, this puts it in the context of an expressive semantics, rather than any mechanical metaphor. (See also What and Why.)

We choose among available means to our ends (and, I think, also among alternative derived ends, due to the interdependence of derived ends with means). Then through structural causality, each such choice brings with it a block of consequences that are not up to us. This reconciles structural causality with contingency and Kantian freedom. (See also Potentiality, Actuality; Structure, Potentiality; Efficient Cause.)

(Often, ends are things we just tacitly accept, but we also have the possibility of critically examining what we have tacitly accepted, and possibly changing our commitment as a result.)

Notwithstanding Brandom’s negative comments in passing about structuralism, I think a similar account of the place of structural causality can be applied in the context of Brandomian choice and practical endorsement of commitments.

Potentiality, Actuality

Potentiality and actuality are Aristotle’s indispensable modal tools, providing resources for a variety of sophisticated analyses. Notable applications include a nonreductive, “dialectical” interweaving of is and ought that allows conditional “oughts” to be constructed subsuming applicable details of a contextual “is”. This allows something like structural causality to coexist with something like Kantian freedom.

Modern discourse on the relation of “is” and “ought” has generally oscillated between a reductive ethical naturalism that explains “ought” exclusively in terms of “is” on the one hand, and an unexplainable dualism of “is” and “ought” on the other.

With his explicit distinction between modes of potentiality and actuality, Aristotle had a better way. He also talked about the typical modern modalities of abstract possibility and necessity, but concrete potentiality and actuality are the crown jewels of Aristotle’s modal discourse. (See also The Importance of Potentiality.)